Arcadi Volodos & James Levine - Rachmaninoff: Piano Concerto No. 3; Solo Piano Works (2000) [SACD]
BAND/ARTIST: Arcadi Volodos, Berlin Philharmonic, James Levine
- Title: Rachmaninoff: Piano Concerto No. 3; Solo Piano Works
- Year Of Release: 2000
- Label: Sony Classical
- Genre: Classical
- Quality: DST64 2.0 image (iso) (2,8 MHz/1 Bit)
- Total Time: 01:03:40
- Total Size: 1.66 GB
- WebSite: Album Preview
Tracklist:
Piano Concerto 3 in D Minor
1. I. Allegro ma non tanto
2. II. Intermezzo. Adagio
3. III. Finale. Alla breve
4. Andante from Sonata for Violoncello & Piano, Op. 19
5. Serenade in B-flat minor from Morceaux de fantaisie, Op. 3 No. 5
6. Romance in F minor from Morceaux de salon, Op. 10 No. 6
7. Prelude in F minor from 13 Preludes, Op. 32 No. 6
8. Prelude in D minor, Op. post.
9. Etude-tableaux in C-sharp minor, Op. 33 No. 6
Piano Concerto 3 in D Minor
1. I. Allegro ma non tanto
2. II. Intermezzo. Adagio
3. III. Finale. Alla breve
4. Andante from Sonata for Violoncello & Piano, Op. 19
5. Serenade in B-flat minor from Morceaux de fantaisie, Op. 3 No. 5
6. Romance in F minor from Morceaux de salon, Op. 10 No. 6
7. Prelude in F minor from 13 Preludes, Op. 32 No. 6
8. Prelude in D minor, Op. post.
9. Etude-tableaux in C-sharp minor, Op. 33 No. 6
This selection received a Grammy Award nomination for "Best Instrumental Soloist(s) Performance (with Orchestra)."
Arcadi Volodos' concerto recording debut is an involving and exciting Rachmaninov Third which is quite unlike any of the other classic accounts that come to mind. Not for him the manic intensity of Horowitz or the hell-bent impetuosity of Argerich, this particular virtuoso has his own signature gifts, a golden tone that never tarnishes under duress, a mastery of overall form that might be viewed as restraint, and then of course, the killer technique. In this last regard Volodos truly sets himself apart, for his magic is not all speed and power. One is often held breathless by his control in quiet moments, especially where the combination of dexterity and delicacy is called for, and he revels in passage work, making every note count and shine where other pianist seem to merely be moving on to get to the next big hurdle. Then, when the big hurdles of the "Rach III" arrive, Volodos dispatches them with such level command that one is truly awed. No wonder the live Berlin audience breaks into hysterics at the end. They, like you, are lucky to be alive to hear this.
Arcadi Volodos' concerto recording debut is an involving and exciting Rachmaninov Third which is quite unlike any of the other classic accounts that come to mind. Not for him the manic intensity of Horowitz or the hell-bent impetuosity of Argerich, this particular virtuoso has his own signature gifts, a golden tone that never tarnishes under duress, a mastery of overall form that might be viewed as restraint, and then of course, the killer technique. In this last regard Volodos truly sets himself apart, for his magic is not all speed and power. One is often held breathless by his control in quiet moments, especially where the combination of dexterity and delicacy is called for, and he revels in passage work, making every note count and shine where other pianist seem to merely be moving on to get to the next big hurdle. Then, when the big hurdles of the "Rach III" arrive, Volodos dispatches them with such level command that one is truly awed. No wonder the live Berlin audience breaks into hysterics at the end. They, like you, are lucky to be alive to hear this.
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