Cécile Ousset - Cécile Ousset: The Recordings For Decca France (2019)

The early recordings of a keyboard lioness, long unavailable and new to CD. Not generally given to extravagant effusions, William Glock (Controller of Radio 3 and the BBC Proms in the 1970s) had no doubt: 'There is no one who plays the piano better in the world than she does. There is no one with a more fantastic command of the piano… not over felt, not under-felt, nothing rushed just to show off and yet the greatest playing I've heard for years.'

He was referring to the French pianist Cécile Ousset, whose career had belatedly sparked to life and international recognition with appearances across the UK and US and a new contract with EMI Records. Yet prior to this Oussethad made several recordings since her success in the late 1950s at several major European competitions. She accumulated a considerable catalogue on Eterna, the East German label, but then Oussetsigned to make recordings with Sofrason, the Société Françaisedu Son. These were licensed for wider release by the French arm of Decca, but Sofrasonwent out of business in 1981 and the recordings have never been reissued –until now. This new Eloquence set includes an appreciation of Ousset'sart by the French pianophile Jean-Charles Hoffélé. These 'French Decca' recordings all date from 1973-5, and they include much solo repertoire that Oussetnever recorded again, though they share similar qualities with the much-acclaimed concerto recordings that she made in the 1980s: an unsentimental palette of rubato and tone-colour, a fearless and brilliant command of articulation, and a uniquely French mastery of jeuperlé.

The first album made an imaginative and attractive compilation of fin-de-siècleParisians from Saint-Saëns to Satie. The second displayed her particular affinity with the Russian post-Romantics, Rachmaninov and Prokofiev; and the third coupled two landmarks of German-Romantic piano literature, by Brahms and Schumann. These all received a later international LP issue on the 'Ace of Diamonds' imprint and to very warm reviews. However, Ousset'slast Sofrasonrecordings encompassed the complete variations of Beethoven, issued by French Decca in two volumes (a 3LP and a 2LP box). Its disappearance particularly dismayed Oussetherself: 'I made a big effort on that one,' she remarked in a 1984 interview, 'and it came off beautifully.'

'Oussethas exactly the sort of glitteringly virtuosic technique, as well as the unflagging energy, which [these pieces] demand. Her playing is vividly recorded, giving an effect of real immediacy.' Gramophone, January 1980 (French recital)