Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner - Bach: Magnificat in E-Flat Major & Missa in F Major (2017) [Hi-Res]
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BAND/ARTIST: Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
- Title: Bach: Magnificat in E-Flat Major & Missa in F Major
- Year Of Release: 2017
- Label: SDG
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 01:13:54
- Total Size: 368 / 1346 mb
- WebSite: Album Preview
Tracklist
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01. Missa in F Major, BWV 233: I. Kyrie eleison
02. Missa in F Major, BWV 233: II. Gloria in excelsis Deo
03. Missa in F Major, BWV 233: III. Domine Deus
04. Missa in F Major, BWV 233: IV. Qui tollis peccata mundi
05. Missa in F Major, BWV 233: V. Quoniam to solus sanctus
06. Missa in F Major, BWV 233: VI. Cum Sancto Spiritu
07. Süßer Trost, mein Jesus kömmt, BWV 151: I. Süßer Trost, mein Jesus kömmt
08. Süßer Trost, mein Jesus kömmt, BWV 151: II. Erfreue dich, mein Herz
09. Süßer Trost, mein Jesus kömmt, BWV 151: III. In Jesu Demut kann ich Trost
10. Süßer Trost, mein Jesus kömmt, BWV 151: IV. Du teurer Gottessohn
11. Süßer Trost, mein Jesus kömmt, BWV 151: V. Heut schleußt er wieder auf die Tür
12. Magnificat in E-Flat Major, BWV 243a: Magnificat anima mea Dominum
13. Magnificat in E-Flat Major, BWV 243a: Et exultavit
14. Magnificat in E-Flat Major, BWV 243a: Vom Himmel hoch
15. Magnificat in E-Flat Major, BWV 243a: Quia respexit
16. Magnificat in E-Flat Major, BWV 243a: Omnes generationes
17. Magnificat in E-Flat Major, BWV 243a: Quia fecit mihi magna
18. Magnificat in E-Flat Major, BWV 243a: Freut euch und jubiliert
19. Magnificat in E-Flat Major, BWV 243a: Et misericordia
20. Magnificat in E-Flat Major, BWV 243a: Fecit potentiam
21. Magnificat in E-Flat Major, BWV 243a: Gloria in excelsis Deo
22. Magnificat in E-Flat Major, BWV 243a: Deposuit potentes
23. Magnificat in E-Flat Major, BWV 243a: Esurientes implevit bonis
24. Magnificat in E-Flat Major, BWV 243a: Virga Jesse floruit
25. Magnificat in E-Flat Major, BWV 243a: Suscepit Israel
26. Magnificat in E-Flat Major, BWV 243a: Sicut locutus est
27. Magnificat in E-Flat Major, BWV 243a: Gloria Patri
The Monteverdi Choir, specializing in Early Music, is one of the most prestigious choirs in the world.
The 1950s had seen a sudden growth of interest in Baroque and earlier music. To many, one of the characteristics of this wave of the early music movement was a careful, academic quality to performances, which therefore tended to be dry and ascetic.
In March 1964 John Eliot Gardiner, then an undergraduate at Cambridge University, formed the Monteverdi Choir for a performance of Monteverdi's Vespers at King's College Chapel at Cambridge. His aim was to bring out the passion and color of Italian music within the solid British choral tradition. The choir debuted in London in a 1966 appearance in Wigmore Hall.
Since then the Monteverdi Choir has expanded its repertory in both directions from its base in the Baroque Era, achieving a large and broad repertory. Often appearing with the English Baroque Soloists (a period instruments orchestra founded by Gardiner), the choir is famous for rich, committed performances with a strongly vital rhythmic sense and mastery of style of various eras.
It has performed and recorded Renaissance and early Baroque music (by composers such as Schütz, Gabrieli, Gesualdo, Carissimi, Campra and Leclair), more familiar Baroque music (all of Bach's major choral works, most of Purcell's semi-operas, several Handel oratorios), Classical Era masterworks (Mozart's Requiem and C minor Mass, Haydn's Seasons, Mozart's Thamos King of Egypt, Beethoven's Leonore and Missa Solemnis), the Romantic (Berlioz's Roméo et Juliet, the Choral Music of Schubert, Verdi's Requiem and Falstaff, Brahms' Ein Deutsches Requiem (two recordings), Léhar's Merry Widow) and the 20th Century era (Britten's Spring Symphony, Kurtág's Songs of Despair, and music of Percy Grainger).
The choir frequently tours. One of its most notable trips, in 1989, marked its 25th Anniversary and included singing Monteverdi's Vespers in St Mark's Basilica in Venice, the acoustic Monteverdi had in mind when he wrote it. In 1996 it participated in the inaugural Lincoln Center Festival in New York, where it joined Gardiner's Orchestre Révolutionare et Romantique in Beethoven's Ninth Symphony and Missa Solemnis. It has presented a series of concerts exploring little known choral/orchestral masterworks by Robert Schumann, which it subsequently recorded.
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01. Missa in F Major, BWV 233: I. Kyrie eleison
02. Missa in F Major, BWV 233: II. Gloria in excelsis Deo
03. Missa in F Major, BWV 233: III. Domine Deus
04. Missa in F Major, BWV 233: IV. Qui tollis peccata mundi
05. Missa in F Major, BWV 233: V. Quoniam to solus sanctus
06. Missa in F Major, BWV 233: VI. Cum Sancto Spiritu
07. Süßer Trost, mein Jesus kömmt, BWV 151: I. Süßer Trost, mein Jesus kömmt
08. Süßer Trost, mein Jesus kömmt, BWV 151: II. Erfreue dich, mein Herz
09. Süßer Trost, mein Jesus kömmt, BWV 151: III. In Jesu Demut kann ich Trost
10. Süßer Trost, mein Jesus kömmt, BWV 151: IV. Du teurer Gottessohn
11. Süßer Trost, mein Jesus kömmt, BWV 151: V. Heut schleußt er wieder auf die Tür
12. Magnificat in E-Flat Major, BWV 243a: Magnificat anima mea Dominum
13. Magnificat in E-Flat Major, BWV 243a: Et exultavit
14. Magnificat in E-Flat Major, BWV 243a: Vom Himmel hoch
15. Magnificat in E-Flat Major, BWV 243a: Quia respexit
16. Magnificat in E-Flat Major, BWV 243a: Omnes generationes
17. Magnificat in E-Flat Major, BWV 243a: Quia fecit mihi magna
18. Magnificat in E-Flat Major, BWV 243a: Freut euch und jubiliert
19. Magnificat in E-Flat Major, BWV 243a: Et misericordia
20. Magnificat in E-Flat Major, BWV 243a: Fecit potentiam
21. Magnificat in E-Flat Major, BWV 243a: Gloria in excelsis Deo
22. Magnificat in E-Flat Major, BWV 243a: Deposuit potentes
23. Magnificat in E-Flat Major, BWV 243a: Esurientes implevit bonis
24. Magnificat in E-Flat Major, BWV 243a: Virga Jesse floruit
25. Magnificat in E-Flat Major, BWV 243a: Suscepit Israel
26. Magnificat in E-Flat Major, BWV 243a: Sicut locutus est
27. Magnificat in E-Flat Major, BWV 243a: Gloria Patri
The Monteverdi Choir, specializing in Early Music, is one of the most prestigious choirs in the world.
The 1950s had seen a sudden growth of interest in Baroque and earlier music. To many, one of the characteristics of this wave of the early music movement was a careful, academic quality to performances, which therefore tended to be dry and ascetic.
In March 1964 John Eliot Gardiner, then an undergraduate at Cambridge University, formed the Monteverdi Choir for a performance of Monteverdi's Vespers at King's College Chapel at Cambridge. His aim was to bring out the passion and color of Italian music within the solid British choral tradition. The choir debuted in London in a 1966 appearance in Wigmore Hall.
Since then the Monteverdi Choir has expanded its repertory in both directions from its base in the Baroque Era, achieving a large and broad repertory. Often appearing with the English Baroque Soloists (a period instruments orchestra founded by Gardiner), the choir is famous for rich, committed performances with a strongly vital rhythmic sense and mastery of style of various eras.
It has performed and recorded Renaissance and early Baroque music (by composers such as Schütz, Gabrieli, Gesualdo, Carissimi, Campra and Leclair), more familiar Baroque music (all of Bach's major choral works, most of Purcell's semi-operas, several Handel oratorios), Classical Era masterworks (Mozart's Requiem and C minor Mass, Haydn's Seasons, Mozart's Thamos King of Egypt, Beethoven's Leonore and Missa Solemnis), the Romantic (Berlioz's Roméo et Juliet, the Choral Music of Schubert, Verdi's Requiem and Falstaff, Brahms' Ein Deutsches Requiem (two recordings), Léhar's Merry Widow) and the 20th Century era (Britten's Spring Symphony, Kurtág's Songs of Despair, and music of Percy Grainger).
The choir frequently tours. One of its most notable trips, in 1989, marked its 25th Anniversary and included singing Monteverdi's Vespers in St Mark's Basilica in Venice, the acoustic Monteverdi had in mind when he wrote it. In 1996 it participated in the inaugural Lincoln Center Festival in New York, where it joined Gardiner's Orchestre Révolutionare et Romantique in Beethoven's Ninth Symphony and Missa Solemnis. It has presented a series of concerts exploring little known choral/orchestral masterworks by Robert Schumann, which it subsequently recorded.
Year 2017 | Classical | FLAC / APE | HD & Vinyl
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