Michele Barchi - Turrini: 12 Sonatas for Harpsichord (2019)
BAND/ARTIST: Michele Barchi
- Title: Turrini: 12 Sonatas for Harpsichord
- Year Of Release: 2019
- Label: Brilliant Classics
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 122:19 min
- Total Size: 818 MB
- WebSite: Album Preview
Tracklist:
01. Sonata No. 1 in C Minor: I. Vivace
02. Sonata No. 1 in C Minor: II. Adagio
03. Sonata No. 1 in C Minor: III. Schiava
04. Sonata No. 2 in A Major: I. Allegro assai con molto brio
05. Sonata No. 2 in A Major: II. Lento ed affettuoso, il Basso sempre legato - Trio
06. Sonata No. 3 in E-Flat Major: I. Allegro ma non tanto con illarità
07. Sonata No. 3 in E-Flat Major: II. Adagio pensieroso
08. Sonata No. 3 in E-Flat Major: III. Presto assai risoluto
09. Sonata No. 4 in B Minor: I. Presto
10. Sonata No. 4 in B Minor: II. Andante
11. Sonata No. 5 in G Major: I. Allegro cantabile
12. Sonata No. 5 in G Major: II. Adagio ad imitazione del violuncello
13. Sonata No. 5 in G Major: III. Tema con variazioni
14. Sonata No. 6 in E Major: I. Allegretto spiritoso
15. Sonata No. 6 in E Major: II. Grave
16. Sonata No. 6 in E Major: III. Rondò
17. Sonata No. 1 in G Major: I. Allegro moderato
18. Sonata No. 1 in G Major: II. Andantino brillante
19. Sonata No. 2 in A Major: I. Allegretto con spirit
20. Sonata No. 2 in A Major: II. Variazione
21. Sonata No. 3 in E Major: I. Allegro
22. Sonata No. 3 in E Major: II. Presto
23. Sonata No. 4 in G Minor: I. Presto
24. Sonata No. 4 in G Minor: II. Allegretto affettuoso
25. Sonata No. 5 in E-Flat Major: I. Allegro ma non troppo
26. Sonata No. 5 in E-Flat Major: II. Allegro
27. Sonata No. 6 in D-Flat Major: I. Allegro assai
28. Sonata No. 6 in D-Flat Major: II. Un poco andante
29. Sonata No. 6 in D-Flat Major: III. Prestissimo
01. Sonata No. 1 in C Minor: I. Vivace
02. Sonata No. 1 in C Minor: II. Adagio
03. Sonata No. 1 in C Minor: III. Schiava
04. Sonata No. 2 in A Major: I. Allegro assai con molto brio
05. Sonata No. 2 in A Major: II. Lento ed affettuoso, il Basso sempre legato - Trio
06. Sonata No. 3 in E-Flat Major: I. Allegro ma non tanto con illarità
07. Sonata No. 3 in E-Flat Major: II. Adagio pensieroso
08. Sonata No. 3 in E-Flat Major: III. Presto assai risoluto
09. Sonata No. 4 in B Minor: I. Presto
10. Sonata No. 4 in B Minor: II. Andante
11. Sonata No. 5 in G Major: I. Allegro cantabile
12. Sonata No. 5 in G Major: II. Adagio ad imitazione del violuncello
13. Sonata No. 5 in G Major: III. Tema con variazioni
14. Sonata No. 6 in E Major: I. Allegretto spiritoso
15. Sonata No. 6 in E Major: II. Grave
16. Sonata No. 6 in E Major: III. Rondò
17. Sonata No. 1 in G Major: I. Allegro moderato
18. Sonata No. 1 in G Major: II. Andantino brillante
19. Sonata No. 2 in A Major: I. Allegretto con spirit
20. Sonata No. 2 in A Major: II. Variazione
21. Sonata No. 3 in E Major: I. Allegro
22. Sonata No. 3 in E Major: II. Presto
23. Sonata No. 4 in G Minor: I. Presto
24. Sonata No. 4 in G Minor: II. Allegretto affettuoso
25. Sonata No. 5 in E-Flat Major: I. Allegro ma non troppo
26. Sonata No. 5 in E-Flat Major: II. Allegro
27. Sonata No. 6 in D-Flat Major: I. Allegro assai
28. Sonata No. 6 in D-Flat Major: II. Un poco andante
29. Sonata No. 6 in D-Flat Major: III. Prestissimo
Early-Classical keyboard sonatas by a northItalian contemporary of Beethoven, much esteemed in his day and now almost unknown.
Brilliant Classics has long specialised in illuminating the music of composers who are largely lost to posterity – especially from Italy, and especially from the 17th and 18th centuries. Here is another name to conjure with and to quicken the blood of collectors eager to add another name to their shelves: Ferdinando Turrini, born in the town of Salò in 1845. His death date is much more uncertain – between 1812 and 1829 – but he passed away in Brescia, where he had become a much esteemed teacher, organist, master of music and composer.
Blindness afflicted Turrini in his late 20s, but it appears not to have stemmed the flow of an output that ranged from operas to sacred and instrumental music. Nearly all of it is now lost to us, and what survives does so almost exclusively in manuscript. In fact the six keyboard sonatas dedicated to the Genovese patrician Carlo Spinola were printed during Turrini’s lifetime, whereas the other six sonatas on Michele Barchi’s new recording, dedicated to the Venetian nobleman Vincenzo Fini, have come down to us in handwritten copies.
The two-movement ‘Spinola’ sonatas are lively and imaginative enough, but it is in the Fini sonatas that a kinship with Turrini’s contemporary Beethoven becomes evident. These works far transcend their galant context, and could equally well be performed on the fortepiano, composed as they were on the cusp of keyboardinstrument history. The style that one contemporary described as ‘dolce patetico’ (‘sweet and full of feeling’) is particularly evident in the intensity of the slow movements: for instance, in the ‘Adagio ad imitazione del Violoncello’ of the Sonata No.5.
Michele Barchi is an experienced earlymusic keyboard musician who has worked with the likes of the late Claudio Abbado and with Riccardo Muti. Among his recordings is a contribution to the compendious ‘Bach 2000’ edition issued by Warner Classics. This album marks his debut on Brilliant Classics.
Brilliant Classics has long specialised in illuminating the music of composers who are largely lost to posterity – especially from Italy, and especially from the 17th and 18th centuries. Here is another name to conjure with and to quicken the blood of collectors eager to add another name to their shelves: Ferdinando Turrini, born in the town of Salò in 1845. His death date is much more uncertain – between 1812 and 1829 – but he passed away in Brescia, where he had become a much esteemed teacher, organist, master of music and composer.
Blindness afflicted Turrini in his late 20s, but it appears not to have stemmed the flow of an output that ranged from operas to sacred and instrumental music. Nearly all of it is now lost to us, and what survives does so almost exclusively in manuscript. In fact the six keyboard sonatas dedicated to the Genovese patrician Carlo Spinola were printed during Turrini’s lifetime, whereas the other six sonatas on Michele Barchi’s new recording, dedicated to the Venetian nobleman Vincenzo Fini, have come down to us in handwritten copies.
The two-movement ‘Spinola’ sonatas are lively and imaginative enough, but it is in the Fini sonatas that a kinship with Turrini’s contemporary Beethoven becomes evident. These works far transcend their galant context, and could equally well be performed on the fortepiano, composed as they were on the cusp of keyboardinstrument history. The style that one contemporary described as ‘dolce patetico’ (‘sweet and full of feeling’) is particularly evident in the intensity of the slow movements: for instance, in the ‘Adagio ad imitazione del Violoncello’ of the Sonata No.5.
Michele Barchi is an experienced earlymusic keyboard musician who has worked with the likes of the late Claudio Abbado and with Riccardo Muti. Among his recordings is a contribution to the compendious ‘Bach 2000’ edition issued by Warner Classics. This album marks his debut on Brilliant Classics.
Year 2019 | Classical | FLAC / APE
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