Tom Petty & The Heartbreakers - Damn The Torpedoes (Deluxe Edition) (2015) [Hi-Res]
BAND/ARTIST: Tom Petty & The Heartbreakers, Tom Petty
- Title: Damn The Torpedoes (Deluxe Edition)
- Year Of Release: 1979 / 2015
- Label: Geffen Records
- Genre: Rock
- Quality: FLAC (tracks, booklet) [96kHz/24bit]
- Total Time: 1:06:33
- Total Size: 1.41 GB
- WebSite: Album Preview
Tracklist:
Disc 1
01. Refugee (3:21)
02. Here Comes My Girl (4:25)
03. Even The Losers (3:59)
04. Shadow Of A Doubt (A Complex Kid) (4:24)
05. Century City (3:43)
06. Don't Do Me Like That (2:42)
07. You Tell Me (4:32)
08. What Are You Doin' In My Life? (3:26)
09. Louisiana Rain (5:52)
Disc 2
10. Nowhere (3:38)
11. Surrender (3:25)
12. Casa Dega (Single Version) (3:35)
13. It's Rainin' Again (Playback 1995 Box Set Version) (1:31)
14. Shadow Of A Doubt (A Complex Kid) (Live) (4:42)
15. Don't Do Me Like That (Live) (2:49)
16. Somethin' Else (Live) (2:28)
17. Casa Dega (Demo) (3:32)
18. Refugee (Alternate Take) (4:30)
Disc 1
01. Refugee (3:21)
02. Here Comes My Girl (4:25)
03. Even The Losers (3:59)
04. Shadow Of A Doubt (A Complex Kid) (4:24)
05. Century City (3:43)
06. Don't Do Me Like That (2:42)
07. You Tell Me (4:32)
08. What Are You Doin' In My Life? (3:26)
09. Louisiana Rain (5:52)
Disc 2
10. Nowhere (3:38)
11. Surrender (3:25)
12. Casa Dega (Single Version) (3:35)
13. It's Rainin' Again (Playback 1995 Box Set Version) (1:31)
14. Shadow Of A Doubt (A Complex Kid) (Live) (4:42)
15. Don't Do Me Like That (Live) (2:49)
16. Somethin' Else (Live) (2:28)
17. Casa Dega (Demo) (3:32)
18. Refugee (Alternate Take) (4:30)
In 1979, with disco, glam, progressive and other music styles becoming more prevalent, rock music needed a statement. It got one. Tom Petty and the Heartbreakers third album, Damn the Torpedoes was not only a breakthrough but a masterpiece as well. And in the face of the changing landscape of rock music, a statement that classic, blues based guitar rock was never going away. Petty outdoes himself with the song writing and the Heartbreakers prove they are far more than just a backing band, forming a tight unit to perform songs that run the gamut of life: Hard times, love won and lost, and redemption. With Jimmy Iovine’s standout production the album spent seven weeks at #2 on the Billboard charts and charted two Top 20 singles in “Refugee” and “Don’t Do Me Like That.” This Deluxe Edition features the full original album remastered from the original analog master tapes and a second disc of rare and unreleased B-sides, alternate takes and live tracks.
Although Tom Petty has retained a dedicated core audience since his heyday in the late 70s, as evidenced by the generally positive reception of the Heartbreakers’ latest LP Mojo, the Floridian rock legend’s lustre seems to have been eroded somewhat by the march of time and shifting tastes. Unlike fellow US immortals Bruce Springsteen and Bob Dylan, Petty has struggled to win over a new generation of young fans willing to kick-start a new chapter in his career. Damn the Torpedoes, re-released in a new deluxe edition, stands a good chance of arresting this decline. This release will undoubtedly be treasured by long-time fans on board since Petty’s Mudcrutch days, but it should also serve as the perfect introduction for newcomers curious about America’s most accessible rocker.
What’s immediately noticeable about Damn the Torpedoes is the timelessness of its melodies and riffs. While some classic Petty albums, like solo hit Full Moon Fever and the Heartbreakers’ sixth release Southern Accents, feel firmly grounded in the 1980s, Torpedoes is the kind of sleek nine-track beast that rocks as hard today as it ever did. With its measured but piercing guitars and laconic vocals, the album also heavily signposts the influence Petty has had on modern southern rock outfits like Drive-By Truckers, Band of Horses and My Morning Jacket. Opening track Refugee instantly lays out the trademark Petty blueprint: clean, assertive riffs followed by surf-cool vocals and an instantly memorable chorus, coming to a final crescendo before the fun has worn off. Speaking of fun, tracks like Even the Losers and Don’t Do Me Like That still crackle with a mischievous energy, every note and guitar lick hiding a brazen smirk or sly wink.
As a deluxe package, this release is solid, if hardly exhaustive. The new digitally re-mastered mix sharpens the songs, adding to the openness that is the album’s chief strength. Previously unreleased tracks Nowhere and Surrender showcase the economic songcraft and infectious poppiness that Petty mastered during the Damn the Torpedoes sessions. While a demo of B side Casa Dega and an alternate take of Refugee don’t add much for the non-obsessive, the jewel in the crown of this package is the trio of live performances from the Hammersmith Odeon in 1980 (including a cover of Eddie Cochran’s Somethin’ Else), which bring home the Heartbreakers’ flawless on-stage credentials at the height of their prowess.
Over 30 years since its release, Damn the Torpedoes still sounds like the breezy pop-rock experience it was always meant to be, and remains a record ripe to be discovered by a new generation. (Chris Lo , BBC Music)
Re-mastered: Mastered in 96/24 from the original analog master tapes at Bernie Grundman Studios.
Although Tom Petty has retained a dedicated core audience since his heyday in the late 70s, as evidenced by the generally positive reception of the Heartbreakers’ latest LP Mojo, the Floridian rock legend’s lustre seems to have been eroded somewhat by the march of time and shifting tastes. Unlike fellow US immortals Bruce Springsteen and Bob Dylan, Petty has struggled to win over a new generation of young fans willing to kick-start a new chapter in his career. Damn the Torpedoes, re-released in a new deluxe edition, stands a good chance of arresting this decline. This release will undoubtedly be treasured by long-time fans on board since Petty’s Mudcrutch days, but it should also serve as the perfect introduction for newcomers curious about America’s most accessible rocker.
What’s immediately noticeable about Damn the Torpedoes is the timelessness of its melodies and riffs. While some classic Petty albums, like solo hit Full Moon Fever and the Heartbreakers’ sixth release Southern Accents, feel firmly grounded in the 1980s, Torpedoes is the kind of sleek nine-track beast that rocks as hard today as it ever did. With its measured but piercing guitars and laconic vocals, the album also heavily signposts the influence Petty has had on modern southern rock outfits like Drive-By Truckers, Band of Horses and My Morning Jacket. Opening track Refugee instantly lays out the trademark Petty blueprint: clean, assertive riffs followed by surf-cool vocals and an instantly memorable chorus, coming to a final crescendo before the fun has worn off. Speaking of fun, tracks like Even the Losers and Don’t Do Me Like That still crackle with a mischievous energy, every note and guitar lick hiding a brazen smirk or sly wink.
As a deluxe package, this release is solid, if hardly exhaustive. The new digitally re-mastered mix sharpens the songs, adding to the openness that is the album’s chief strength. Previously unreleased tracks Nowhere and Surrender showcase the economic songcraft and infectious poppiness that Petty mastered during the Damn the Torpedoes sessions. While a demo of B side Casa Dega and an alternate take of Refugee don’t add much for the non-obsessive, the jewel in the crown of this package is the trio of live performances from the Hammersmith Odeon in 1980 (including a cover of Eddie Cochran’s Somethin’ Else), which bring home the Heartbreakers’ flawless on-stage credentials at the height of their prowess.
Over 30 years since its release, Damn the Torpedoes still sounds like the breezy pop-rock experience it was always meant to be, and remains a record ripe to be discovered by a new generation. (Chris Lo , BBC Music)
Re-mastered: Mastered in 96/24 from the original analog master tapes at Bernie Grundman Studios.
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