Michael Donnelly - Pardon Error (2019)
BAND/ARTIST: Michael Donnelly
- Title: Pardon Error
- Year Of Release: 2019
- Label: Front & Follow
- Genre: Techno, Experimental
- Quality: lossless (tracks)
- Total Time: 01:06:24
- Total Size: 350 mb
- WebSite: Album Preview
Tracklist
1.Mole Man (Pye Corner Audio remix)
2.Mole Man (Basic House remix)
3.Mole Man (Kemper Norton remix)
4.Mole Man (Polypores remix)
5.Laburnum (Elite Barbarian remix)
6.Behind the Laburnum (Rothko remix)
7.Mole Man (Psychological Strategy Board Exercise of Impalement mix)
8.Behind the Laburnum
9.Mole Man 04:45
10.Root About The Carcass
11.Urge To Swarm
We are delighted to present the new album from Michael Donnelly, as the second release in a new series celebrating the present and past of some of our favourite artists.
Influenced by everything from Khan Jamal to Egisto Macchi via Basic House and Konrad Kraft, Why So Mute, Fond Lover? builds new worlds of beats and rhythm, sound collage, ambience and noise using random borrowed equipment, broken gear and household appliances. The album was recorded in Mile End, London and Hamburg (with collaborator Ben Page of Rocketnumbernine and Elite Barbarian), and mastered by fellow Rothko member Mark Beazley.
Donnelly has previously released albums on Exotic Pylon, Hideous Replica and Foredoom Productions, and has been a long-term member of Rothko, performing on a number of their albums including A continual Search for Origins, Eleven Stages of Intervention and most recently 2018’s Blood Demands More Blood.
Why So Mute, Fond Lover? comes with a bonus album (to download with all physical copies, and available separately to download) featuring tracks from Michael’s previous releases plus new remixes by Pye Corner Audio, Polypores, Kemper Norton, Psychological Strategy Board, Basic House and Elite Barbarian.
This new release is the second volume of a new series on Front & Follow – Ex Post Facto – which seeks to celebrate experimental electronic music in all its forms, showcasing new work and old, exploring the relationship between the current and the past, how they influence and shape each other and our experiences of them.
For each volume in the series we ask artists to create a new project of their own choosing and present it alongside a retrospective of their past output.
1.Mole Man (Pye Corner Audio remix)
2.Mole Man (Basic House remix)
3.Mole Man (Kemper Norton remix)
4.Mole Man (Polypores remix)
5.Laburnum (Elite Barbarian remix)
6.Behind the Laburnum (Rothko remix)
7.Mole Man (Psychological Strategy Board Exercise of Impalement mix)
8.Behind the Laburnum
9.Mole Man 04:45
10.Root About The Carcass
11.Urge To Swarm
We are delighted to present the new album from Michael Donnelly, as the second release in a new series celebrating the present and past of some of our favourite artists.
Influenced by everything from Khan Jamal to Egisto Macchi via Basic House and Konrad Kraft, Why So Mute, Fond Lover? builds new worlds of beats and rhythm, sound collage, ambience and noise using random borrowed equipment, broken gear and household appliances. The album was recorded in Mile End, London and Hamburg (with collaborator Ben Page of Rocketnumbernine and Elite Barbarian), and mastered by fellow Rothko member Mark Beazley.
Donnelly has previously released albums on Exotic Pylon, Hideous Replica and Foredoom Productions, and has been a long-term member of Rothko, performing on a number of their albums including A continual Search for Origins, Eleven Stages of Intervention and most recently 2018’s Blood Demands More Blood.
Why So Mute, Fond Lover? comes with a bonus album (to download with all physical copies, and available separately to download) featuring tracks from Michael’s previous releases plus new remixes by Pye Corner Audio, Polypores, Kemper Norton, Psychological Strategy Board, Basic House and Elite Barbarian.
This new release is the second volume of a new series on Front & Follow – Ex Post Facto – which seeks to celebrate experimental electronic music in all its forms, showcasing new work and old, exploring the relationship between the current and the past, how they influence and shape each other and our experiences of them.
For each volume in the series we ask artists to create a new project of their own choosing and present it alongside a retrospective of their past output.
Year 2019 | Electronic | Techno | FLAC / APE
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