Cappella Mediterranea, Leonardo García-Alarcón & Clematis - Romero: Romerico Florido (2010)
BAND/ARTIST: Cappella Mediterranea, Leonardo García-Alarcón, Clematis
- Title: Romero: Romerico Florido
- Year Of Release: 2010
- Label: Ricercar
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:01:03
- Total Size: 298 mb
- WebSite: Album Preview
Tracklist
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01. Entre Dos Mansos Arroyos, Romance a 4
02. Romerico Florido, Folía a 2
03. Coraçon, ¿Donde Estuvistes?, Cancíon a 3
04. Hermosas y Enjojadas
05. A la Dulce Risa del Alva, Folía a 4
06. ¡Ay, Qué Me Muero de Zelos, Letrilla a 3 (I)
07. ¡Ay, Qué Me Muero de Zelos, Letrilla a 3 (II)
08. Las Eridas de Medoro
09. Aquella Hermosa Aldeana, Romance a 4
10. En Este Inbierno Frío, Cancíon a 3
11. Caiase de un Espino, Romance a 4
12. Volarás, Pensamiento Mío, Cancíon a 3
13. Fatigada Navecilla, Romance a 4
14. En una Playa Amena, Cancíon a 3
15. Pescador, Que das al Mar, a 4
Composers
Romero, Mateo (c.1575-1647)
Born in Liège, Matheo Romero was in the service of the Spanish court; his secular works show that he had perfectly assimilated the characteristics of his adopted country’s music. Composed at the very beginning of the baroque era, these romances, folias and canciones also show the influence of the Italian madrigal style and of its effects; just as in the madrigals proper, Nature is the prime inspiration for the texts’ professions of love and amorous deceptions. For the first time, the talented Argentinean conductor Leonardo García-Alarcón brings together his two ensembles: the voices of Capella Mediterranea and Ens. Clematis. This combination revives the tradition of Spanish chapels around the reign of Charles V in Madrid. A meeting of the Capilla Flamenca and Capilla Spagnola.
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01. Entre Dos Mansos Arroyos, Romance a 4
02. Romerico Florido, Folía a 2
03. Coraçon, ¿Donde Estuvistes?, Cancíon a 3
04. Hermosas y Enjojadas
05. A la Dulce Risa del Alva, Folía a 4
06. ¡Ay, Qué Me Muero de Zelos, Letrilla a 3 (I)
07. ¡Ay, Qué Me Muero de Zelos, Letrilla a 3 (II)
08. Las Eridas de Medoro
09. Aquella Hermosa Aldeana, Romance a 4
10. En Este Inbierno Frío, Cancíon a 3
11. Caiase de un Espino, Romance a 4
12. Volarás, Pensamiento Mío, Cancíon a 3
13. Fatigada Navecilla, Romance a 4
14. En una Playa Amena, Cancíon a 3
15. Pescador, Que das al Mar, a 4
Composers
Romero, Mateo (c.1575-1647)
Born in Liège, Matheo Romero was in the service of the Spanish court; his secular works show that he had perfectly assimilated the characteristics of his adopted country’s music. Composed at the very beginning of the baroque era, these romances, folias and canciones also show the influence of the Italian madrigal style and of its effects; just as in the madrigals proper, Nature is the prime inspiration for the texts’ professions of love and amorous deceptions. For the first time, the talented Argentinean conductor Leonardo García-Alarcón brings together his two ensembles: the voices of Capella Mediterranea and Ens. Clematis. This combination revives the tradition of Spanish chapels around the reign of Charles V in Madrid. A meeting of the Capilla Flamenca and Capilla Spagnola.
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