Dmitri Hvorostovsky - Songs And Dances Of Death (1994)
BAND/ARTIST: Dmitri Hvorostovsky, Kirov Theater Orchestra, Valery Gergiev
- Title: Songs And Dances Of Death
- Year Of Release: 1994
- Label: Philips
- Genre: Classical
- Quality: APE (image + .cue)
- Total Time: 01:02:15
- Total Size: 211 MB
- WebSite: Album Preview
Tracklist:
01. Sadko: Gorat Kamennyj; Gorat Prekrasnyj
02. Kashchey The Immortal: Gluhaja Noch
03. The Snow Maiden: Na, T'oplam Sinem More
04. The Tsar's Bride: S Uma Nejdot Krasvitsa!
05. Prince Igor: Ni Sna, Ni Otdyha Izmuchennaj Dusche
The Demon:
06. Ne Plach Dit'a
07. Na Vazdushnam akeane
08. Ja Tot, Katoramu Vnimala
09. Nero: Paju Tebe, Boh Gimenej!
10. Aleko: Ves' Tabar Spit
Songs And Dances Of Death
11. I Kalybel'naja (Lullaby)
12. II Serenada (Serenade)
13. III Trepak
14. IV Palkavodets (The Field Marshal)
01. Sadko: Gorat Kamennyj; Gorat Prekrasnyj
02. Kashchey The Immortal: Gluhaja Noch
03. The Snow Maiden: Na, T'oplam Sinem More
04. The Tsar's Bride: S Uma Nejdot Krasvitsa!
05. Prince Igor: Ni Sna, Ni Otdyha Izmuchennaj Dusche
The Demon:
06. Ne Plach Dit'a
07. Na Vazdushnam akeane
08. Ja Tot, Katoramu Vnimala
09. Nero: Paju Tebe, Boh Gimenej!
10. Aleko: Ves' Tabar Spit
Songs And Dances Of Death
11. I Kalybel'naja (Lullaby)
12. II Serenada (Serenade)
13. III Trepak
14. IV Palkavodets (The Field Marshal)
This recital by baritone Dmitri Hvorostovsky could knock out the young and easily awed. The selection by itself is enough to send one into rapture: four Rimsky-Korsakov arias, Prince Igor's big aria from the second act of Borodin's opera of the same name, three arias from Rubinstein's The Demon and one from his Nero, the big aria from Rachmaninov's Aleko, and closing with Mussorgsky's Songs & Dances of Death in the Shostakovich orchestration. Though now, Hvorostovsky is just a another soulful pair of eyes sitting atop a nondescript voice. In the works that everybody and their brother has recorded, Igor's aria and Songs & Dances, Hvorostovsky has nothing to say that a half-dozen other singers haven't already said. And in the lesser known arias, Hvorostovsky's bland singing does nothing to make one want to go back to the whole works. If this is the first time hearing any of these arias and songs, you won't be disappointed. But if you know the works, you will simply be bored. -- James Leonard
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