Anne-Suse Enßle and Reinhard Führer - Caffe=Hauß Zimmermann (2019) [Hi-Res]
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BAND/ARTIST: Anne-Suse Enßle, Reinhard Führer
- Title: Caffe=Hauß Zimmermann
- Year Of Release: 2019
- Label: Audax Records
- Genre: Classical
- Quality: mp3 320 kbps / flac lossless / flac 24bits - 44.1kHz +Booklet
- Total Time: 01:07:44
- Total Size: 158 / 410 / 793 mb
- WebSite: Album Preview
Tracklist
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01. Sonata in A Minor: I. Adagio
02. Sonata in A Minor: II. Allegro
03. Sonata in A Minor: III. Adagio #
04. Sonata in A Minor: IV. Allegro #
05. Trio super "Allein Gott in der Höh' sei Ehr'", BWV 664
06. Sonata in C Major: I. Adagio (After BWV 1037)
07. Sonata in C Major: II. Alla breve (After BWV 1037)
08. Sonata in C Major: III. Largo (After BWV 1037)
09. Sonata in C Major: IV. Gigue (After BWV 1037)
10. Chorale Prelude "Jesus, meine Zuversicht", BWV 728
11. Methodical Sonata No. 11, TWV 41:d2: I. Andante
12. Methodical Sonata No. 11, TWV 41:d2: II. Allegro
13. Methodical Sonata No. 11, TWV 41:d2: III. Tempo giusto
14. Methodical Sonata No. 11, TWV 41:d2: IV. Vivace
15. Methodical Sonata No. 11, TWV 41:d2: V. Allegro #
16. Second livre de pièces de clavecin, Sixieme ordre: VI. Les Bergeries. Rondeau
17. Les goûts-réunis, Sixième Concert: I. Gravement et mesuré
18. Les goûts-réunis, Sixième Concert: II. Allemande. Vivement
19. Les goûts-réunis, Sixième Concert: III. Sarabande. Noblement
20. Les goûts-réunis, Sixième Concert: IV. Air de Diable. Tres viste
21. Les goûts-réunis, Sixième Concert: V. Siciliéne. Tendrement et loûré
22. Trio super "Ach bleib bei uns, Herr Jesu Christ" BWV 649
23. Sonata in F Major, Patchwork Sonata: I. Andante-Presto
24. Sonata in F Major, Patchwork Sonata: II. Allegro
25. Sonata in F Major, Patchwork Sonata: III. Siciliano
26. Sonata in F Major, Patchwork Sonata: IV. Bourrée
27. Sonata in F Major, Patchwork Sonata: V. Gigue
This programme was conceived for Bachfest Leipzig 2016 and performed to great acclaim. We were invited as part of the concert series “Ausgezeichnet” (which translates as “excellent”), where young award recipients of international music competitions present themselves as part of the Bach Festival.
This project is based on my studying of this repertoire as part of my diploma thesis at the University of Music and Performing Arts Vienna in 2015.
“Caffe⸗Hauß Zimmermann” combines well-known works by Johann Sebastian Bach with lesser-known works by Albinoni, Goldberg, Couperin, Telemann and others.
There are plenty of interconnections to discover that may not be apparent at first glance. One such example is Albinoni’s sonata in a minor, for which H.N. Gerber wrote a basso continuo realisation, which seems to have been corrected in a music composition class by his teacher J.S. Bach. Goldberg, too, was a student of Bach’s. The close proximity of his compositional style to that of his teacher led to his sonata in C major being ascribed to J.S. Bach for a long time. Telemann was close to Bach in a way, seeing as he was the godfather of the latter’s son Carl Philipp Emanuel; however, both his style and his professional development were quite different. He can therefore be thought of as a counterpart to Bach in this programme.
The programme invokes the chamber-music tradition in Leipzig during the first half of the 18th century and investigates the question what the famous “Collegium Musicum” that was led by Johann Sebastian Bach at the time may have sounded like. The title of the programme is a reference to Gottfried Zimmermann, a Leipzig coffeehouse owner who organised weekly concerts with the collegium.
Anne-Suse Enßle, recorders
Reinhard Führer, harpsichord
---------
01. Sonata in A Minor: I. Adagio
02. Sonata in A Minor: II. Allegro
03. Sonata in A Minor: III. Adagio #
04. Sonata in A Minor: IV. Allegro #
05. Trio super "Allein Gott in der Höh' sei Ehr'", BWV 664
06. Sonata in C Major: I. Adagio (After BWV 1037)
07. Sonata in C Major: II. Alla breve (After BWV 1037)
08. Sonata in C Major: III. Largo (After BWV 1037)
09. Sonata in C Major: IV. Gigue (After BWV 1037)
10. Chorale Prelude "Jesus, meine Zuversicht", BWV 728
11. Methodical Sonata No. 11, TWV 41:d2: I. Andante
12. Methodical Sonata No. 11, TWV 41:d2: II. Allegro
13. Methodical Sonata No. 11, TWV 41:d2: III. Tempo giusto
14. Methodical Sonata No. 11, TWV 41:d2: IV. Vivace
15. Methodical Sonata No. 11, TWV 41:d2: V. Allegro #
16. Second livre de pièces de clavecin, Sixieme ordre: VI. Les Bergeries. Rondeau
17. Les goûts-réunis, Sixième Concert: I. Gravement et mesuré
18. Les goûts-réunis, Sixième Concert: II. Allemande. Vivement
19. Les goûts-réunis, Sixième Concert: III. Sarabande. Noblement
20. Les goûts-réunis, Sixième Concert: IV. Air de Diable. Tres viste
21. Les goûts-réunis, Sixième Concert: V. Siciliéne. Tendrement et loûré
22. Trio super "Ach bleib bei uns, Herr Jesu Christ" BWV 649
23. Sonata in F Major, Patchwork Sonata: I. Andante-Presto
24. Sonata in F Major, Patchwork Sonata: II. Allegro
25. Sonata in F Major, Patchwork Sonata: III. Siciliano
26. Sonata in F Major, Patchwork Sonata: IV. Bourrée
27. Sonata in F Major, Patchwork Sonata: V. Gigue
This programme was conceived for Bachfest Leipzig 2016 and performed to great acclaim. We were invited as part of the concert series “Ausgezeichnet” (which translates as “excellent”), where young award recipients of international music competitions present themselves as part of the Bach Festival.
This project is based on my studying of this repertoire as part of my diploma thesis at the University of Music and Performing Arts Vienna in 2015.
“Caffe⸗Hauß Zimmermann” combines well-known works by Johann Sebastian Bach with lesser-known works by Albinoni, Goldberg, Couperin, Telemann and others.
There are plenty of interconnections to discover that may not be apparent at first glance. One such example is Albinoni’s sonata in a minor, for which H.N. Gerber wrote a basso continuo realisation, which seems to have been corrected in a music composition class by his teacher J.S. Bach. Goldberg, too, was a student of Bach’s. The close proximity of his compositional style to that of his teacher led to his sonata in C major being ascribed to J.S. Bach for a long time. Telemann was close to Bach in a way, seeing as he was the godfather of the latter’s son Carl Philipp Emanuel; however, both his style and his professional development were quite different. He can therefore be thought of as a counterpart to Bach in this programme.
The programme invokes the chamber-music tradition in Leipzig during the first half of the 18th century and investigates the question what the famous “Collegium Musicum” that was led by Johann Sebastian Bach at the time may have sounded like. The title of the programme is a reference to Gottfried Zimmermann, a Leipzig coffeehouse owner who organised weekly concerts with the collegium.
Anne-Suse Enßle, recorders
Reinhard Führer, harpsichord
Year 2019 | Classical | FLAC / APE | Mp3 | HD & Vinyl
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