Giancarlo Parisi & Katia Pesti - Claude Debussy: Treason - Oriental Influences for Flute & Piano (2018)
BAND/ARTIST: Giancarlo Parisi, Katia Pesti
- Title: Claude Debussy: Treason - Oriental Influences for Flute & Piano
- Year Of Release: 2018
- Label: Da Vinci Classics
- Genre: Classical, Piano
- Quality: flac lossless
- Total Time: 00:56:54
- Total Size: 242 mb
- WebSite: Album Preview
Tracklist
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01. Deux arabesques, L. 66: No. 1 in E Major, Andantino con moto
02. Beau soir, L. 6
03. Suite bergamasque, L. 75: III. Clair de lune
04. Tarantelle styrienne, L. 69
05. Préludes, Premier livre, L. 117: No. 6, Des pas sur la neige
06. La plus que lente, L. 121
07. Children's Corner, L. 113: V. Le petit berger
08. Estampes, L. 100: I. Pagodes
09. Rêverie, L. 68
10. Syrinx, L. 129
laude Debussy was so fascinated by oriental music, that he listened for the first time during the universal exposition of 1889, to be given to his only daughter Emma-Claude the nickname of Chouchou (butterfly).
In many of his compositions elements of the scales, of the sonorities and of the oriental polyrhythms constantly and overwhelmingly appear in the universe of his writings already far from the classicism of the 19th century.
In the arrangements and improvisations of the duet Giancarlo Parisi e Katia Pesti these elements are enhanced and highlighted both in the selection of the pieces and in the use and insertion in the original scores of particular instruments such as the Zi-flute( an headjoint for flute patented by Parisi same), rejong and gong (recovered from Pesti during her trips to Bali).
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01. Deux arabesques, L. 66: No. 1 in E Major, Andantino con moto
02. Beau soir, L. 6
03. Suite bergamasque, L. 75: III. Clair de lune
04. Tarantelle styrienne, L. 69
05. Préludes, Premier livre, L. 117: No. 6, Des pas sur la neige
06. La plus que lente, L. 121
07. Children's Corner, L. 113: V. Le petit berger
08. Estampes, L. 100: I. Pagodes
09. Rêverie, L. 68
10. Syrinx, L. 129
laude Debussy was so fascinated by oriental music, that he listened for the first time during the universal exposition of 1889, to be given to his only daughter Emma-Claude the nickname of Chouchou (butterfly).
In many of his compositions elements of the scales, of the sonorities and of the oriental polyrhythms constantly and overwhelmingly appear in the universe of his writings already far from the classicism of the 19th century.
In the arrangements and improvisations of the duet Giancarlo Parisi e Katia Pesti these elements are enhanced and highlighted both in the selection of the pieces and in the use and insertion in the original scores of particular instruments such as the Zi-flute( an headjoint for flute patented by Parisi same), rejong and gong (recovered from Pesti during her trips to Bali).
Year 2018 | Classical | FLAC / APE
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