• logo

Itzhak Perlman - Vivaldi: The Four Seasons & Violin Concertos RV.199, RV.356, RV.347 (1995) CD-Rip

Itzhak Perlman - Vivaldi: The Four Seasons & Violin Concertos RV.199, RV.356, RV.347 (1995) CD-Rip

BAND/ARTIST: Itzhak Perlman

  • Title: Vivaldi: The Four Seasons & Violin Concertos RV.199, RV.356, RV.347
  • Year Of Release: 1995
  • Label: EMI France
  • Genre: Classical
  • Quality: APE (image+.cue,log,scans)
  • Total Time: 73:02
  • Total Size: 372 Mb
  • WebSite:
Tracklist:

Concerto in E Major, 'Spring', RV 269
1. I Allegro - 3:18
2. II Largo - 2:39
3. III Allegro - 4:41
Concerto in G minor, 'Summer', RV 315
4. I Allegro non molto - 6:10
5. II Adagio - 2:41
6. III Presto - 2:58
Concerto in F Major, 'Autumn', RV 293
7. I Allegro - 5:18
8. II Adagio molto - 3:03
9. III Allegro - 3:12
Concerto in F minor, 'Winter', RV 297
10. I Allegro non molto - 3:32
11. II Largo - 2:28
12. III Allegro - 3:19
Concerto in C minor, RV 199, 'Il sospetto'
13. I Allegro - 3:51
14. II Andante - 2:50
15. III Allegro - 2:25
Concerto in A minor, RV 356
16. I Allegro - 3:17
17. II Largo - 2:35
18. III Presto - 2:47
Concerto in A Major, RV 347
19. I Allegro - 3:54
20. II Largo - 2:42
21. III Allegro - 3:34

Performers:
Itzhak Perlman – violin
London Philharmonic Orchestra (1-12)
Israel Philharmonic Orchestra (13-21)
Recorded: 1976 (1-12), 1982 (13-21)

Perlman's Four Seasons was recorded in 1976 in London's Abbey Road Studios. This was before the period instruments craze had gotten up to full steam. Perlman and the London Philharmonic play unrepentantly on modern instruments and in a modern style, albeit not without Baroque savvy. Expansive tempos and rich, vibrato-generous sonorities make this recording a good choice for listeners who don't seek the astringencies of period performance, or who simply want to take a musical bubble bath in this repertoire. Opportunities to characterize (barking dogs, snoring peasants, etc.) are neither ignored nor taken as far as they can be. All in all, this is a good middle of the road recording whose flavoring is more sweet than piquant, and whose intention is more to please than to inspire.
The three concertos added as makeweight were recorded in 1982-83. The Israel Philharmonic plays with less personality than the London Philharmonic, and Perlman sounds marginally less involved. The early digital recording, lacking in weight, is somewhat inferior to the late analog techniques used in the Four Seasons sessions.





As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
  • Unlimited high speed downloads
  • Download directly without waiting time
  • Unlimited parallel downloads
  • Support for download accelerators
  • No advertising
  • Resume broken downloads