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Bernard Roberts Piano Trio - Dodgson: Piano Trios & Bagatelles (2019)

Bernard Roberts Piano Trio - Dodgson: Piano Trios & Bagatelles (2019)
  • Title: Dodgson: Piano Trios & Bagatelles
  • Year Of Release: 2019
  • Label: Claudio Records
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 63:23 min
  • Total Size: 242 MB
  • WebSite:
Tracklist:

01. Piano Trio No. 1 (Diversions on an Air by Robert Jones): I. Allegro di molto
02. Piano Trio No. 1 (Diversions on an Air by Robert Jones): II. Più tranquillo
03. Piano Trio No. 1 (Diversions on an Air by Robert Jones): III. Allegro deciso
04. Piano Trio No. 1 (Diversions on an Air by Robert Jones): IV. Ben misurato
05. Piano Trio No. 1 (Diversions on an Air by Robert Jones): V. Liberamente e drammatico
06. Piano Trio No. 1 (Diversions on an Air by Robert Jones): VI. Allegro di molto
07. Piano Trio No. 1 (Diversions on an Air by Robert Jones): VII. Più moderato
08. Piano Trio No. 2 (Canonic Episodes): I. Allegro scherzando
09. Piano Trio No. 2 (Canonic Episodes): II. Largamente e sostenuto
10. Piano Trio No. 2 (Canonic Episodes): III. Vivace e leggiero
11. Piano Trio No. 2 (Canonic Episodes): IV. Andante maestoso
12. Piano Trio No. 2 (Canonic Episodes): V. Senza misura
13. Piano Trio No. 2 (Canonic Episodes): VI. Poco più mosso
14. Piano Trio No. 2 (Canonic Episodes): VII. Tempo del principio
15. Piano Trio No. 3: I. Broad & Sonorous
16. Piano Trio No. 3: II. Violent but With Controlled Speed
17. Piano Trio No. 3: III. Lingering & Intense - Più mosso
18. Bagatelles for Piano: No. 1, Swift & Trancelike
19. Bagatelles for Piano: No. 2, Serene but Sad
20. Bagatelles for Piano: No. 3, Restless & Searching
21. Bagatelles for Piano: No. 4, Lanquid but Visionary
22. Bagatelles for Piano: No. 5, Alert & Mischievous
23. Bagatelles for Piano: No. 6, Robust & Determined


Stephen Dodgson writes: Soon after leaving the Royal College of Music in 1949, I had written an ambitious Piano Quartet - I was quite proud of it for some years - but wrote nothing else in the genre until a Piano Quintet in 1966. This was to a commission. So also, the very next year, was my first Piano Trio. This was premiered at the Conway Hall as part of a Music in Our Time Festival, an audacious forum for (mainly) young composers and performers, a brainchild of the pianist Ian Lake, which enlivened the periphery of the London scene over a succession of autumn seasons. I was a happy participant on at least four occasions, two of which have gone on echoing down the years. One was an entertainment called The Old Cigarette- Lighter, the other precursor to undreamed later ventures in trio writing, all of which bear traces of a carefree approach to composition which, thankfully, has never quite deserted me."


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