Roberta Invernizzi - Vivaldi: Opera Arias (2012)
BAND/ARTIST: Roberta Invernizzi
- Title: Vivaldi: Opera Arias
- Year Of Release: 2012
- Label: Glossa
- Genre: Classical, Vocal
- Quality: FLAC (image+.cue,log,scans)
- Total Time: 01:17:31
- Total Size: 436 Mb
- WebSite: Album Preview
Tracklist:
01 Combatta un gentil cor 4:30
[Lucio – Tito Manlio, atto II, scena XI]
02 Leggi almeno, tiranna infedele 5:40
[Caio – Ottone in villa, atto II, scena VI]
03 Da due venti un mar turbato 3:15
[Ippolita – Ercole sul Termodonte, atto II, scena I]
04 Non ti lusinghi la crudeltade 8:48
[Lucio – Tito Manlio, atto II, scena I]
05 Rete, lacci e strali adopra (Geminiano Giacomelli) 4:14
[Filindo – Dorilla in Tempe, atto II, scena IX]
06 Se garrisce la rondinella 6:11
[Ersilla – Orlando finto pazzo, atto II, scena XIV]
07 Ombre vane, ingiusti orrori 6:34
[Costanza – Griselda, atto III, scena V]
08 Fra le procelle del mar turbato 4:43
[Lucio – Tito Manlio, atto II, scena XVIII]
09 Dite, ohimè! Ditelo, al fine 2:38
[Morasto – La fida ninfa, atto III, scena X]
10 Nacque al bosco e nacque al prato 4:07
[Leocasta – Il Giustino, atto I, scena VI]
11 Tu dormi in tante pene 8:40
[Servilia – Tito Manlio, atto III, scena I]
12 Gelosia, tu già rendi l’alma mia 3:12
[Caio – Ottone in villa, atto I, scena XI]
13 Se mai senti spirarti sul volto 10:26
[Cesare – Catone in Utica, atto II, scena IV]
14 Dopo un’orrida procella 4:27
[Ottone – Griselda, atto III, scena VI]
Performers:
Roberta Invernizzi, soprano
La Risonanza:
Paolo Bacchin, trumpet Marco Panella, Alessandro Denabian, horns
Nicholas Robinson, solo violin & viola d’amore Silvia Colli, Elena Telò, first violins
Carlo Lazzaroni, Rossella Borsoni, Ulrike Slowik, second violins
Gianni de Rosa, viola Caterina Dell’Agnello, cello Davide Nava, double bass
Craig Marchitelli, archlute, theorbo & Baroque guitar
Fabio Bonizzoni, harpsichord & direction
01 Combatta un gentil cor 4:30
[Lucio – Tito Manlio, atto II, scena XI]
02 Leggi almeno, tiranna infedele 5:40
[Caio – Ottone in villa, atto II, scena VI]
03 Da due venti un mar turbato 3:15
[Ippolita – Ercole sul Termodonte, atto II, scena I]
04 Non ti lusinghi la crudeltade 8:48
[Lucio – Tito Manlio, atto II, scena I]
05 Rete, lacci e strali adopra (Geminiano Giacomelli) 4:14
[Filindo – Dorilla in Tempe, atto II, scena IX]
06 Se garrisce la rondinella 6:11
[Ersilla – Orlando finto pazzo, atto II, scena XIV]
07 Ombre vane, ingiusti orrori 6:34
[Costanza – Griselda, atto III, scena V]
08 Fra le procelle del mar turbato 4:43
[Lucio – Tito Manlio, atto II, scena XVIII]
09 Dite, ohimè! Ditelo, al fine 2:38
[Morasto – La fida ninfa, atto III, scena X]
10 Nacque al bosco e nacque al prato 4:07
[Leocasta – Il Giustino, atto I, scena VI]
11 Tu dormi in tante pene 8:40
[Servilia – Tito Manlio, atto III, scena I]
12 Gelosia, tu già rendi l’alma mia 3:12
[Caio – Ottone in villa, atto I, scena XI]
13 Se mai senti spirarti sul volto 10:26
[Cesare – Catone in Utica, atto II, scena IV]
14 Dopo un’orrida procella 4:27
[Ottone – Griselda, atto III, scena VI]
Performers:
Roberta Invernizzi, soprano
La Risonanza:
Paolo Bacchin, trumpet Marco Panella, Alessandro Denabian, horns
Nicholas Robinson, solo violin & viola d’amore Silvia Colli, Elena Telò, first violins
Carlo Lazzaroni, Rossella Borsoni, Ulrike Slowik, second violins
Gianni de Rosa, viola Caterina Dell’Agnello, cello Davide Nava, double bass
Craig Marchitelli, archlute, theorbo & Baroque guitar
Fabio Bonizzoni, harpsichord & direction
A new recording from Roberta Invernizzi always gives pleasure, but on the rare occasion when the Italian soprano is placed in the spotlight, as with this new collection of opera arias, it promises something very special indeed. Invernizzi is known for her style and drama in the music of the Baroque (as on recent discs of Handel and Campra). This new journey, on Glossa, showcases Vivaldi’s own fertile dramatic capacity to capture moods and a whole range of emotional highs and lows embracing anger, despair, anxiety, amorous frustration and touching intensity. Invernizzi triumphs, crowned by her electrifying performance of 'Dopo un’orrida procella' from 'Griselda'.
The programme offers a set of contrasts in known arias from Vivaldi’s operatic music and those which deserve to be better-known. Invernizzi’s interpretation is aided and abetted by La Risonanza’s fine group of instrumentalists and, of course, sympathetic direction from Fabio Bonizzoni, speaking volumes for their long musical association.
The programme offers a set of contrasts in known arias from Vivaldi’s operatic music and those which deserve to be better-known. Invernizzi’s interpretation is aided and abetted by La Risonanza’s fine group of instrumentalists and, of course, sympathetic direction from Fabio Bonizzoni, speaking volumes for their long musical association.
Classical | FLAC / APE | CD-Rip
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