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TrioVanBeethoven - Beethoven: Piano Trios, Vol. 4 (2017) [Hi-Res]

TrioVanBeethoven - Beethoven: Piano Trios, Vol. 4 (2017) [Hi-Res]

BAND/ARTIST: TrioVanBeethoven

  • Title: Beethoven: Piano Trios, Vol. 4
  • Year Of Release: 2017
  • Label: Gramola Records
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 96.0kHz +booklet
  • Total Time: 01:03:54
  • Total Size: 272 / 1113 mb
  • WebSite:
Tracklist
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01. Piano Trio No. 3 in C Minor, Op. 1 No. 3: I. Allegro con brio
02. Piano Trio No. 3 in C Minor, Op. 1 No. 3: II. Andante cantabile con variazioni
03. Piano Trio No. 3 in C Minor, Op. 1 No. 3: III. Menuetto: Quasi allegro
04. Piano Trio No. 3 in C Minor, Op. 1 No. 3: IV. Finale: Prestissimo
05. Piano Trio No. 4 in B-Flat Major, Op. 11 "Gassenhauer" (Version for Violin, Cello & Piano): I. Allegro con brio
06. Piano Trio No. 4 in B-Flat Major, Op. 11 "Gassenhauer" (Version for Violin, Cello & Piano): II. Adagio
07. Piano Trio No. 4 in B-Flat Major, Op. 11 "Gassenhauer" (Version for Violin, Cello & Piano): III. Allegretto
08. Variations in E-Flat Major on an Original Theme, Op. 44, "Piano Trio No. 10"


Volume 4 of the complete recordings of Beethoven's piano trios by the Austrian TrioVanBeethoven opens with the Trio Op. 1/3 in C minor. Preceding this last work of the group of piano trios Op. 1 (1793/94) were a great number of uncounted works and sketches like the Variations Op. 44, whose first drafts can be dated back to as early as the year 1792. The famous “Gassenhauer” Trio Op. 11 which was originally written for clarinet instead of the violin, got its sobriquet (the term “Gassenhauer” was initially used to describe the songs which night-time revellers, perhaps no longer entirely sober, sung while making their way home, often disturbing the slumbers of solid citizens) from the final movement of the work, comprising variations on a then very popular melody from the opera “L’amor marinaro ossia Il corsaro” by Joseph Weigl from 1797. The simplicity of this tune in contrast to the normally more serious and complex writing of Beethoven enthused his contemporary critics, and it was advocated he were to write more natural rather than strained pieces.




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  • User offline
  • tiger
  •  wrote in 17:55
    • Like
    • 1
Thanks a lot.
  • User offline
  • homelorn
  •  wrote in 00:27
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    • 1
thanks