Emanuele Delucchi - Bach/D'Albert: Piano Transcriptions (2018)
BAND/ARTIST: Emanuele Delucchi
- Title: Bach / D'Albert: Piano Transcriptions
- Year Of Release: 2018
- Label: Piano Classics
- Genre: Classical, Piano
- Quality: flac lossless
- Total Time: 01:15:35
- Total Size: 228 mb
- WebSite: Album Preview
Tracklist
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01. Prelude and Fugue in D Major, BWV 532: I. Prelude
02. Prelude and Fugue in D Major, BWV 532: II. Fugue
03. Fantasia and Fugue in C Minor, BWV 537: I. Fantasia
04. Fantasia and Fugue in C Minor, BWV 537: II. Fugue
05. Prelude and Fugue in G Major, BWV 541: I. Prelude
06. Prelude and Fugue in G Major, BWV 541: II. Fugue
07. Toccata and Fugue in F Major, BWV 540: I. Toccata
08. Toccata and Fugue in F Major, BWV 540: II. Fugue
09. Prelude and Fugue in A Major, BWV 536: I. Prelude
10. Prelude and Fugue in A Major, BWV 536: II. Fugue
11. Prelude and Fugue in F Minor, BWV 534: I. Prelude
12. Prelude and Fugue in F Minor, BWV 534: II. Fugue
13. Toccata and fugue in D Minor, "Dorian" BWV 538: I. Toccata
14. Toccata and fugue in D Minor, "Dorian" BWV 538: II. Fugue
15. Passacaglia in C Minor, BWV 582
Eugen d’Albert (1864-1932) was a German pianist and composer, one of Liszt’s foremost pupils, his 1913 recording of the Liszt Sonata is legendary. As a pianist he was on a par with giants like Busoni and Tausig, as a composer he wrote piano and chamber music, symphonies and 21 operas. His transcriptions of Bach organ work date back to his apprenticeship under Franz Liszt. Like his teacher and idol d’Albert kept meticulously faithful to the score, which make the performance often highly demanding for the (poor) two-handed pianist, who has to master the two hands plus pedal of the original organ writing. Included are famous Preludes and Fugues and Toccatas and Fugues, culminating in a mighty rendering of the colossal Passacaglia in C minor. Italian pianist Emanuele Delucchi has the technique and style to master these transcriptions. He made a name with his recordings for Piano Classics of the insanely difficult Chopin Studies by Godowsky, played on a 1906 Steinway D, of which the Gramophone wrote: “ Its palette of warm colours remained intact but gained a more incisive attack, allowing Delucchi’s voicing and extraordinary digital facility to be heard at its best…Delucchi is in a class of his own”, Jed Distler of Classicstoday.com wrote: “9/9: every inch a viable contender to the reference versions”. Booklet notes by the artist, in English and Italian.
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01. Prelude and Fugue in D Major, BWV 532: I. Prelude
02. Prelude and Fugue in D Major, BWV 532: II. Fugue
03. Fantasia and Fugue in C Minor, BWV 537: I. Fantasia
04. Fantasia and Fugue in C Minor, BWV 537: II. Fugue
05. Prelude and Fugue in G Major, BWV 541: I. Prelude
06. Prelude and Fugue in G Major, BWV 541: II. Fugue
07. Toccata and Fugue in F Major, BWV 540: I. Toccata
08. Toccata and Fugue in F Major, BWV 540: II. Fugue
09. Prelude and Fugue in A Major, BWV 536: I. Prelude
10. Prelude and Fugue in A Major, BWV 536: II. Fugue
11. Prelude and Fugue in F Minor, BWV 534: I. Prelude
12. Prelude and Fugue in F Minor, BWV 534: II. Fugue
13. Toccata and fugue in D Minor, "Dorian" BWV 538: I. Toccata
14. Toccata and fugue in D Minor, "Dorian" BWV 538: II. Fugue
15. Passacaglia in C Minor, BWV 582
Eugen d’Albert (1864-1932) was a German pianist and composer, one of Liszt’s foremost pupils, his 1913 recording of the Liszt Sonata is legendary. As a pianist he was on a par with giants like Busoni and Tausig, as a composer he wrote piano and chamber music, symphonies and 21 operas. His transcriptions of Bach organ work date back to his apprenticeship under Franz Liszt. Like his teacher and idol d’Albert kept meticulously faithful to the score, which make the performance often highly demanding for the (poor) two-handed pianist, who has to master the two hands plus pedal of the original organ writing. Included are famous Preludes and Fugues and Toccatas and Fugues, culminating in a mighty rendering of the colossal Passacaglia in C minor. Italian pianist Emanuele Delucchi has the technique and style to master these transcriptions. He made a name with his recordings for Piano Classics of the insanely difficult Chopin Studies by Godowsky, played on a 1906 Steinway D, of which the Gramophone wrote: “ Its palette of warm colours remained intact but gained a more incisive attack, allowing Delucchi’s voicing and extraordinary digital facility to be heard at its best…Delucchi is in a class of his own”, Jed Distler of Classicstoday.com wrote: “9/9: every inch a viable contender to the reference versions”. Booklet notes by the artist, in English and Italian.
Year 2018 | Classical | FLAC / APE
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