Daccapo Italian Harpsichord Duo - Couperin: Les nations (2019) [Hi-Res]
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BAND/ARTIST: Daccapo Italian Harpsichord Duo
- Title: Couperin: Les nations
- Year Of Release: 2019
- Label: Stradivarius
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 01:14:41
- Total Size: 480 / 1710 mb
- WebSite: Album Preview
Tracklist
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01. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): I. Gravement-Vivement et marqué-Gravement, et marqué
02. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): II. Allemande. Sans lenteur
03. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): III. Courante
04. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): IV. Seconde courante. Plus marquée
05. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): V. Sarabande. Tendrement
06. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): VI. Bourrée. Gayement
07. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): VII. Gigue. D'une légèreté modérée
08. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): VII. Rondeau. Gayement
09. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): VII. Chaconne
10. Les Nations, 3rd Ordre "L'Impériale" (Version For 2 Harpsichords): VIII. Menuet
11. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): I. Gravement
12. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): II. Allemande. Sans lenteur
13. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): III. Premiere courante. Noblement
14. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): IV. Seconde courante. Un peu plus viste
15. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): V. Sarabande. Gravement
16. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): VI. Gigue. Gayement
17. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): VII. Chaconne ou passacaille. Modérément-Vif, et marqué
18. Les Nations, 1st Ordre "La Françoise" (Version For 2 Harpsichords): VIII. Gavotte
19. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): IX. Menuet
20. Les nations, 4th Ordre "La Piémontoise" (Version for 2 Harpsichords): I. Gravement, et rondement
21. Les nations, 4th Ordre "La Piémontoise" (Version for 2 Harpsichords): II. Allemande. Noblement, et sans lenteur
22. Les nations, 4th Ordre "La Piémontoise" (Version for 2 Harpsichords): III. Courante
23. Les nations, 4th Ordre "La Piémontoise" (Version for 2 Harpsichords): IV. Courante II. Un peu plus gayement
24. Les nations, 4th Ordre "La Piémontoise" (Version for 2 Harpsichords): V. Sarabande. Tendrement
25. Les nations, 4th Ordre "La Piémontoise" (Version for 2 Harpsichords): VI. Rondeau. Gayement
26. Les nations, 4th Ordre "La Piémontoise" (Version for 2 Harpsichords): VII. Gigue. Affectueusement; quoy-que légèrement
François Couperin, the main representative of a dynasty that dominated French music from the 16th well into the first half of the 19th century. In 1726 Couperin published his own musical atlas. According to the most plausible reconstructions based on the surviving manuscripts, the author had picked up three sonatas from a series of six trio sonatas written on Corelli’s model of “sonata da chiesa” (four movements, typically alternating slow-fast-slow-fast). These three chosen works were renamed this way: La Pucelle became La Françoise, La Visionnaire turned into L’Espagnole, L’Astrée into La Piédmontoise. To these three works Couperin added a fourth, the most extended of all, called L’Imperiale. To each Sonata, he further added a French Suite whose length suited diplomatic protocols: eight dances each for France and Spain, nine for the Holy Roman Empire, six for Piedmont. In all, four ordres for those Catholic powers that, in a typically French-centred perspective, were considered natural allies in the effort to break the siege by a hostile geopolitical bloc: Anglican Great Britain, Lutheran Prussia and Sweden, Orthodox Russia. Couperin himself writes in the preface to L’Apothéose de Lully: “[...] the complete book of trios that I hope to publish next July (Les Nations), can be played on two harpsichords, as well as on any other instrument.
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01. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): I. Gravement-Vivement et marqué-Gravement, et marqué
02. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): II. Allemande. Sans lenteur
03. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): III. Courante
04. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): IV. Seconde courante. Plus marquée
05. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): V. Sarabande. Tendrement
06. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): VI. Bourrée. Gayement
07. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): VII. Gigue. D'une légèreté modérée
08. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): VII. Rondeau. Gayement
09. Les nations, 3rd Ordre "L'Impériale" (Version for 2 Harpsichords): VII. Chaconne
10. Les Nations, 3rd Ordre "L'Impériale" (Version For 2 Harpsichords): VIII. Menuet
11. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): I. Gravement
12. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): II. Allemande. Sans lenteur
13. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): III. Premiere courante. Noblement
14. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): IV. Seconde courante. Un peu plus viste
15. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): V. Sarabande. Gravement
16. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): VI. Gigue. Gayement
17. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): VII. Chaconne ou passacaille. Modérément-Vif, et marqué
18. Les Nations, 1st Ordre "La Françoise" (Version For 2 Harpsichords): VIII. Gavotte
19. Les nations, 1st Ordre "La Françoise" (Version for 2 Harpsichords): IX. Menuet
20. Les nations, 4th Ordre "La Piémontoise" (Version for 2 Harpsichords): I. Gravement, et rondement
21. Les nations, 4th Ordre "La Piémontoise" (Version for 2 Harpsichords): II. Allemande. Noblement, et sans lenteur
22. Les nations, 4th Ordre "La Piémontoise" (Version for 2 Harpsichords): III. Courante
23. Les nations, 4th Ordre "La Piémontoise" (Version for 2 Harpsichords): IV. Courante II. Un peu plus gayement
24. Les nations, 4th Ordre "La Piémontoise" (Version for 2 Harpsichords): V. Sarabande. Tendrement
25. Les nations, 4th Ordre "La Piémontoise" (Version for 2 Harpsichords): VI. Rondeau. Gayement
26. Les nations, 4th Ordre "La Piémontoise" (Version for 2 Harpsichords): VII. Gigue. Affectueusement; quoy-que légèrement
François Couperin, the main representative of a dynasty that dominated French music from the 16th well into the first half of the 19th century. In 1726 Couperin published his own musical atlas. According to the most plausible reconstructions based on the surviving manuscripts, the author had picked up three sonatas from a series of six trio sonatas written on Corelli’s model of “sonata da chiesa” (four movements, typically alternating slow-fast-slow-fast). These three chosen works were renamed this way: La Pucelle became La Françoise, La Visionnaire turned into L’Espagnole, L’Astrée into La Piédmontoise. To these three works Couperin added a fourth, the most extended of all, called L’Imperiale. To each Sonata, he further added a French Suite whose length suited diplomatic protocols: eight dances each for France and Spain, nine for the Holy Roman Empire, six for Piedmont. In all, four ordres for those Catholic powers that, in a typically French-centred perspective, were considered natural allies in the effort to break the siege by a hostile geopolitical bloc: Anglican Great Britain, Lutheran Prussia and Sweden, Orthodox Russia. Couperin himself writes in the preface to L’Apothéose de Lully: “[...] the complete book of trios that I hope to publish next July (Les Nations), can be played on two harpsichords, as well as on any other instrument.
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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