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John Kitchen - Music from the age of Louis XIV (2013)

John Kitchen - Music from the age of Louis XIV (2013)

BAND/ARTIST: John Kitchen

  • Title: Music from the age of Louis XIV
  • Year Of Release: 2013
  • Label: Delphian
  • Genre: Classical
  • Quality: FLAC (image+.cue,log,scans)
  • Total Time: 01:17:16
  • Total Size: 598 Mb
  • WebSite:
Tracklist:

Pièces de clavecin, Book 1, Suite No. 1 in D Minor 23:52
By Louis Marchand
1 I. Prélude 2:25
2 II. Allemande 3:53
3 III. Courante 1 1:38
4 IV. Courante 2 2:20
5 V. Sarabande 4:07
6 VI. Gigue 2:29
7 VII. Chaconne 4:04
8 VIII. Gavotte 1:41
9 IX. Menuet 1:15
10 Pavane in F-Sharp Minor 7:28
By Louis Couperin
Pièces de clavecin, Book 1, Suite No. 4 in F Major 14:42
By Elisabeth Jacquet de La Guerre
11 I. Tocade 2:38
12 II. Allemande 2:35
13 III. Courante 1 1:28
14 IV. Courante 2 1:37
15 V. Sarabande 1:56
16 VI. Gigue 1:42
17 VII. Cannaris 1:50
18 VIII. Menuet 0:56
19 Pièces de clavecin, Suite No. 4 in D Major: VIII. Tombeau de M. de Chambonnières 5:38
By Jean Henri D'Anglebert
Trios pour le coucher du roi, LWV 35 3:43
By Jean-Baptiste Lully
20 No. 4, Dans nos bois Silvandre (Arr. J.H. D'Anglebert for Harpsichord) By Jean-Baptiste Lully 1:56
21 No. 10, La jeune Iris 1:47
22 Atys, LWV 53: Les songes agréables 2:10
23 Phaëton, LWV 61: Chaconne 4:14
Pièces de clavecin, Book 1, 3rd Ordre in C Minor-Major 15:29
By François Couperin
24 I. La ténébreuse. Allemande 4:20
25 III. Courante 2 2:03
26 IV. La lugubre. Sarabande 2:48
27 VIII. Les laurentines 4:14
28 XIII. La lutine 2:04

Performers:
John Kitchen (harpsichord)

John Kitchen continues his much-lauded series of recordings from the instruments of the world-famous Roger Mirrey collection of keyboard instruments. Recorded in St Cecilia's Hall, Scotland's oldest purpose-built concert hall, this programme is specifically designed to highlight the unique qualities of the 1755 double-manual harpsichord by Luigi Baillon. Built in Cyteux, Burgundy, it has a very different sound from Parisian instruments of the time; cleaner and brighter in tone, it is the perfect vehicle for Kitchen's subtly nuanced playing, which brings the sophistication of the period to new life.
The familiarity born of Kitchen's daily experience with the Edinburgh collections and their setting shines through these performances.



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