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Imogen Cooper - Imogen Cooper Plays Beethoven (2019) [CD-Rip]

Imogen Cooper - Imogen Cooper Plays Beethoven (2019) [CD-Rip]

BAND/ARTIST: Imogen Cooper

  • Title: Beethoven: Diabelli Variations, Bagatelles OP. 119, Für Elise
  • Year Of Release: 2019
  • Label: Chandos
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, booklet)
  • Total Time: 78:32
  • Total Size: 219 MB
  • WebSite:
Tracklist:

Ludwig van Beethoven (1770 - 1827)

1 11 Bagatelles, Op. 119: No. 1 in G Minor 02:41
2 11 Bagatelles, Op. 119: No. 2 in C Major 01:11
3 11 Bagatelles, Op. 119: No. 3 in D Major 01:58
4 11 Bagatelles, Op. 119: No. 4 in A Major 01:43
5 11 Bagatelles, Op. 119: No. 5 in C Minor 01:21
6 11 Bagatelles, Op. 119: No. 6 in G Major 01:56
7 11 Bagatelles, Op. 119: No. 7 in C Major 01:07
8 11 Bagatelles, Op. 119: No. 8 in C Major 01:41
9 11 Bagatelles, Op. 119: No. 9 in A Minor 00:30
10 11 Bagatelles, Op. 119: No. 10 in A Major 00:15
11 11 Bagatelles, Op. 119: No. 11 in B-Flat Major 01:56

12 Diabelli Variations, Op. 120: Theme. Vivace 00:54
13 Diabelli Variations, Op. 120: Var. 1, Alla marcia. Maestoso 01:48
14 Diabelli Variations, Op. 120: Var. 2, Poco allegro 00:56
15 Diabelli Variations, Op. 120: Var. 3, L'istesso tempo 01:24
16 Diabelli Variations, Op. 120: Var. 4, Un poco più vivace 01:10
17 Diabelli Variations, Op. 120: Var. 5, Allegro vivace 00:58
18 Diabelli Variations, Op. 120: Var. 6, Allegro ma non troppo e serioso 02:00
19 Diabelli Variations, Op. 120: Var. 7, Un poco più allegro 01:19
20 Diabelli Variations, Op. 120: Var. 8, Poco vivace 01:32
21 Diabelli Variations, Op. 120: Var. 9, Allegro pesante e risoluto 01:45
22 Diabelli Variations, Op. 120: Var. 10, Presto 00:40
23 Diabelli Variations, Op. 120: Var. 11, Allegretto 01:16
24 Diabelli Variations, Op. 120: Var. 12, Un poco più moto 00:53
25 Diabelli Variations, Op. 120: Var. 13, Vivace 01:08
26 Diabelli Variations, Op. 120: Var. 14, Grave e maestoso 05:36
27 Diabelli Variations, Op. 120: Var. 15, Presto scherzando 00:35
28 Diabelli Variations, Op. 120: Var. 16, Allegro 01:04
29 Diabelli Variations, Op. 120: Var. 17, Allegro 01:07
30 Diabelli Variations, Op. 120: Var. 18, Poco moderato 01:53
31 Diabelli Variations, Op. 120: Var. 19, Presto 00:58
32 Diabelli Variations, Op. 120: Var. 20, Andante 02:20
33 Diabelli Variations, Op. 120: Var. 21, Allegro con brio 01:24
34 Diabelli Variations, Op. 120: Var. 22, Allegro molto 00:51
35 Diabelli Variations, Op. 120: Var. 23, Allegro assai 00:55
36 Diabelli Variations, Op. 120: Var. 24, Fughetta. Andante 03:17
37 Diabelli Variations, Op. 120: Var. 25, Allegro 00:48
38 Diabelli Variations, Op. 120: Var. 26, Piacevole 01:12
39 Diabelli Variations, Op. 120: Var. 27, Vivace 01:07
40 Diabelli Variations, Op. 120: Var. 28, Allegro 01:08
41 Diabelli Variations, Op. 120: Var. 29, Adagio ma non troppo 01:22
42 Diabelli Variations, Op. 120: Var. 30, Andante, sempre cantabile 02:10
43 Diabelli Variations, Op. 120: Var. 31, Largo, molto espressivo 05:05
44 Diabelli Variations, Op. 120: Var. 32, Fuga. Allegro 03:13
45 Diabelli Variations, Op. 120: Var. 33, Tempo di menuetto. Moderato 04:27

46 Bagatelle in A Minor, WoO 59 "Für Elise" 03:31

This recording of Beethoven's 33 Variations on a Waltz by Diabelli in C major, Op. 120, by British pianist Imogen Cooper was a strong seller when it appeared in March 2019, and there appear to be several reasons why. One is the introduction of the program with the Bagatelles, Op. 119, which are not so often heard and make a fine lead-in. Cooper almost runs the bagatelles together, which one might question: each one is a distinct entity, and playing them as Cooper does loses the strangeness of, say, the 15-second Allegramente bagatelle. But Cooper seems to be asserting the unity of the set, which is reasonable even though Beethoven wrote the works at different times; some are early works, and some were newly composed for publication in 1822. She captures a certain reminiscent quality in these fascinating little works. In the Diabelli Variations themselves, Cooper avoids an intimate or intellectual reading, or a humor-oriented one, all of which are abundant, in favor of a big, muscular approach that emphasizes the work's virtuoso aspect. The fast variations are brilliant and powerful, the slow ones mystical and shadowy. It's a crowd-pleasing approach, and Cooper nails the shift into the final slow variations, which really are profound. The spacious acoustic of the Snape Maltings concert hall accords well with Cooper's approach in the hands of Chandos' engineers. Recommended. ~ James Manheim

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