Nathalie Stutzmann and Orfeo 55 - Prima Donna (2011)
BAND/ARTIST: Nathalie Stutzmann, Orfeo 55
- Title: Prima Donna
- Year Of Release: 2011
- Label: Deutsche Grammophon (DG)
- Genre: Classical
- Quality: flac lossless +booklet
- Total Time: 01:10:50
- Total Size: 378 mb
- WebSite: Album Preview
Tracklist
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01. Vivaldi: Juditha Triumphans, R.644 / Pars prior-Agitata infido flatu
02. Vivaldi: Orlando furioso RV 728 / Act 3, Scène 8-Ritornello (fragment d’un air pour Ruggiero)
03. Vivaldi: Arsilda Regina di Ponto R.700 (1716) / Act 1, Scène 2-Io sento in questo seno
04. Vivaldi: Tieteberga, RV737 / Act 2, Scène 7-La gloria del mio sangue
05. Vivaldi: Il Giustino / Act 2, Scène 1-Sento in seno
06. Vivaldi: L'Olimpiade, RV725 / Act 2, Scène 15-Con questo ferro indegno
07. Vivaldi: L'Olimpiade, RV725 / Act 2, Scène 15-Gemo in un punto
08. Vivaldi: Arsilda Regina di Ponto R.700 (1716) / Act 1, Scène 2-Del goder la bella spene
09. Vivaldi: Il Giustino / Act 2, Scène 13-Sorte che m’invitasti
10. Vivaldi: Il Giustino / Act 2, Scène 13-Ho nel petto
11. Vivaldi: Il Giustino / Act 2, Scène 12-Ritornello (fragment d'un air pour Anastasio)
12. Vivaldi: La costanza trionfante , RV706 / Act 3, Scène 4-Lascia almen che ti consegni
13. Vivaldi: Il Teuzzone, RV736 / Act 1, Scène 8-Ritornello (fragment d'un air pour Zidiana)
14. Vivaldi: Andromeda liberata (Parte Seconda)-Sovvente il sole
15. Vivaldi: L'Olimpiade, RV725 / Sinfonia-L'Olimpiade: Sinfonia I-Allegro
16. Vivaldi: L'Olimpiade, RV725 / Sinfonia-L'Olimpiade: Sinfonia II-Andante
17. Vivaldi: L'Olimpiade, RV725 / Sinfonia-L'Olimpiade: Sinfonia III-Allegro moderato
18. Vivaldi: L'Atenaide, RV702 / Act 3, Scène 7-Cor mio, che prigion sei
19. Vivaldi: Semiramide (RV 733) / Act 3, Scene 2-Con la face di Megera
20. Vivaldi: Semiramide (RV 733) / Act 2, Scene 10-Vincerà l’aspro mio fatto
21. Vivaldi: Juditha Triumphans, R.644 / Pars II-Transit aetas
22. Vivaldi: Orlando furioso RV 728 / Act 1-Ritornello (fragment d'un air pour Medoro)
23. Vivaldi: Tieteberga, RV737 / Act 3, Scene 11-L’innocenza sfortunata
24. Vivaldi: Arsilda Regina di Ponto R.700 (1716) / Act 3, Scene 9-Cara gioia
Composers
Vivaldi, Antonio (1678-1741)
Considered one of the rare authentic alto voices of our time, singer Nathalie Stutzmann also devotes part of her career to conducting, which she studied with two exceptional masters: Jorma Panula (who trained Sir Simon Rattle in particular) and Seiji Ozawa.
With the founding of the Orfeo 55 ensemble in 2009, a lifelong dream of Nathalie Stutzmann's came true: having her own chamber orchestra.
Devoted to Antonio Vivaldi, Prima Donna is the first disc where Nathalie Stutzmann holds the twin roles of singer and conductor.
In an era when the public acclaimed castrati, Vivaldi the nonconformist preferred the fascinating timbre of female contralti to whom he accorded a place of honour in his operas. With Prima Donna, Nathalie Stutzmann brilliantly illustrates this historic originality by bringing together the most beautiful arias, either famous or unrecorded, that Vivaldi composed for these adored singers.
Nathalie Stutzmann conducts Orfeo 55 with the musical rigour, expressive freedom and emotional intensity that are hallmarks of her reputation as a singer.
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01. Vivaldi: Juditha Triumphans, R.644 / Pars prior-Agitata infido flatu
02. Vivaldi: Orlando furioso RV 728 / Act 3, Scène 8-Ritornello (fragment d’un air pour Ruggiero)
03. Vivaldi: Arsilda Regina di Ponto R.700 (1716) / Act 1, Scène 2-Io sento in questo seno
04. Vivaldi: Tieteberga, RV737 / Act 2, Scène 7-La gloria del mio sangue
05. Vivaldi: Il Giustino / Act 2, Scène 1-Sento in seno
06. Vivaldi: L'Olimpiade, RV725 / Act 2, Scène 15-Con questo ferro indegno
07. Vivaldi: L'Olimpiade, RV725 / Act 2, Scène 15-Gemo in un punto
08. Vivaldi: Arsilda Regina di Ponto R.700 (1716) / Act 1, Scène 2-Del goder la bella spene
09. Vivaldi: Il Giustino / Act 2, Scène 13-Sorte che m’invitasti
10. Vivaldi: Il Giustino / Act 2, Scène 13-Ho nel petto
11. Vivaldi: Il Giustino / Act 2, Scène 12-Ritornello (fragment d'un air pour Anastasio)
12. Vivaldi: La costanza trionfante , RV706 / Act 3, Scène 4-Lascia almen che ti consegni
13. Vivaldi: Il Teuzzone, RV736 / Act 1, Scène 8-Ritornello (fragment d'un air pour Zidiana)
14. Vivaldi: Andromeda liberata (Parte Seconda)-Sovvente il sole
15. Vivaldi: L'Olimpiade, RV725 / Sinfonia-L'Olimpiade: Sinfonia I-Allegro
16. Vivaldi: L'Olimpiade, RV725 / Sinfonia-L'Olimpiade: Sinfonia II-Andante
17. Vivaldi: L'Olimpiade, RV725 / Sinfonia-L'Olimpiade: Sinfonia III-Allegro moderato
18. Vivaldi: L'Atenaide, RV702 / Act 3, Scène 7-Cor mio, che prigion sei
19. Vivaldi: Semiramide (RV 733) / Act 3, Scene 2-Con la face di Megera
20. Vivaldi: Semiramide (RV 733) / Act 2, Scene 10-Vincerà l’aspro mio fatto
21. Vivaldi: Juditha Triumphans, R.644 / Pars II-Transit aetas
22. Vivaldi: Orlando furioso RV 728 / Act 1-Ritornello (fragment d'un air pour Medoro)
23. Vivaldi: Tieteberga, RV737 / Act 3, Scene 11-L’innocenza sfortunata
24. Vivaldi: Arsilda Regina di Ponto R.700 (1716) / Act 3, Scene 9-Cara gioia
Composers
Vivaldi, Antonio (1678-1741)
Considered one of the rare authentic alto voices of our time, singer Nathalie Stutzmann also devotes part of her career to conducting, which she studied with two exceptional masters: Jorma Panula (who trained Sir Simon Rattle in particular) and Seiji Ozawa.
With the founding of the Orfeo 55 ensemble in 2009, a lifelong dream of Nathalie Stutzmann's came true: having her own chamber orchestra.
Devoted to Antonio Vivaldi, Prima Donna is the first disc where Nathalie Stutzmann holds the twin roles of singer and conductor.
In an era when the public acclaimed castrati, Vivaldi the nonconformist preferred the fascinating timbre of female contralti to whom he accorded a place of honour in his operas. With Prima Donna, Nathalie Stutzmann brilliantly illustrates this historic originality by bringing together the most beautiful arias, either famous or unrecorded, that Vivaldi composed for these adored singers.
Nathalie Stutzmann conducts Orfeo 55 with the musical rigour, expressive freedom and emotional intensity that are hallmarks of her reputation as a singer.
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