John Chantler - Tomorrow is Too Late (2019)
BAND/ARTIST: John Chantler
- Title: Tomorrow is Too Late
- Year Of Release: 2019
- Label: Room40 – RM4107
- Genre: Experimental, Electronic
- Quality: lossless (tracks)
- Total Time: 37:33
- Total Size: 193 mb
- WebSite: Album Preview
Tracklist
1. Tomorrow is Too Late (Part 1) 06:30
2. Tomorrow is Too Late (Part 2) 02:50
3. Tomorrow is Too Late (Part 3) 06:50
4. Tomorrow is Too Late (Part 4) 02:17
5. We're Always At The End (Part 1) 03:26
6. We're Always At The End (Part 2) 12:33
7. We're Always At The End (Part 3) 03:06
Electro-acoustic explorer John Chantler expands his timbral horizons with a subtly dynamic suite recorded at INA-GRM, Paris; Elbphilharmonie, Hamburg; and 1703, Stockholm, in a commission for the GRM’s François Bonnet.
Chantler absorbingly pays attention to the nanoscopic and macro details of his sound here in a vast cosmic entanglement of subatomic chatter and arcing harmonic structures that describe a real head-fuck of awesome electronic abstraction. On the surface it can appear formidably alien, but those parts always lead somewhere sweeter and gratifyingly inquisitive.
“Australian born, Sweden based artist John Chantler returns to Room40 with his fifth solo edition. 'Tomorrow Is Too Late' was commissioned by INA GRM for their Présences Électronique festival in 2018 and sees Chantler significantly expand the horizons of his acoustic palette. Moving from subtle microtonal movements to passages of intense harmonic saturation, Tomorrow Is Too Late is his most dynamic work to date. A powerhouse of reductive intensity that bares witness to Chantler’s uncompromising sonic articulations.”
1. Tomorrow is Too Late (Part 1) 06:30
2. Tomorrow is Too Late (Part 2) 02:50
3. Tomorrow is Too Late (Part 3) 06:50
4. Tomorrow is Too Late (Part 4) 02:17
5. We're Always At The End (Part 1) 03:26
6. We're Always At The End (Part 2) 12:33
7. We're Always At The End (Part 3) 03:06
Electro-acoustic explorer John Chantler expands his timbral horizons with a subtly dynamic suite recorded at INA-GRM, Paris; Elbphilharmonie, Hamburg; and 1703, Stockholm, in a commission for the GRM’s François Bonnet.
Chantler absorbingly pays attention to the nanoscopic and macro details of his sound here in a vast cosmic entanglement of subatomic chatter and arcing harmonic structures that describe a real head-fuck of awesome electronic abstraction. On the surface it can appear formidably alien, but those parts always lead somewhere sweeter and gratifyingly inquisitive.
“Australian born, Sweden based artist John Chantler returns to Room40 with his fifth solo edition. 'Tomorrow Is Too Late' was commissioned by INA GRM for their Présences Électronique festival in 2018 and sees Chantler significantly expand the horizons of his acoustic palette. Moving from subtle microtonal movements to passages of intense harmonic saturation, Tomorrow Is Too Late is his most dynamic work to date. A powerhouse of reductive intensity that bares witness to Chantler’s uncompromising sonic articulations.”
Year 2019 | Electronic | FLAC / APE
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