Stephen Cleobury & Choir of King's College, Cambridge - Byrd: Motets (2018) [Hi-Res]
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BAND/ARTIST: Stephen Cleobury, Choir of King's College, Cambridge
- Title: Byrd: Motets
- Year Of Release: 2018
- Label: Choir of King's College, Cambridge
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 00:56:12
- Total Size: 273 / 1047 mb
- WebSite: Album Preview
Tracklist
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01. Rorate coeli
02. Vigilate
03. Hodie beata Virgo Maria
04. Alleluia. Senex puerum portabat (a5)
05. Ne irascaris Domine
06. Civitas sancti tui
07. Terra tremuit
08. Haec dies
09. Tollite portas
10. Alleluia. Ascendit Deus. Dominus in Sina
11. Factus est repente
12. Non vos relinquam orphanos
13. O lux beata Trinitas
14. Laudibus in sanctis
15. Ave verum corpus
16. Sacerdotes Domini
17. Iustorum animae
18. O quam gloriosum
19. Ave Maria
Composers
Byrd, William (1540(?)-1623)
William Byrd wrote many motets of fervent passion and power for clandestine use in Roman Catholic households during private services. In his final lap as Music Director at King’s College, Stephen Cleobury selected 19 motets for this recording and, with his world-famous choir, engages all the expected trademarks: full tone, pin-point intonation, and an energy that’s almost physical. These are pieces of unshakeable belief and the King’s choir sing them in the same spirit. Four motets are given by the choral scholars alone, who bring a staggering virtuosity to this complex music.
Although Stephen Cleobury (pronounced "clow-bury," the first syllable rhyming with how) has spent his career as an organist and director of English cathedral and college choirs, activities associated primarily with very old music, he has long shown a commitment to quite new music, as well. Cleobury got an early start in music as a boy chorister at Worcester Cathedral, then studied organ and choral music under George Guest, David Willcocks, and others at St. John's College, Cambridge. Named sub-organist at Westminster Abbey in 1974, Cleobury gave the premiere of Malcolm Williamson's The Lion of Suffolk at Benjamin Britten's memorial service in 1976. This was Cleobury's first high-profile connection with brand new music, a connection he would maintain through the coming years.
In 1979 Cleobury was appointed master of music at Westminster Cathedral, and in 1982 he added to his duties music director at King's College, Cambridge. From this position, he was able to commission a new Christmas carol every year for King's College's Festival of Nine Lessons and Carols (often broadcast internationally). As director of the Cambridge University Musical Society from 1983 to 2009, he conducted the first performances of works by Robin Holloway and Robert Saxton. This experience put him in good stead when he was named principal conductor of the versatile BBC Singers in 1995 (becoming conductor laureate in 2007); that year he also became a visiting professor at the Royal Conservatory of Music. Cleobury has made many recordings as a choral director and as an organist, often exploring the less-traveled corners of the repertory, and his choral arrangements are widely used. His younger brother is orchestral conductor Nicholas Cleobury.
---------
01. Rorate coeli
02. Vigilate
03. Hodie beata Virgo Maria
04. Alleluia. Senex puerum portabat (a5)
05. Ne irascaris Domine
06. Civitas sancti tui
07. Terra tremuit
08. Haec dies
09. Tollite portas
10. Alleluia. Ascendit Deus. Dominus in Sina
11. Factus est repente
12. Non vos relinquam orphanos
13. O lux beata Trinitas
14. Laudibus in sanctis
15. Ave verum corpus
16. Sacerdotes Domini
17. Iustorum animae
18. O quam gloriosum
19. Ave Maria
Composers
Byrd, William (1540(?)-1623)
William Byrd wrote many motets of fervent passion and power for clandestine use in Roman Catholic households during private services. In his final lap as Music Director at King’s College, Stephen Cleobury selected 19 motets for this recording and, with his world-famous choir, engages all the expected trademarks: full tone, pin-point intonation, and an energy that’s almost physical. These are pieces of unshakeable belief and the King’s choir sing them in the same spirit. Four motets are given by the choral scholars alone, who bring a staggering virtuosity to this complex music.
Although Stephen Cleobury (pronounced "clow-bury," the first syllable rhyming with how) has spent his career as an organist and director of English cathedral and college choirs, activities associated primarily with very old music, he has long shown a commitment to quite new music, as well. Cleobury got an early start in music as a boy chorister at Worcester Cathedral, then studied organ and choral music under George Guest, David Willcocks, and others at St. John's College, Cambridge. Named sub-organist at Westminster Abbey in 1974, Cleobury gave the premiere of Malcolm Williamson's The Lion of Suffolk at Benjamin Britten's memorial service in 1976. This was Cleobury's first high-profile connection with brand new music, a connection he would maintain through the coming years.
In 1979 Cleobury was appointed master of music at Westminster Cathedral, and in 1982 he added to his duties music director at King's College, Cambridge. From this position, he was able to commission a new Christmas carol every year for King's College's Festival of Nine Lessons and Carols (often broadcast internationally). As director of the Cambridge University Musical Society from 1983 to 2009, he conducted the first performances of works by Robin Holloway and Robert Saxton. This experience put him in good stead when he was named principal conductor of the versatile BBC Singers in 1995 (becoming conductor laureate in 2007); that year he also became a visiting professor at the Royal Conservatory of Music. Cleobury has made many recordings as a choral director and as an organist, often exploring the less-traveled corners of the repertory, and his choral arrangements are widely used. His younger brother is orchestral conductor Nicholas Cleobury.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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