Giulio Prandi - Handel in Rome 1707 (Live) (2016)
BAND/ARTIST: Giulio Prandi
- Title: Handel in Rome 1707 (Live)
- Year Of Release: 2016
- Label: deutsche harmonia mundi
- Genre: Classical, Opera
- Quality: flac lossless
- Total Time: 01:10:14
- Total Size: 343 mb
- WebSite: Album Preview
Tracklist
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01. Donna che in Ciel, HWV 233: Introduttione alla cantata (Live)
02. Donna che in Ciel, HWV 233: Recitativo "Donna che in ciel" (Live)
03. Donna che in Ciel, HWV 233: Aria "Vacillo per terror del primo errore" (Live)
04. Donna che in Ciel, HWV 233: Recitativo accopmagnato "Torna immobile in grembo" (Live)
05. Donna che in Ciel, HWV 233: Aria "Tu sei la bella serena stella" (Live)
06. Donna che in Ciel, HWV 233: Recitativo "Pur nella via" (Live)
07. Donna che in Ciel, HWV 233: Aria "Sorga pure dall'orrido averno" (Live)
08. Donna che in Ciel, HWV 233: Recitativo "Dunque a te diamo lodi" (Live)
09. Donna che in Ciel, HWV 233: Aria con coro "Maria, salute e speme" (Live)
10. Ah! che troppo ineguali (O del Ciel Maria Regina), HWV 230: Recitativo "Ah che troppo ineguali" (Live)
11. Ah! che troppo ineguali (O del Ciel Maria Regina), HWV 230: Aria "O del ciel Maria Regina" (Live)
12. Dixit Dominus, HWV 232: Dixit Dominus (Live)
13. Dixit Dominus, HWV 232: Virgam virtutis tuae (Live)
14. Dixit Dominus, HWV 232: Tecum principium (Live)
15. Dixit Dominus, HWV 232: Juravit Dominus (Live)
16. Dixit Dominus, HWV 232: Tu es sacerdos (Live)
17. Dixit Dominus, HWV 232: Dominus a dextris (Live)
18. Dixit Dominus, HWV 232: Judicabit in nationibus (Live)
19. Dixit Dominus, HWV 232: De torrente (Live)
20. Dixit Dominus, HWV 232: Gloria Patri (Live)
At the end of 1706, not yet 22 years of age, George Frideric Handel arrived in Rome. “Having shown off his skills to the amazement of everyone” on the organ of St John Lateran on 14 January 1707, the young talent from beyond the Alps immediately established himself in the lively cultural fabric of the city, causing a disruptive reaction, an alchemy that was to transform the traveller as much as his hosts. The compositions recorded here testify to this meeting: a dialogue between two musical cultures that shared an illustrious history & an extremely dynamic modernity; a dialogue captured in the first annus mirabilis of the crucial Italian tour that gave rise to the earliest masterpieces by the Saxon, as German musicians were often called in Italy. By the first weeks of the year, Handel was already caught up in a dense network of aristocratic patronage, both secular (the Marquis Ruspoli) and ecclesiastical (the Cardinals Ottoboni, Colonna and Pamphili), and that saw him play the dual roles of composer & performer at the keyboard in a plethora of occasions, from religious functions (even if Handel was Lutheran) to accademie or conversazioni, namely concerts held at the luxurious homes of patrons, and open to diplomats, aristocrats, travellers & musicians; occasions on which he worked alongside such established colleagues as Arcangelo Corelli, Bernardo Pasquini & Alessandro Scarlatti. Giulio Prandi is the founder & conductor of the Ghislieri Choir & Consort. He is also artistic and musical director of Ghislierimusica, set in the historic Ghislieri College of Pavia. Prandi & the Ghislieri Choir and Consort are regularly invited to perform at prestigious music festivals and in major concert halls all over Europe. After the debut album for Amadeus magazine, Prandi started recording for Sony - Deutsche Harmonia Mundi in 2010. In 2015/2016, he formed part of the jury of the Göttingen Handel Competition & of the International Van Wassenaer Competition 2016 in Utrecht. Giulio Prandi’s engagements with Ghislieri Choir & Consort will take him to Italy, France, the Netherlands, Belgium, Germany & Malta.
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01. Donna che in Ciel, HWV 233: Introduttione alla cantata (Live)
02. Donna che in Ciel, HWV 233: Recitativo "Donna che in ciel" (Live)
03. Donna che in Ciel, HWV 233: Aria "Vacillo per terror del primo errore" (Live)
04. Donna che in Ciel, HWV 233: Recitativo accopmagnato "Torna immobile in grembo" (Live)
05. Donna che in Ciel, HWV 233: Aria "Tu sei la bella serena stella" (Live)
06. Donna che in Ciel, HWV 233: Recitativo "Pur nella via" (Live)
07. Donna che in Ciel, HWV 233: Aria "Sorga pure dall'orrido averno" (Live)
08. Donna che in Ciel, HWV 233: Recitativo "Dunque a te diamo lodi" (Live)
09. Donna che in Ciel, HWV 233: Aria con coro "Maria, salute e speme" (Live)
10. Ah! che troppo ineguali (O del Ciel Maria Regina), HWV 230: Recitativo "Ah che troppo ineguali" (Live)
11. Ah! che troppo ineguali (O del Ciel Maria Regina), HWV 230: Aria "O del ciel Maria Regina" (Live)
12. Dixit Dominus, HWV 232: Dixit Dominus (Live)
13. Dixit Dominus, HWV 232: Virgam virtutis tuae (Live)
14. Dixit Dominus, HWV 232: Tecum principium (Live)
15. Dixit Dominus, HWV 232: Juravit Dominus (Live)
16. Dixit Dominus, HWV 232: Tu es sacerdos (Live)
17. Dixit Dominus, HWV 232: Dominus a dextris (Live)
18. Dixit Dominus, HWV 232: Judicabit in nationibus (Live)
19. Dixit Dominus, HWV 232: De torrente (Live)
20. Dixit Dominus, HWV 232: Gloria Patri (Live)
At the end of 1706, not yet 22 years of age, George Frideric Handel arrived in Rome. “Having shown off his skills to the amazement of everyone” on the organ of St John Lateran on 14 January 1707, the young talent from beyond the Alps immediately established himself in the lively cultural fabric of the city, causing a disruptive reaction, an alchemy that was to transform the traveller as much as his hosts. The compositions recorded here testify to this meeting: a dialogue between two musical cultures that shared an illustrious history & an extremely dynamic modernity; a dialogue captured in the first annus mirabilis of the crucial Italian tour that gave rise to the earliest masterpieces by the Saxon, as German musicians were often called in Italy. By the first weeks of the year, Handel was already caught up in a dense network of aristocratic patronage, both secular (the Marquis Ruspoli) and ecclesiastical (the Cardinals Ottoboni, Colonna and Pamphili), and that saw him play the dual roles of composer & performer at the keyboard in a plethora of occasions, from religious functions (even if Handel was Lutheran) to accademie or conversazioni, namely concerts held at the luxurious homes of patrons, and open to diplomats, aristocrats, travellers & musicians; occasions on which he worked alongside such established colleagues as Arcangelo Corelli, Bernardo Pasquini & Alessandro Scarlatti. Giulio Prandi is the founder & conductor of the Ghislieri Choir & Consort. He is also artistic and musical director of Ghislierimusica, set in the historic Ghislieri College of Pavia. Prandi & the Ghislieri Choir and Consort are regularly invited to perform at prestigious music festivals and in major concert halls all over Europe. After the debut album for Amadeus magazine, Prandi started recording for Sony - Deutsche Harmonia Mundi in 2010. In 2015/2016, he formed part of the jury of the Göttingen Handel Competition & of the International Van Wassenaer Competition 2016 in Utrecht. Giulio Prandi’s engagements with Ghislieri Choir & Consort will take him to Italy, France, the Netherlands, Belgium, Germany & Malta.
Year 2016 | Classical | FLAC / APE
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