Hermann Abendroth - Beethoven, Brahms & Bruckner: Orchestral Works (2019)
BAND/ARTIST: Hermann Abendroth
- Title: Beethoven, Brahms & Bruckner: Orchestral Works
- Year Of Release: 2019
- Label: Profil
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 10:07:29
- Total Size: 2553 mb
- WebSite: Album Preview
Tracklist
01. Symphony No. 4 in E-Flat Major, WAB 104 Romantic I. Bewegt, nicht zu schnell
02. Symphony No. 4 in E-Flat Major, WAB 104 Romantic II. Andante quasi allegretto
03. Symphony No. 4 in E-Flat Major, WAB 104 Romantic III. Scherzo. Bewegt
04. Symphony No. 4 in E-Flat Major, WAB 104 Romantic IV. Finale. Bewegt, doch nicht zu schnell
05. Symphony No. 5 in B-Flat Major, WAB 105 I. Introduction. Adagio - Allegro
06. Symphony No. 5 in B-Flat Major, WAB 105 II. Adagio. Sehr langsam
07. Symphony No. 5 in B-Flat Major, WAB 105 III. Scherzo. Molto vivace
08. Symphony No. 5 in B-Flat Major, WAB 105 IV. Finale. Adagio - Allegro moderato
09. WAB 107 I. Allegro moderato (Live)
10. WAB 107 II. Adagio. Sehr feierlich und sehr langsam (Live)
11. WAB 107 III. Scherzo. Sehr schnell (Live)
12. WAB 107 IV. Finale. Bewegt, doch nicht schnell (Live)
13. WAB 109 I. Feierlich, misterioso
14. WAB 109 II. Scherzo. Bewegt, lebhaft
15. WAB 109 III. Adagio. Langsam, feierlich
16. I. Un poco sostenuto - Allegro
17. II. Andante sostenuto
18. III. Un poco allegretto e grazioso
19. IV. Adagio - Allegro non troppo, ma con brio
20. Variations on a Theme by Haydn, Op. 56a Theme. Andante
21. Variations on a Theme by Haydn, Op. 56a Var. 1, Poco piu animato
22. Variations on a Theme by Haydn, Op. 56a Var. 2, Piu vivace
23. Variations on a Theme by Haydn, Op. 56a Var. 3, Con moto
24. Variations on a Theme by Haydn, Op. 56a Var. 4, Andante con moto
25. Variations on a Theme by Haydn, Op. 56a Var. 5, Vivace
26. Variations on a Theme by Haydn, Op. 56a Var. 6, Vivace
27. Variations on a Theme by Haydn, Op. 56a Var. 7, Grazioso
28. Variations on a Theme by Haydn, Op. 56a Var. 8, Presto non troppo
29. Variations on a Theme by Haydn, Op. 56a Finale. Andante
30. Op. 81
31. I. Allegro con brio
32. II. Andante
33. III. Poco allegretto
34. IV. Allegro
35. (Live)
36. I. Allegro ma non troppo (Live)
37. II. Larghetto (Live)
38. III. Rondo. Allegro (Live)
39. Symphony No. 3 in E-Flat Major, Op. 55 Eroica I. Allegro con brio
40. Symphony No. 3 in E-Flat Major, Op. 55 Eroica II. Marcia funebre. Adagio assai
41. Symphony No. 3 in E-Flat Major, Op. 55 Eroica III. Scherzo. Allegro vivace
42. Symphony No. 3 in E-Flat Major, Op. 55 Eroica IV. Finale. Allegro molto
43. Symphony No. 6 in F Major, Op. 68 Pastorale I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande. Allegro ma non troppo
44. Symphony No. 6 in F Major, Op. 68 Pastorale II. Szene am Bach. Andante molto moto
45. Symphony No. 6 in F Major, Op. 68 Pastorale III. Lustiges Zusammensein der Landleute. Allegro
46. Symphony No. 6 in F Major, Op. 68 Pastorale IV. Gewitter, Sturm. Allegro
47. Symphony No. 6 in F Major, Op. 68 Pastorale V. Hirtengesang. Frohe, dankbare Gefuhle nach dem Sturm. Allegretto
48. I. Poco sostenuto - Vivace (Live)
49. II. Allegretto (Live)
50. III. Presto (Live)
51. IV. Allegro con brio (Live)
52. Symphony No. 9 in D Minor, Op. 125 Choral I. Allegro ma non troppo, un poco maestoso
53. Symphony No. 9 in D Minor, Op. 125 Choral II. Scherzo. Molto vivace - Presto
54. Symphony No. 9 in D Minor, Op. 125 Choral III. Adagio molto e cantabile
55. Symphony No. 9 in D Minor, Op. 125 Choral IV. Finale. Presto
Hermann Abendroth (1883–1956) was just three years older than Wilhelm Furtwängler. These two great conductors of the German Romantic orchestral tradition remained in their senior posts during the Third Reich – Furtwängler in Berlin, Abendroth in Leipzig – and suffered the consequences in the early post-war period of not having openly opposed the Nazi regime. After working in Munich, Lübeck and Essen in the early years of his career, Abendroth was from 1915 to 1934 leader of the Gürzenich Orchestra in Cologne and from 1925 director of the city's conservatory and of the Music Festival of the Lower Rhine, becoming director of the Gewandhaus Orchestra in Leipzig in 1934 after Bruno Walter was forced out by the Nazis. Even as late as March 1945 Abendroth was conducting what were presumably the last symphonic works performed there, to be heard on the albums of this collection alongside Bruckner's Seventh recorded in February 1956, just a few months before his death on May 29 of that year. When his work at the Gewandhaus came to an end in 1945 Abendroth initially found a new field of activity with the newly constituted Radio Symphony Orchestra of Leipzig, later assuming a similar position in Berlin, where he was able to pass on to the post-war orchestral generation the experience of his successful conducting career. He had gained the requisite know-how in the early years of his training, since one of his teachers was Felix Mottl, who from 1886 to 1906 was one of the most important conductors in Bayreuth, to whom posterity is indebted for the orchestral arrangement of Wagner's Wesendonck Lieder.
01. Symphony No. 4 in E-Flat Major, WAB 104 Romantic I. Bewegt, nicht zu schnell
02. Symphony No. 4 in E-Flat Major, WAB 104 Romantic II. Andante quasi allegretto
03. Symphony No. 4 in E-Flat Major, WAB 104 Romantic III. Scherzo. Bewegt
04. Symphony No. 4 in E-Flat Major, WAB 104 Romantic IV. Finale. Bewegt, doch nicht zu schnell
05. Symphony No. 5 in B-Flat Major, WAB 105 I. Introduction. Adagio - Allegro
06. Symphony No. 5 in B-Flat Major, WAB 105 II. Adagio. Sehr langsam
07. Symphony No. 5 in B-Flat Major, WAB 105 III. Scherzo. Molto vivace
08. Symphony No. 5 in B-Flat Major, WAB 105 IV. Finale. Adagio - Allegro moderato
09. WAB 107 I. Allegro moderato (Live)
10. WAB 107 II. Adagio. Sehr feierlich und sehr langsam (Live)
11. WAB 107 III. Scherzo. Sehr schnell (Live)
12. WAB 107 IV. Finale. Bewegt, doch nicht schnell (Live)
13. WAB 109 I. Feierlich, misterioso
14. WAB 109 II. Scherzo. Bewegt, lebhaft
15. WAB 109 III. Adagio. Langsam, feierlich
16. I. Un poco sostenuto - Allegro
17. II. Andante sostenuto
18. III. Un poco allegretto e grazioso
19. IV. Adagio - Allegro non troppo, ma con brio
20. Variations on a Theme by Haydn, Op. 56a Theme. Andante
21. Variations on a Theme by Haydn, Op. 56a Var. 1, Poco piu animato
22. Variations on a Theme by Haydn, Op. 56a Var. 2, Piu vivace
23. Variations on a Theme by Haydn, Op. 56a Var. 3, Con moto
24. Variations on a Theme by Haydn, Op. 56a Var. 4, Andante con moto
25. Variations on a Theme by Haydn, Op. 56a Var. 5, Vivace
26. Variations on a Theme by Haydn, Op. 56a Var. 6, Vivace
27. Variations on a Theme by Haydn, Op. 56a Var. 7, Grazioso
28. Variations on a Theme by Haydn, Op. 56a Var. 8, Presto non troppo
29. Variations on a Theme by Haydn, Op. 56a Finale. Andante
30. Op. 81
31. I. Allegro con brio
32. II. Andante
33. III. Poco allegretto
34. IV. Allegro
35. (Live)
36. I. Allegro ma non troppo (Live)
37. II. Larghetto (Live)
38. III. Rondo. Allegro (Live)
39. Symphony No. 3 in E-Flat Major, Op. 55 Eroica I. Allegro con brio
40. Symphony No. 3 in E-Flat Major, Op. 55 Eroica II. Marcia funebre. Adagio assai
41. Symphony No. 3 in E-Flat Major, Op. 55 Eroica III. Scherzo. Allegro vivace
42. Symphony No. 3 in E-Flat Major, Op. 55 Eroica IV. Finale. Allegro molto
43. Symphony No. 6 in F Major, Op. 68 Pastorale I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande. Allegro ma non troppo
44. Symphony No. 6 in F Major, Op. 68 Pastorale II. Szene am Bach. Andante molto moto
45. Symphony No. 6 in F Major, Op. 68 Pastorale III. Lustiges Zusammensein der Landleute. Allegro
46. Symphony No. 6 in F Major, Op. 68 Pastorale IV. Gewitter, Sturm. Allegro
47. Symphony No. 6 in F Major, Op. 68 Pastorale V. Hirtengesang. Frohe, dankbare Gefuhle nach dem Sturm. Allegretto
48. I. Poco sostenuto - Vivace (Live)
49. II. Allegretto (Live)
50. III. Presto (Live)
51. IV. Allegro con brio (Live)
52. Symphony No. 9 in D Minor, Op. 125 Choral I. Allegro ma non troppo, un poco maestoso
53. Symphony No. 9 in D Minor, Op. 125 Choral II. Scherzo. Molto vivace - Presto
54. Symphony No. 9 in D Minor, Op. 125 Choral III. Adagio molto e cantabile
55. Symphony No. 9 in D Minor, Op. 125 Choral IV. Finale. Presto
Hermann Abendroth (1883–1956) was just three years older than Wilhelm Furtwängler. These two great conductors of the German Romantic orchestral tradition remained in their senior posts during the Third Reich – Furtwängler in Berlin, Abendroth in Leipzig – and suffered the consequences in the early post-war period of not having openly opposed the Nazi regime. After working in Munich, Lübeck and Essen in the early years of his career, Abendroth was from 1915 to 1934 leader of the Gürzenich Orchestra in Cologne and from 1925 director of the city's conservatory and of the Music Festival of the Lower Rhine, becoming director of the Gewandhaus Orchestra in Leipzig in 1934 after Bruno Walter was forced out by the Nazis. Even as late as March 1945 Abendroth was conducting what were presumably the last symphonic works performed there, to be heard on the albums of this collection alongside Bruckner's Seventh recorded in February 1956, just a few months before his death on May 29 of that year. When his work at the Gewandhaus came to an end in 1945 Abendroth initially found a new field of activity with the newly constituted Radio Symphony Orchestra of Leipzig, later assuming a similar position in Berlin, where he was able to pass on to the post-war orchestral generation the experience of his successful conducting career. He had gained the requisite know-how in the early years of his training, since one of his teachers was Felix Mottl, who from 1886 to 1906 was one of the most important conductors in Bayreuth, to whom posterity is indebted for the orchestral arrangement of Wagner's Wesendonck Lieder.
Year 2019 | Classical | FLAC / APE
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