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George Kooymans - Jojo (Reissue) (1971/2006)

George Kooymans - Jojo (Reissue) (1971/2006)

BAND/ARTIST: George Kooymans

  • Title: Jojo
  • Year Of Release: 1971/2006
  • Label: 2000 Fruitgum Corp.
  • Genre: Psychedelic Rock, Prog Rock
  • Quality: Flac (tracks, .cue, log)
  • Total Time: 34:57
  • Total Size: 201 Mb (scans)
  • WebSite:
George Kooymans - Jojo (Reissue) (1971/2006)


Tracklist:

1. South Side Lady - 3:03
2. Day And Night - 4:12
3. Lay It On Me - 3:02
4. For Gail - 3:57
5. Lovin' And Hurtin - 2:37
6. Low Rider - 5:58
7. We're Just Marking Time (G. Kooymans, B. Birkman) - 3:34
8. A Drifter's Love - 3:58
9. Spending All My Time With You (G. Kooymans, B. Birkman) - 2:03
10. Don't Be Lonely - 3:34

Line-up::
George Kooymans - Guitar, Vocals
Jan Hollestelle - Bass
Hans Hollestelle - Guitar
Louis Debij - Drums
Frans Doolaard - Steel Guitar
Paul Natte - Organ
Cesar Zuiderwijk - Backing Vocals
Eelco Gelling - Guitar
Helmig Van Der Vegt - Piano
Rinus Gerritsen - Organ
Bertus Borgers - Sax

This is the solo debut of George Kooymans, a performer best known for his work as a guitarist and songwriter for Dutch rock legends Golden Earring. Surprisingly, the material on Jojo is totally lacking in the hard rock bombast and prog-rock tendencies that characterized Golden Earring's work around this time. Instead, it goes for a low-key but occasionally punchy rock sound that is somewhat reminiscent of Neil Young's early 1970s work. The focus of the songs is craftsmanship, with the band's efforts (plus occasional touches of orchestration) working towards placing the tuneful melody of each song in the spotlight. Good examples of this technique include "South Side Lady," which enhances its languid melody by slowly raising the tempo and layering in soulful background vocals, and "For Gail," whose dynamic arrangement pits drum-driven verses against a more relaxed chorus to highlight the song's catchy hooks. The problem with Jojo is that, while all its songs are well-crafted, none of them are of the insidiously catchy variety that would make the album appeal to anyone beyond Golden Earring fans. Also, the album tends toward a similar sound on most of its tracks instead of experimenting with the kinds of varied styles and sounds that might have won over non-fans. The end result is an album that has limited appeal beyond the Golden Earring fanbase, but remains a solid and tuneful batch of songs guaranteed to appeal to those fans.



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  • User offline
  • whiskers
  •  wrote in 12:24
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Many Thanks
  • User offline
  • mufty77
  •  wrote in 15:38
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Many thanks for lossless.