Pro Arte Orchestra, The Bach Choir, Jacques Orchestra, Boris Ord, Reginald Jacques - Early Studio Recordings, Vol. 3 (2019) [Hi-Res]
![Pro Arte Orchestra, The Bach Choir, Jacques Orchestra, Boris Ord, Reginald Jacques - Early Studio Recordings, Vol. 3 (2019) [Hi-Res]](https://www.dibpic.com/uploads/posts/2019-10/1570341303_thurston-dart-early-studio-recordings-vol_-3-2019.jpg)
BAND/ARTIST: Pro Arte Orchestra, The Bach Choir, Jacques Orchestra, Boris Ord, Reginald Jacques
- Title: Early Studio Recordings, Vol. 3
- Year Of Release: 2019
- Label: First Hand Records
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 01:23:57
- Total Size: 500 / 1867 mb
- WebSite: Album Preview
Tracklist
01. Concerto in D Minor, Op. 3 No. 11, RV 565 (Arr. T. Dart): I. Allegro-Adagio
02. Concerto in D Minor, Op. 3 No. 11, RV 565 (Arr. T. Dart): II. Allegro
03. Concerto in D Minor, Op. 3 No. 11, RV 565 (Arr. T. Dart): III. Largo
04. Concerto in D Minor, Op. 3 No. 11, RV 565 (Arr. T. Dart): IV. Allegro
05. Harpsichord Concerto in A Minor, BWV 1065 (After Vivaldi's RV 580): I. Allegro
06. Harpsichord Concerto in A Minor, BWV 1065 (After Vivaldi's RV 580): II. Largo
07. Harpsichord Concerto in A Minor, BWV 1065 (After Vivaldi's RV 580): III. Finale. Allegro
08. Harpsichord Concerto in C Major, BWV 1064: I. Allegro
09. Harpsichord Concerto in C Major, BWV 1064: II. Adagio
10. Harpsichord Concerto in C Major, BWV 1064: III. Allegro
11. Variations on a Theme of Mozart for 4 Harpsichords
12. 6 Variations on "Mein junges Leben hat ein End", SwWV 324
13. Booke of Virginal Music: No. 39, The 10th Pavian-No. 40, The Galliarde to the 10th Pavian
14. Toccata No. 2 in D Minor, FbWV 102
15. Chaconne in D Major, P. 40
16. Bleib bei uns, denn es will Abend werden, BWV 6 (Excerpts Sung in English): I. Bide With Us
17. Bleib bei uns, denn es will Abend werden, BWV 6 (Excerpts Sung in English): II. Thou, Whose Praises Never End
18. Bleib bei uns, denn es will Abend werden, BWV 6 (Excerpts Sung in English): III. O Bide With Us, Thou Saviour Dear
19. Bleib bei uns, denn es will Abend werden, BWV 6 (Excerpts Sung in English): V. Lord, to Us Thyself Be Shewing
20. Bleib bei uns, denn es will Abend werden, BWV 6 (Excerpts Sung in English): VI. Lord Jesu Christ, Thy Power Display
This is the third of at least five volumes of EMI early stereophonic recordings, released in a joint venture with the Archive of Recorded Sound (ARS). EMI started to record in stereo in 1954 and all the recordings in this new series are from this historic period of recorded music. All the releases will appear for the first time in some form and feature many of the greatest classical artists of the time.
Popular classical music figures of the mid-twentieth century, the artists on this disc would have been particualrly familiar to the British concertgoer in this period. George Malcolm, equally proficient as a conductor, pianist and composer and who with his unique brilliance brought the harpsichord to a place of universal respect in the concert hall; Thurston Dart was a eminent English musicologist, keyboard player and conductor; Ralph Kirkpatrick was celebrated American harpsichordist whose manner at the manner at the harpsichord is of a completely different sensibility than the others on this issue, from the flamboyant, technicolor approach so enthusiastically championed by his British colleagues.
You could call this album a harpsichord extravaganze – indeed in George Malcolm's ingratiating and inspired Variations on a Theme by Mozart for Four Harpsichords the instruments are shown-off superbly, ans alos in the splendid arrangment of Vivaldi’s Concerto in A minor, Op. 3/11 by Thurston Dart. The Bach Cantata No. 6 recording is a recent discovery and is the Bach Choir's earliest recording in stereo.
01. Concerto in D Minor, Op. 3 No. 11, RV 565 (Arr. T. Dart): I. Allegro-Adagio
02. Concerto in D Minor, Op. 3 No. 11, RV 565 (Arr. T. Dart): II. Allegro
03. Concerto in D Minor, Op. 3 No. 11, RV 565 (Arr. T. Dart): III. Largo
04. Concerto in D Minor, Op. 3 No. 11, RV 565 (Arr. T. Dart): IV. Allegro
05. Harpsichord Concerto in A Minor, BWV 1065 (After Vivaldi's RV 580): I. Allegro
06. Harpsichord Concerto in A Minor, BWV 1065 (After Vivaldi's RV 580): II. Largo
07. Harpsichord Concerto in A Minor, BWV 1065 (After Vivaldi's RV 580): III. Finale. Allegro
08. Harpsichord Concerto in C Major, BWV 1064: I. Allegro
09. Harpsichord Concerto in C Major, BWV 1064: II. Adagio
10. Harpsichord Concerto in C Major, BWV 1064: III. Allegro
11. Variations on a Theme of Mozart for 4 Harpsichords
12. 6 Variations on "Mein junges Leben hat ein End", SwWV 324
13. Booke of Virginal Music: No. 39, The 10th Pavian-No. 40, The Galliarde to the 10th Pavian
14. Toccata No. 2 in D Minor, FbWV 102
15. Chaconne in D Major, P. 40
16. Bleib bei uns, denn es will Abend werden, BWV 6 (Excerpts Sung in English): I. Bide With Us
17. Bleib bei uns, denn es will Abend werden, BWV 6 (Excerpts Sung in English): II. Thou, Whose Praises Never End
18. Bleib bei uns, denn es will Abend werden, BWV 6 (Excerpts Sung in English): III. O Bide With Us, Thou Saviour Dear
19. Bleib bei uns, denn es will Abend werden, BWV 6 (Excerpts Sung in English): V. Lord, to Us Thyself Be Shewing
20. Bleib bei uns, denn es will Abend werden, BWV 6 (Excerpts Sung in English): VI. Lord Jesu Christ, Thy Power Display
This is the third of at least five volumes of EMI early stereophonic recordings, released in a joint venture with the Archive of Recorded Sound (ARS). EMI started to record in stereo in 1954 and all the recordings in this new series are from this historic period of recorded music. All the releases will appear for the first time in some form and feature many of the greatest classical artists of the time.
Popular classical music figures of the mid-twentieth century, the artists on this disc would have been particualrly familiar to the British concertgoer in this period. George Malcolm, equally proficient as a conductor, pianist and composer and who with his unique brilliance brought the harpsichord to a place of universal respect in the concert hall; Thurston Dart was a eminent English musicologist, keyboard player and conductor; Ralph Kirkpatrick was celebrated American harpsichordist whose manner at the manner at the harpsichord is of a completely different sensibility than the others on this issue, from the flamboyant, technicolor approach so enthusiastically championed by his British colleagues.
You could call this album a harpsichord extravaganze – indeed in George Malcolm's ingratiating and inspired Variations on a Theme by Mozart for Four Harpsichords the instruments are shown-off superbly, ans alos in the splendid arrangment of Vivaldi’s Concerto in A minor, Op. 3/11 by Thurston Dart. The Bach Cantata No. 6 recording is a recent discovery and is the Bach Choir's earliest recording in stereo.
Year 2019 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads