Henri-Michel Garzia, Ensemble Neophonia, Benjamin Garzia & Vannina Santoni - Siècle de lumières (2017) [Hi-Res]
![Henri-Michel Garzia, Ensemble Neophonia, Benjamin Garzia & Vannina Santoni - Siècle de lumières (2017) [Hi-Res]](https://img.israbox.com/uploads/posts/2017-10/1506842835_henri-michel-garzia-ensemble-neophonia-benjamin-garzia-vannina-santoni-siecle-de-lumieres-2017-hi-res.jpg)
BAND/ARTIST: Henri-Michel Garzia, Ensemble Neophonia, Benjamin Garzia, Vannina Santoni
- Title: Siècle de lumières
- Year Of Release: 2017
- Label: Klarthe
- Genre: Classical
- Quality: flac lossless / flac 24bits - 88.2kHz +booklet
- Total Time: 00:50:25
- Total Size: 283 / 939 mb
- WebSite: Album Preview
Tracklist
-----------
01. Konzert für posaune: I. Adagio
02. Konzert für posaune: II. Allegro assai
03. Sonate en Si-Bémol Majeur: I. Andante
04. Sonate en Si-Bémol Majeur: II. Allegro
05. Sonate en Si-Bémol Majeur: III. Larghetto
06. Sonate en Si-Bémol Majeur: IV. Allegretto
07. Concerto für Alt-posaune: I. Allegro
08. Concerto für Alt-posaune: II. Andante
09. Concerto für Alt-posaune: III. Allegro moderato
10. Concerto en fa mineur: I. Grave
11. Concerto en fa mineur: II. Allegro
12. Concerto en fa mineur: III. Sarabande largo
13. Concerto en fa mineur: IV. Allegro
14. Der Verurteilte Jesus: I. Fliess o heisser Tränenbach
The Age of Enlightenment has never ceased to fascinate. The philosophical ideas and esthetics it sparked are an unending source for inspiration and artistic research.
Decades of tradition stir passionate debates around the ideal interpretation for music of this period. Yet, if there exists one style of music which remains forever modern, it is baroque music.
If tradition consists of reviving flames, as opposed to venerating ashes, what could be more natural than to interpret this music again and again? Every artist brings a new stone to the edifice of this ideal and eternal art.
Modern or period instruments? Why dismiss a search for authenticity? Why dismiss a more modern way of reigniting flames? Both visions inevitably converge towards a same ideal. With this concept in mind, this recording offers a crossover of two celebrated trombone concerti, with other musical perspectives, such as oratorio, or transcription.
Henri-Michel Garzia offers his enlightenment on these masterpieces, accompanied by l'Ensemble Neophonia, on this journey through a century, a personality, and an encounter with the most primordial instrument, the human voice, incarnated by soprano Vannina Santoni.
Henri-Michel Garzia, trombone
Vannina Santoni, soprano
Ensemble Neophonia
Benjamin Garzia, conductor
-----------
01. Konzert für posaune: I. Adagio
02. Konzert für posaune: II. Allegro assai
03. Sonate en Si-Bémol Majeur: I. Andante
04. Sonate en Si-Bémol Majeur: II. Allegro
05. Sonate en Si-Bémol Majeur: III. Larghetto
06. Sonate en Si-Bémol Majeur: IV. Allegretto
07. Concerto für Alt-posaune: I. Allegro
08. Concerto für Alt-posaune: II. Andante
09. Concerto für Alt-posaune: III. Allegro moderato
10. Concerto en fa mineur: I. Grave
11. Concerto en fa mineur: II. Allegro
12. Concerto en fa mineur: III. Sarabande largo
13. Concerto en fa mineur: IV. Allegro
14. Der Verurteilte Jesus: I. Fliess o heisser Tränenbach
The Age of Enlightenment has never ceased to fascinate. The philosophical ideas and esthetics it sparked are an unending source for inspiration and artistic research.
Decades of tradition stir passionate debates around the ideal interpretation for music of this period. Yet, if there exists one style of music which remains forever modern, it is baroque music.
If tradition consists of reviving flames, as opposed to venerating ashes, what could be more natural than to interpret this music again and again? Every artist brings a new stone to the edifice of this ideal and eternal art.
Modern or period instruments? Why dismiss a search for authenticity? Why dismiss a more modern way of reigniting flames? Both visions inevitably converge towards a same ideal. With this concept in mind, this recording offers a crossover of two celebrated trombone concerti, with other musical perspectives, such as oratorio, or transcription.
Henri-Michel Garzia offers his enlightenment on these masterpieces, accompanied by l'Ensemble Neophonia, on this journey through a century, a personality, and an encounter with the most primordial instrument, the human voice, incarnated by soprano Vannina Santoni.
Henri-Michel Garzia, trombone
Vannina Santoni, soprano
Ensemble Neophonia
Benjamin Garzia, conductor
Year 2017 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads