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Lena Horne - At The Sands (Live) (1961/2019)

Lena Horne - At The Sands (Live) (1961/2019)

BAND/ARTIST: Lena Horne

  • Title: At The Sands (Live)
  • Year Of Release: 1961/2019
  • Label: RCA/Legacy
  • Genre: Vocal Jazz, Pop
  • Quality: 320 kbps | FLAC (tracks)
  • Total Time: 00:40:56
  • Total Size: 95 mb | 213 mb
  • WebSite:
Tracklist:

01. Maybe (Live at The Sands)
02. The Man I Love (Live at The Sands)
03. Get Rid of Monday (Live at The Sands)
04. Jule Styne Medley: A Ride On a Rainbow / Never Never Land / I Said No / Some People (Live at The Sands)
05. You Don't Have to Know the Language (Live at The Sands)
06. Out of My Continental Mind (Live at The Sands)
07. Rodgers and Hammerstein Medley: A Cock-Eyed Optimist / I Have Dreamed / Surrey with the Fringe On Top (Live at The Sands)
08. Harburg Medley: Thrill Me / What Is There to Say / The Begat (Live at The Sands)
09. Don't Commit the Crime (Live at The Sands)

For her second live album, Lena Horne recorded in the familiar environs of the Sands Hotel in Las Vegas. Her set paid tribute to some of musical theater's most prominent songwriters; there were medleys of the songs of Jule Styne, Rodgers & Hammerstein, and E.Y. Harburg, and the set list also included music by George & Ira Gershwin. Horne's song choices ranged from the very familiar to the very obscure. For example, Johnny Burke and James VanHeusen, primary songwriters for Bing Crosby for much of his later film career, had scored a hit with "You Don't Have to Know the Language" from the 1948 film Road to Rio, one of Crosby and Bob Hope's "road" pictures, but "Get Rid of Monday," which Horne also performed here, was virtually unknown, and you could say the same thing about Duke Ellington collaborator Billy Strayhorn's "Maybe" and Burt Bacharach's "Out of My Continental Mind," while songs like Styne's "A Ride on a Rainbow" (from the 1957 television musical Ruggles of Red Gap) and Harburg's "Thrill Me" (from the musical Ballyhoo of 1932) were not much better known. Horne sang everything like it was a classic, however, reveling in the torch standard "The Man I Love" as much as the witty closer "Don't Commit the Crime" (credited to Horne/Shaw). The Sands Hotel Orchestra were on hand, but many of the arrangements called for only a piano trio, placing more emphasis on the singer's precise phrasing and incisive lyrical interpretation. At 43, she remained at the top of her game with a repertoire well suited to her style of performance.


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