Emanuele Cardi - The Bach Circle (2018)
BAND/ARTIST: Emanuele Cardi
- Title: The Bach Circle
- Year Of Release: 2018
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:14:00
- Total Size: 324 mb
- WebSite: Album Preview
Tracklist
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01. Fantasia con organo pleno
02. So gehst du nun, mein Jesu, hin
03. Praeludium in E Minor
04. Preludio pro organo pleno
05. Fantasia sopra freu dich sehr, o meine Seele in G Major, Krebs-WV 519
06. Toccata and Fugue in A Minor, Krebs-WV 411: I. Toccata
07. Toccata and Fugue in A Minor, Krebs-WV 411: II. Fugue
08. Mach's mit mir Gott nach deiner Gut: I. Choral
09. Mach's mit mir Gott nach deiner Gut: II. À 2 Clav. Et pedal
10. Concerto del Sigr. Meck, appropriato all'organo: I. Allegro
11. Concerto del Sigr. Meck, appropriato all'organo: II. Adagio
12. Concerto del Sigr. Meck, appropriato all'organo: III. Allegro
13. Fantasia and Fugue in C Minor, Wq 119/7: I. Fantasia
14. Fantasia and Fugue in C Minor, Wq 119/7: II. Fuga
15. Organ Sonata in A Minor, Wq 70/4, H. 85: I. Allegro assai
16. Organ Sonata in A Minor, Wq 70/4, H. 85: II. Adagio
17. Organ Sonata in A Minor, Wq 70/4, H. 85: III. Allegro
18. Toccata and Fugue in D Minor, BWV 565: I. Toccata
19. Toccata and Fugue in D Minor, BWV 565: II. Fugue
This is Emanuele Cardi’s fourth album for Brilliant Classics after recordings which display this talented organist’s wide musical sympathies and talents, ranging from music by Bach’s contemporary Tunder (94901) to still more obscure delights from Naples (94622) and exuberant arrangements of Tchaikovsky and Saint‐Saëns for organ four-hands (94881).
‘He is a great connoisseur of Baroque repertoire,’ noted the Spanish magazine Codalario of Cardi’s Neapolitan disc, ‘and it shows in his ability to give these pieces such native colour: this is a remarkable album.’ On this occasion he has recorded an album which concludes with Bach’s most famous yet possibly most spurious work for organ, the Toccata and Fugue in D minor, whose Italianate flourishes surely have their origin in a work for violin, whether or not by Bach himself.
In fact an aesthetic conversation between Italy and Germany underlies the character of the album as a whole. Kittel, Krebs and Vogler were pupils of J.S. in Leipzig, and their work featured here is indebted to a greater or lesser extent to the example of their master; whereas his most talented son, C.P.E., struck out boldly in new directions of harmony and voicing, as demonstrated here by a C minor Fantasy and Fugue and the substantial A minor Sonata.
The cousin of Pachelbel, Walther, like Bach, made many transcriptions for organ of concertos by Vivaldi and his contemporaries such as Corelli and Torelli. Walther’s own concerto is a scintillating piece of dancing counterpoint in that tradition, marking quite a contrast to the chorale‐based music of Bach’s pupils in the first half of the disc.
The booklet features an essay giving invaluable historical context as well as both photographs and full specifications of the organ by Giorgio Carli in the Church of San Martino in Cimego where the recording was made.
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01. Fantasia con organo pleno
02. So gehst du nun, mein Jesu, hin
03. Praeludium in E Minor
04. Preludio pro organo pleno
05. Fantasia sopra freu dich sehr, o meine Seele in G Major, Krebs-WV 519
06. Toccata and Fugue in A Minor, Krebs-WV 411: I. Toccata
07. Toccata and Fugue in A Minor, Krebs-WV 411: II. Fugue
08. Mach's mit mir Gott nach deiner Gut: I. Choral
09. Mach's mit mir Gott nach deiner Gut: II. À 2 Clav. Et pedal
10. Concerto del Sigr. Meck, appropriato all'organo: I. Allegro
11. Concerto del Sigr. Meck, appropriato all'organo: II. Adagio
12. Concerto del Sigr. Meck, appropriato all'organo: III. Allegro
13. Fantasia and Fugue in C Minor, Wq 119/7: I. Fantasia
14. Fantasia and Fugue in C Minor, Wq 119/7: II. Fuga
15. Organ Sonata in A Minor, Wq 70/4, H. 85: I. Allegro assai
16. Organ Sonata in A Minor, Wq 70/4, H. 85: II. Adagio
17. Organ Sonata in A Minor, Wq 70/4, H. 85: III. Allegro
18. Toccata and Fugue in D Minor, BWV 565: I. Toccata
19. Toccata and Fugue in D Minor, BWV 565: II. Fugue
This is Emanuele Cardi’s fourth album for Brilliant Classics after recordings which display this talented organist’s wide musical sympathies and talents, ranging from music by Bach’s contemporary Tunder (94901) to still more obscure delights from Naples (94622) and exuberant arrangements of Tchaikovsky and Saint‐Saëns for organ four-hands (94881).
‘He is a great connoisseur of Baroque repertoire,’ noted the Spanish magazine Codalario of Cardi’s Neapolitan disc, ‘and it shows in his ability to give these pieces such native colour: this is a remarkable album.’ On this occasion he has recorded an album which concludes with Bach’s most famous yet possibly most spurious work for organ, the Toccata and Fugue in D minor, whose Italianate flourishes surely have their origin in a work for violin, whether or not by Bach himself.
In fact an aesthetic conversation between Italy and Germany underlies the character of the album as a whole. Kittel, Krebs and Vogler were pupils of J.S. in Leipzig, and their work featured here is indebted to a greater or lesser extent to the example of their master; whereas his most talented son, C.P.E., struck out boldly in new directions of harmony and voicing, as demonstrated here by a C minor Fantasy and Fugue and the substantial A minor Sonata.
The cousin of Pachelbel, Walther, like Bach, made many transcriptions for organ of concertos by Vivaldi and his contemporaries such as Corelli and Torelli. Walther’s own concerto is a scintillating piece of dancing counterpoint in that tradition, marking quite a contrast to the chorale‐based music of Bach’s pupils in the first half of the disc.
The booklet features an essay giving invaluable historical context as well as both photographs and full specifications of the organ by Giorgio Carli in the Church of San Martino in Cimego where the recording was made.
Year 2018 | Classical | FLAC / APE
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