Jean Pirot, Maurice Suzan, Henri Arque, Camille Verdier, Bernard Gallot, Robert Veyron-Lacroix - Royal Brass Music (2019)
BAND/ARTIST: Thurston Dart, Maurice André, Pierre Colombo, Ensemble Orchestral de L'Oiseau-Lyre, Jean Pirot, Maurice Suzan, Henri Arque, Camille Verdier, Bernard Gallot, Robert Veyron-Lacroix
- Title: Royal Brass Music
- Year Of Release: 2019
- Label: Universal Music Australia Pty. Ltd.
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:12:03
- Total Size: 284 mb
- WebSite: Album Preview
Tracklist
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01. Simpson: Intrada
02. Harding: Almande
03. Holborne: Coranto: The Fairie-round
04. Leetherland: Pavan
05. Guy: Almande No.13
06. Holborne: The Choice
07. Bassano: Fantasia
08. Farnaby: Almande
09. Holborne: Galliard
10. Johnson: Almande No.7
11. Holborne: Coranto: As it Fell on Holie Eve
12. Coprario: Fantasia No.76
13. Ferrabosco II: Almande No.5
14. Dering: Fantasia
15. Lupo: Almande
16. Bassano: Pavan No.16
17. Holborne: The Fruit of Love
18. Ferrabosco II: Pavan
19. Ferrabosco II: Alman
20. Mudge: Concerto for Trumpet and Strings-1. Vivace
21. Mudge: Concerto for Trumpet and Strings-2. Allegro
22. Mudge: Concerto for Trumpet and Strings-3. Larghetto
23. Clarke: Suite in D-1. Prelude (The Duke of Gloster's March)
24. Clarke: Suite in D-2. Minuet
25. Clarke: Suite in D-3. Sybelle
26. Clarke: Suite in D-4. Rondeau (The Prince of Denmark's March)
27. Clarke: Suite in D-5. Serenade (Andante)
28. Clarke: Suite in D-6. Bourrée
29. Clarke: Suite in D-7. Ecossaise
30. Clarke: Suite in D-8. Hornpipe
31. Clarke: Suite in D-9. Gigue
32. Bond: Concerto No.1 in D minor-1. Con spirito
33. Bond: Concerto No.1 in D minor-2. Adagio-Allegro
34. Bond: Concerto No.1 in D minor-3. Larghetto
With this and several other albums issued in 2019, Eloquence celebrates the art of Thurston Dart, the harpsichordist, conductor and editor who played a leading role in the early-music revival in postwar Britain. After his death in 1971 at the age of just 49, his fellow harpsichordist Igor Kipnis paid fulsome tribute to ‘a man of many parts’, whose 1954 volume on The Interpretation of Music had attained testamentary authority among his fellow musicians, matched by the skill, style and flourish of his many recordings: ‘He was the ideal musicologist-performer.’
In 1960 Dart convened and directed a six-strong ensemble of trumpets and trombones to record a sequence of music written for performance at the court of King James I by a twenty-piece band of sackbuts and cornetts known as the Royal Wind Music. Part-books of their repertoire were edited and in some cases reconstructed by Dart and his colleague Trevor Jones, and the result is a splendid compilation of dances and fanfares by members of the king’s musical retinue including the violist and lutenist ‘Giovanni Coprario’ who, born in London in 1570 as John Cooper, changed his name in the early seventeenth century, doubtless to add foreign lustre to his reputation.
Dart’s ad hoc ensemble was led by the legendary French trumpeter Maurice André who, four years previously, had taken centre-stage to record one of the first concerto albums in his long and distinguished career. The headline name in this trio of ‘English Baroque Trumpet Concertos’ is Jeremiah Clarke, whose successful career came to an abrupt and tragic end in his early 30s with his suicide in 1707. The nine movements of his Suite in D major for trumpet, strings and winds were also reconstructed for this recording, and they include the Trumpet Voluntary (sometimes known as the Prince of Denmark’s March) to which countless brides have walked down the aisle. The names of Richard Mudge and Capel Bond are far less known than they deserve to be: musicians of the English Midlands, they each left hardly more than a single collection of six concertos. In these examples edited by Gerald Finzi, they nonetheless demonstrate high craftsmanship in the Italian style and a fine awareness of the then-modern, ‘galant’ mode. (© Decca Music Group Limited / Universal Music Australia Pty Ltd.)
---------
01. Simpson: Intrada
02. Harding: Almande
03. Holborne: Coranto: The Fairie-round
04. Leetherland: Pavan
05. Guy: Almande No.13
06. Holborne: The Choice
07. Bassano: Fantasia
08. Farnaby: Almande
09. Holborne: Galliard
10. Johnson: Almande No.7
11. Holborne: Coranto: As it Fell on Holie Eve
12. Coprario: Fantasia No.76
13. Ferrabosco II: Almande No.5
14. Dering: Fantasia
15. Lupo: Almande
16. Bassano: Pavan No.16
17. Holborne: The Fruit of Love
18. Ferrabosco II: Pavan
19. Ferrabosco II: Alman
20. Mudge: Concerto for Trumpet and Strings-1. Vivace
21. Mudge: Concerto for Trumpet and Strings-2. Allegro
22. Mudge: Concerto for Trumpet and Strings-3. Larghetto
23. Clarke: Suite in D-1. Prelude (The Duke of Gloster's March)
24. Clarke: Suite in D-2. Minuet
25. Clarke: Suite in D-3. Sybelle
26. Clarke: Suite in D-4. Rondeau (The Prince of Denmark's March)
27. Clarke: Suite in D-5. Serenade (Andante)
28. Clarke: Suite in D-6. Bourrée
29. Clarke: Suite in D-7. Ecossaise
30. Clarke: Suite in D-8. Hornpipe
31. Clarke: Suite in D-9. Gigue
32. Bond: Concerto No.1 in D minor-1. Con spirito
33. Bond: Concerto No.1 in D minor-2. Adagio-Allegro
34. Bond: Concerto No.1 in D minor-3. Larghetto
With this and several other albums issued in 2019, Eloquence celebrates the art of Thurston Dart, the harpsichordist, conductor and editor who played a leading role in the early-music revival in postwar Britain. After his death in 1971 at the age of just 49, his fellow harpsichordist Igor Kipnis paid fulsome tribute to ‘a man of many parts’, whose 1954 volume on The Interpretation of Music had attained testamentary authority among his fellow musicians, matched by the skill, style and flourish of his many recordings: ‘He was the ideal musicologist-performer.’
In 1960 Dart convened and directed a six-strong ensemble of trumpets and trombones to record a sequence of music written for performance at the court of King James I by a twenty-piece band of sackbuts and cornetts known as the Royal Wind Music. Part-books of their repertoire were edited and in some cases reconstructed by Dart and his colleague Trevor Jones, and the result is a splendid compilation of dances and fanfares by members of the king’s musical retinue including the violist and lutenist ‘Giovanni Coprario’ who, born in London in 1570 as John Cooper, changed his name in the early seventeenth century, doubtless to add foreign lustre to his reputation.
Dart’s ad hoc ensemble was led by the legendary French trumpeter Maurice André who, four years previously, had taken centre-stage to record one of the first concerto albums in his long and distinguished career. The headline name in this trio of ‘English Baroque Trumpet Concertos’ is Jeremiah Clarke, whose successful career came to an abrupt and tragic end in his early 30s with his suicide in 1707. The nine movements of his Suite in D major for trumpet, strings and winds were also reconstructed for this recording, and they include the Trumpet Voluntary (sometimes known as the Prince of Denmark’s March) to which countless brides have walked down the aisle. The names of Richard Mudge and Capel Bond are far less known than they deserve to be: musicians of the English Midlands, they each left hardly more than a single collection of six concertos. In these examples edited by Gerald Finzi, they nonetheless demonstrate high craftsmanship in the Italian style and a fine awareness of the then-modern, ‘galant’ mode. (© Decca Music Group Limited / Universal Music Australia Pty Ltd.)
Year 2019 | Classical | FLAC / APE
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