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Philippe Jordan & Orchestre Symphonique de Vienne - Beethoven: Symphonies Nos. 4 & 5 (2018)

Philippe Jordan & Orchestre Symphonique de Vienne - Beethoven: Symphonies Nos. 4 & 5 (2018)
  • Title: Beethoven: Symphonies Nos. 4 & 5
  • Year Of Release: 2018
  • Label: Wiener Symphoniker
  • Genre: Classical
  • Quality: flac lossless +Booklet
  • Total Time: 01:06:22
  • Total Size: 296 mb
  • WebSite:
Tracklist
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01. Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio-Allegro vivace
02. Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio
03. Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto. Allegro vivace
04. Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo
05. Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
06. Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
07. Symphony No. 5 in C Minor, Op. 67: III. Allegro
08. Symphony No. 5 in C Minor, Op. 67: IV. Allegro


For the first time in their history, the Wiener Symphoniker will release a complete Beethoven symphonies cycle on CD. The Wiener Symphoniker wrote music history with the first performances of works by Bruckner, Ravel and Schoenberg. And under the baton of such illustrious music directors as Wilhelm Furtwängler, Herbert von Karajan, Carlo Maria Giulini or Georges Prêtre they acquired worldwide fame for their unique Viennese sound. Considering its rich, more than a century long history, it comes as a surprise that the orchestra has never before recorded a full cycle of the nine symphonies by Ludwig van Beethoven which are widely considered to constitute the apex of the symphonic repertoire.

This shortcoming is about to be remedied: Started in autumn 2017, the Wiener Symphoniker will release the full cycle on 5 CDs. With a new CD of the series to be released every 6 months, the full cycle will be completed just in time for the 250th anniversary of the birth of Beethoven in 2020. The symphonies were recorded live during a critically acclaimed concert cycle in Spring/Summer 2017 in the Great Hall of the Musikverein Wien. At these concerts, the international press specifically praised Jordan’s approach to combining a traditional Viennese sound with a more contemporary, slimmed down interpretation of the material, original tempi and insights from the historically informed performance practice. Through a close reading of the score and by focusing on the content of the works, Jordan aimed to create – in his words – a “more natural, direct, humanised“ image of the famous composer."
Hi-Res version





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  • User offline
  • zerubem
  •  wrote in 10:26
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    • 1
Thanks for sharing, fantastik!
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  • NoGDM
  •  wrote in 12:34
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    • 1
Thank you very much.
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  • platico
  •  wrote in 15:04
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    • 1
gracias...