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Jan-Willem Rozenboom - Jan-Willem Rozenboom plays Schubert (2019)

Jan-Willem Rozenboom - Jan-Willem Rozenboom plays Schubert (2019)
  • Title: Jan-Willem Rozenboom plays Schubert
  • Year Of Release: 2019
  • Label: Modestus Records
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 97:57 min
  • Total Size: 302 MB
  • WebSite:
Tracklist:

CD1:

01. Sei Mir Gegrüsst
02. Du bist die Ruh
03. Der Müller und der Bach
04. Liebesbotschaft
05. Aufdem Wasser zusingen
06. Impromptu In C Minor, Op. 90:1 Allegro molto moderato
07. Impromptu In E Flat, Op. 90:2 Allegro
08. Impromptu In G Flat, Op. 90:3 Andante
09. Impromptu In A Flat, Op. 90:4 Allegretto

CD2:

01. Wandererfantasie op. 15 1. Allegro con fuoco ma non troppo
02. Wandererfantasie op. 15 2. Adagio
03. Wandererfantasie op. 15 3. Presto
04. Wandererfantasie op. 15 4. Allegro
05. Zwölf Deutsche Tänze op. 171 nr. 1
06. Zwölf Deutsche Tänze op. 171 nr. 2
07. Zwölf Deutsche Tänze op. 171 nr. 3
08. Zwölf Deutsche Tänze op. 171 nr. 4
09. Zwölf Deutsche Tänze op. 171 nr. 5
10. Zwölf Deutsche Tänze op. 171 nr. 6
11. Zwölf Deutsche Tänze op. 171 nr. 7
12. Zwölf Deutsche Tänze op. 171 nr. 8
13. Zwölf Deutsche Tänze op. 171 nr. 9
14. Zwölf Deutsche Tänze op. 171 nr. 10
15. Zwölf Deutsche Tänze op. 171 nr. 11
16. Zwölf Deutsche Tänze op. 171 nr. 12
17. Sechs Deutsche Tänze D820 nr. 1
18. Sechs Deutsche Tänze D820 nr. 2
19. Sechs Deutsche Tänze D820 nr. 3
20. Sechs Deutsche Tänze D820 nr. 4
21. Sechs Deutsche Tänze D820 nr. 5
22. Sechs Deutsche Tänze D820 nr. 6
23. Deutscher und Ecossaise D643 (Deutscher)
24. Deutscher und Ecossaise D643 (Ecossaise)
25. Zwei Deutsche Tänze D841 nr. 1
26. Zwei Deutsche Tänze D841 nr. 2
27. Menuett D600


After Rozenboom released a successful recording of the Goldberg variations in 2015, he has now made new recordings (double CD) with only Schubert repertoire. Rozenboom is a very large Schubert fan; he was inspired by his father and grandfather who had the piano repertoire of this composer on the piano at an early age. Since his 10th year he has been playing the impromptus and the dances that have now gained extra depth after 30 years of "maturation". These recordings are unique because Rozenboom has taken extensive time to make his instrument sound optimal in a room with very good acoustics, namely the chapel of the Mariadalklooster in Roosendaal. For 2 months he was allowed to work there every day and the result is an interpretation in which tone formation and pedal use are completely adapted to the acoustics of the chapel. From a year before the recordings, he started working with piano technician Charles Rademaker to make the grand piano sound as desired. The mechanism has been completely re-adjusted and the wing has been intoned a number of times until an optimum sound has been created.


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