Michael Wollny's [em] - Wasted & Wanted (2012) [Hi-Res]
![Michael Wollny's [em] - Wasted & Wanted (2012) [Hi-Res]](https://www.dibpic.com/uploads/posts/2019-09/1567924240_folder.jpg)
BAND/ARTIST: Michael Wollny's [em]
- Title: Wasted & Wanted
- Year Of Release: 2012
- Label: ACT Music
- Genre: Jazz
- Quality: 16-bit/44.1kHz FLAC; 24-bit/96kHz FLAC & booklet
- Total Time: 47:20 min
- Total Size: 266 MB; 1.12 GB
- WebSite: Album Preview
Reinventing yourself, discovering something new, making a clean sweep, being a bit of a rebel and always being driven by creativity: Michael Wollny's [em] present their new, incredible album.
“Whatever you do, question everything around you and don’t simply follow authorities.” While this attitude might be associated by some with punk music, it was also adopted by jazz visionaries like Miles Davis and Albert Mangelsdorff. Reinventing yourself, discovering something new, making a clean sweep, being a bit of a rebel and always being driven by creativity – this outlook also applies to Michael Wollny, Eva Kruse and Eric Schaefer.
Michael Wollny once said that they wanted to have some punk in their jazz. Breaking boundaries is the philosophy of the trio and certainly holds true on “Wasted & Wanted“. European jazz tradition, indie rock, Western and contemporary art music, sound experiments and some punk attitude – this all merges effortlessly and uniquely together and makes the trio one-of-a-kind. The potential of the band was discovered early on and they took the jazz world by storm. They have been highly acclaimed ever since their debut album “Call It [em]“ was released in 2005, and the German newspaper DIE ZEIT even called them “the world’s most exciting piano trio'. Their album “[em] live at Jazzbaltica“ from 2010 was hailed as “the finest jazz album of the last quarter of a century” by the well-known English critic Stuart Nicholson and it received the Echo Jazz award for “Best Ensemble National”.
On “Wasted & Wanted“, the listener won’t hear be greeted by overtly intellectual and ostentatiously academic jazz, but rather extremely energetic music with some nearly telepathic interaction between its creators. Such energy levels are seldom reached in jazz. The pianist Michael Wollny, who is stylistically absolutely unique, proves once again why (according to the Hamburger Abendblatt), he is “the strongest personality in the German (jazz) music business since Mangelsdorff”. Eva Kruse’s pulsating bass is the driving force of the trio, while drummer Eric Schaefer is full of rock energy with his insistent, versatile and richly coloured sound. “Wasted & Wanted“ exudes fresh, unconventional, continuously surprising and exciting music that is full of creativity, power and virtuosity.
Four pieces on the album were not written by Wollny, Kruse or Schaefer, but nevertheless they seem like tailor-made for the trio: their interpretation of the funeral march from the Symphony no 5. by the musical innovator Gustav Mahler is a dusky and almost claustrophobic ballad. They also construct their very own version of Heinrich Heines’s poem “Ihr Bild”, that was set to music by the German classical composer Franz Schubert in 1828. Wollny’s interpretation of Luciano Berio’s “Wasserklavier” is a dreamy interlude, while “Das Modell” by the German electronic pioneers Kraftwerk begins mysteriously and rises into a bubbling climax.
Wollny, Kruse and Schaefer take us along on a high intensity musical adventure, full of enthusiasm. It is an adventure that changes its colours like a chameleon: it’s about tracing new sounds and experiencing different emotions. Energetic and ecstatic, mysterious and contemplative, melancholy and overwhelming, performed with heart and brain, powerful and wild - the album is all of this and more.
'The opening title track occupies that chord-punching territory occasionally linking the band with the Bad Plus and Neil Cowley's group, but however groove-powered Wollny can be, his music always buzzes with variety: Mahler, Berio and Schubert share the tracklist with the group's originals on this eventful set. Bassist Eva Kruse's intricate Metali entwines a long snaking melody repeated at extremes of the register, while Blank has a pounding-heart dancefloor drum sound under a ringing chord-melody. Wollny's jangling harpsichord-like spinet is pitched against hip-hop drums, and stabbed, improv-like pieces share space with tranquil drifters of plucked piano strings and long bowed tones. It's a very imaginative chemistry of patience and eclectically contemporary edginess.' (John Fordham, The Guardian)
Michael Wollny, piano & spinett
Eva Kruse, bass & glockenspiel
Eric Schaefer, drums
Tracklist:
01. Michael Wollny's [em] - Wasted & Wanted (3:35)
02. Michael Wollny's [em] - Symphony No. V, Mov 1: Trauermarsch (3:36)
03. Michael Wollny's [em] - Metall (3:52)
04. Michael Wollny's [em] - Blank (5:31)
05. Michael Wollny's [em] - Kulintang (3:21)
06. Michael Wollny's [em] - Cembalo Manifeszt (3:13)
07. Michael Wollny's [em] - Wasserklavier (2:40)
08. Michael Wollny's [em] - Ihr Bild (4:52)
09. Michael Wollny's [em] - Nr. 10 (3:30)
10. Michael Wollny's [em] - Das Modell (4:10)
11. Michael Wollny's [em] - Dario (3:48)
12. Michael Wollny's [em] - Whiteout (5:11)
“Whatever you do, question everything around you and don’t simply follow authorities.” While this attitude might be associated by some with punk music, it was also adopted by jazz visionaries like Miles Davis and Albert Mangelsdorff. Reinventing yourself, discovering something new, making a clean sweep, being a bit of a rebel and always being driven by creativity – this outlook also applies to Michael Wollny, Eva Kruse and Eric Schaefer.
Michael Wollny once said that they wanted to have some punk in their jazz. Breaking boundaries is the philosophy of the trio and certainly holds true on “Wasted & Wanted“. European jazz tradition, indie rock, Western and contemporary art music, sound experiments and some punk attitude – this all merges effortlessly and uniquely together and makes the trio one-of-a-kind. The potential of the band was discovered early on and they took the jazz world by storm. They have been highly acclaimed ever since their debut album “Call It [em]“ was released in 2005, and the German newspaper DIE ZEIT even called them “the world’s most exciting piano trio'. Their album “[em] live at Jazzbaltica“ from 2010 was hailed as “the finest jazz album of the last quarter of a century” by the well-known English critic Stuart Nicholson and it received the Echo Jazz award for “Best Ensemble National”.
On “Wasted & Wanted“, the listener won’t hear be greeted by overtly intellectual and ostentatiously academic jazz, but rather extremely energetic music with some nearly telepathic interaction between its creators. Such energy levels are seldom reached in jazz. The pianist Michael Wollny, who is stylistically absolutely unique, proves once again why (according to the Hamburger Abendblatt), he is “the strongest personality in the German (jazz) music business since Mangelsdorff”. Eva Kruse’s pulsating bass is the driving force of the trio, while drummer Eric Schaefer is full of rock energy with his insistent, versatile and richly coloured sound. “Wasted & Wanted“ exudes fresh, unconventional, continuously surprising and exciting music that is full of creativity, power and virtuosity.
Four pieces on the album were not written by Wollny, Kruse or Schaefer, but nevertheless they seem like tailor-made for the trio: their interpretation of the funeral march from the Symphony no 5. by the musical innovator Gustav Mahler is a dusky and almost claustrophobic ballad. They also construct their very own version of Heinrich Heines’s poem “Ihr Bild”, that was set to music by the German classical composer Franz Schubert in 1828. Wollny’s interpretation of Luciano Berio’s “Wasserklavier” is a dreamy interlude, while “Das Modell” by the German electronic pioneers Kraftwerk begins mysteriously and rises into a bubbling climax.
Wollny, Kruse and Schaefer take us along on a high intensity musical adventure, full of enthusiasm. It is an adventure that changes its colours like a chameleon: it’s about tracing new sounds and experiencing different emotions. Energetic and ecstatic, mysterious and contemplative, melancholy and overwhelming, performed with heart and brain, powerful and wild - the album is all of this and more.
'The opening title track occupies that chord-punching territory occasionally linking the band with the Bad Plus and Neil Cowley's group, but however groove-powered Wollny can be, his music always buzzes with variety: Mahler, Berio and Schubert share the tracklist with the group's originals on this eventful set. Bassist Eva Kruse's intricate Metali entwines a long snaking melody repeated at extremes of the register, while Blank has a pounding-heart dancefloor drum sound under a ringing chord-melody. Wollny's jangling harpsichord-like spinet is pitched against hip-hop drums, and stabbed, improv-like pieces share space with tranquil drifters of plucked piano strings and long bowed tones. It's a very imaginative chemistry of patience and eclectically contemporary edginess.' (John Fordham, The Guardian)
Michael Wollny, piano & spinett
Eva Kruse, bass & glockenspiel
Eric Schaefer, drums
Tracklist:
01. Michael Wollny's [em] - Wasted & Wanted (3:35)
02. Michael Wollny's [em] - Symphony No. V, Mov 1: Trauermarsch (3:36)
03. Michael Wollny's [em] - Metall (3:52)
04. Michael Wollny's [em] - Blank (5:31)
05. Michael Wollny's [em] - Kulintang (3:21)
06. Michael Wollny's [em] - Cembalo Manifeszt (3:13)
07. Michael Wollny's [em] - Wasserklavier (2:40)
08. Michael Wollny's [em] - Ihr Bild (4:52)
09. Michael Wollny's [em] - Nr. 10 (3:30)
10. Michael Wollny's [em] - Das Modell (4:10)
11. Michael Wollny's [em] - Dario (3:48)
12. Michael Wollny's [em] - Whiteout (5:11)
Jazz | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads