Dongho Kim, Daniele Terenzi, Elisa Balbo, Andrea Borghini - Gomes: Lo schiavo (Live) (2019) [Hi-Res]
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BAND/ARTIST: Dongho Kim, Daniele Terenzi, Elisa Balbo, Andrea Borghini
- Title: Gomes: Lo schiavo (Live)
- Year Of Release: 2019
- Label: Dynamic
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 02:12:18
- Total Size: 569 / 2348 mb
- WebSite: Album Preview
Tracklist
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CD1
01. Lo schiavo: Preludio (Live)
02. Lo schiavo, Act I Scene 1: Oggi Imene qui prepara (Live)
03. Lo schiavo, Act I Scene 2: Salute a voi, signor... (Live)
04. Lo schiavo, Act I Scene 3: Una rivolta degli schiavi (Live)
05. Lo schiavo, Act I Scene 4: Segue e sorveglia i passi miei (Live)
06. Lo schiavo, Act I Scene 5: Vittoria! (Live)
07. Lo schiavo, Act I Scene 6: Fermate... Che avvenne mai? (Live)
08. Lo schiavo, Act I Scene 6: In aspra guerra per la mia terra (Live)
09. Lo schiavo, Act I Scene 6: Che dissi io mai! (Live)
10. Lo schiavo, Act I Scene 6: Baciar desìo la tua man (Live)
11. Lo schiavo, Act I Scene 7: Di ribellione autore (Live)
12. Lo schiavo, Act I Scene 7: Ah! Amo l'angelo che Iddio (Live)
13. Lo schiavo, Act I Scene 8: Che vedo! Là... (Live)
14. Lo schiavo, Act I Scene 9: Conservi ognor fedele (Live)
15. Lo schiavo, Act I Scene 10: Ah! Tradimento! (Live)
16. Lo schiavo, Act II Scene 1: Piacer! Ecco la cura (Live)
17. Lo schiavo, Act II Scene 2: Conte, voi obliarmi sembrate (Live)
18. Lo schiavo, Act II Scene 3: All’istante partir di qui vorrei (Live)
19. Lo schiavo, Act II Scene 3: Quando nascesti tu (Live)
20. Lo schiavo, Act II Scene 6: Grazie davver, signori (Live)
21. Lo schiavo, Act II Scene 6: Un astro splendido (Live)
22. Lo schiavo, Act II Scene 7: Quegl'infelici or dunque (Live)
23. Lo schiavo, Act II Scene 8: Che vedo? Qui costoro? (Live)
24. Lo schiavo, Act II Scene 8: La fiamma cocente (Live)
CD2
01. Lo schiavo, Act III Scene 1: Alba dorata del natio mio suol (Live)
02. Lo schiavo, Act III Scene 1: Oh ciel di Parahyba (Live)
03. Lo schiavo, Act III Scene 1: La stella dell'amor (Live)
04. Lo schiavo, Act III Scene 2: Vedi? Son teco! (Live)
05. Lo schiavo, Act III Scene 3: Fragile cor di donna (Live)
06. Lo schiavo, Act III Scene 4: Iberè! (Live)
07. Lo schiavo, Act III Scene 5: Di quale frastuono la selva risuonò! (Live)
08. Lo schiavo, Act III Scene 5: Guerrier prode e fedele (Live)
09. Lo schiavo, Act III Scene 6: Pari alla tigre (Live)
10. Lo schiavo, Act IV Scene 1: All'erta! All'erta! (Live)
11. Lo schiavo, Act IV Scene 2: Uno scampo Iberè si prepara... (Live)
12. Lo schiavo, Act IV Scene 3: Sospettano di me (Live)
13. Lo schiavo, Act IV Scene 3: Sogni d'amore (Live)
14. Lo schiavo, Act IV Scene 3: Ullàa! All'erta! (Live)
15. Lo schiavo, Act IV Scene 4: Preludio orchestrale (Live)
16. Lo schiavo, Act IV Scene 5: Oh come splendido e bello (Live)
17. Lo schiavo, Act IV Scene 5: Come serenamente (Live)
18. Lo schiavo, Act IV Scene 6: Ecco l'ombra mia funesta (Live)
19. Lo schiavo, Act IV Scene 7: Il temerario vien dal mar (Live)
20. Lo schiavo, Act IV Scene 8: Benché le insegne e l'armi (Live)
21. Lo schiavo, Act IV Scene 9: Traditor! La giusta vendetta (Live)
22. Lo schiavo, Act IV Scene 9: È ver, l'amai nell'iride (Live)
23. Lo schiavo, Act IV Scene 10: Olà! Che tardi? (Live)
Brazilian composer Antônio Carlos Gomes was among the many musicians who travelled to Italy to master the language and the rules of operatic works. He studied in Milan and succeeded in having a few operas staged at Italian venues, before returning to Brazil where he was hailed as the most famous living national composer. Gomes felt compelled to commit his work to the country’s anti-slave cause, which was still legal practice then.
Lo schiavo was therefore conceived as a politically engaged work. However, the issue was rather volatile and the composer had to change the contemporary time setting to a more distant one. In Brazil the opera was a triumph, but elsewhere it failed to gain popularity and soon fell into oblivion. This recording of the Teatro Lirico di Cagliari’s production documents the opera’s first performance in modern times and reveals Gomes’ flamboyant richness of melodic creativity, his sound grasp of construction, and a technical mastery of the theatrical mechanisms that are always of the highest level.
‘The most popular title of the entire Brazilian repertoire. The most represented and, perhaps, the most loved one.’ – John Neschling, conductor.
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CD1
01. Lo schiavo: Preludio (Live)
02. Lo schiavo, Act I Scene 1: Oggi Imene qui prepara (Live)
03. Lo schiavo, Act I Scene 2: Salute a voi, signor... (Live)
04. Lo schiavo, Act I Scene 3: Una rivolta degli schiavi (Live)
05. Lo schiavo, Act I Scene 4: Segue e sorveglia i passi miei (Live)
06. Lo schiavo, Act I Scene 5: Vittoria! (Live)
07. Lo schiavo, Act I Scene 6: Fermate... Che avvenne mai? (Live)
08. Lo schiavo, Act I Scene 6: In aspra guerra per la mia terra (Live)
09. Lo schiavo, Act I Scene 6: Che dissi io mai! (Live)
10. Lo schiavo, Act I Scene 6: Baciar desìo la tua man (Live)
11. Lo schiavo, Act I Scene 7: Di ribellione autore (Live)
12. Lo schiavo, Act I Scene 7: Ah! Amo l'angelo che Iddio (Live)
13. Lo schiavo, Act I Scene 8: Che vedo! Là... (Live)
14. Lo schiavo, Act I Scene 9: Conservi ognor fedele (Live)
15. Lo schiavo, Act I Scene 10: Ah! Tradimento! (Live)
16. Lo schiavo, Act II Scene 1: Piacer! Ecco la cura (Live)
17. Lo schiavo, Act II Scene 2: Conte, voi obliarmi sembrate (Live)
18. Lo schiavo, Act II Scene 3: All’istante partir di qui vorrei (Live)
19. Lo schiavo, Act II Scene 3: Quando nascesti tu (Live)
20. Lo schiavo, Act II Scene 6: Grazie davver, signori (Live)
21. Lo schiavo, Act II Scene 6: Un astro splendido (Live)
22. Lo schiavo, Act II Scene 7: Quegl'infelici or dunque (Live)
23. Lo schiavo, Act II Scene 8: Che vedo? Qui costoro? (Live)
24. Lo schiavo, Act II Scene 8: La fiamma cocente (Live)
CD2
01. Lo schiavo, Act III Scene 1: Alba dorata del natio mio suol (Live)
02. Lo schiavo, Act III Scene 1: Oh ciel di Parahyba (Live)
03. Lo schiavo, Act III Scene 1: La stella dell'amor (Live)
04. Lo schiavo, Act III Scene 2: Vedi? Son teco! (Live)
05. Lo schiavo, Act III Scene 3: Fragile cor di donna (Live)
06. Lo schiavo, Act III Scene 4: Iberè! (Live)
07. Lo schiavo, Act III Scene 5: Di quale frastuono la selva risuonò! (Live)
08. Lo schiavo, Act III Scene 5: Guerrier prode e fedele (Live)
09. Lo schiavo, Act III Scene 6: Pari alla tigre (Live)
10. Lo schiavo, Act IV Scene 1: All'erta! All'erta! (Live)
11. Lo schiavo, Act IV Scene 2: Uno scampo Iberè si prepara... (Live)
12. Lo schiavo, Act IV Scene 3: Sospettano di me (Live)
13. Lo schiavo, Act IV Scene 3: Sogni d'amore (Live)
14. Lo schiavo, Act IV Scene 3: Ullàa! All'erta! (Live)
15. Lo schiavo, Act IV Scene 4: Preludio orchestrale (Live)
16. Lo schiavo, Act IV Scene 5: Oh come splendido e bello (Live)
17. Lo schiavo, Act IV Scene 5: Come serenamente (Live)
18. Lo schiavo, Act IV Scene 6: Ecco l'ombra mia funesta (Live)
19. Lo schiavo, Act IV Scene 7: Il temerario vien dal mar (Live)
20. Lo schiavo, Act IV Scene 8: Benché le insegne e l'armi (Live)
21. Lo schiavo, Act IV Scene 9: Traditor! La giusta vendetta (Live)
22. Lo schiavo, Act IV Scene 9: È ver, l'amai nell'iride (Live)
23. Lo schiavo, Act IV Scene 10: Olà! Che tardi? (Live)
Brazilian composer Antônio Carlos Gomes was among the many musicians who travelled to Italy to master the language and the rules of operatic works. He studied in Milan and succeeded in having a few operas staged at Italian venues, before returning to Brazil where he was hailed as the most famous living national composer. Gomes felt compelled to commit his work to the country’s anti-slave cause, which was still legal practice then.
Lo schiavo was therefore conceived as a politically engaged work. However, the issue was rather volatile and the composer had to change the contemporary time setting to a more distant one. In Brazil the opera was a triumph, but elsewhere it failed to gain popularity and soon fell into oblivion. This recording of the Teatro Lirico di Cagliari’s production documents the opera’s first performance in modern times and reveals Gomes’ flamboyant richness of melodic creativity, his sound grasp of construction, and a technical mastery of the theatrical mechanisms that are always of the highest level.
‘The most popular title of the entire Brazilian repertoire. The most represented and, perhaps, the most loved one.’ – John Neschling, conductor.
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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