Bernhard Hofstötter - Campion: Music for Baroque Guitar (2017) [Hi-Res]
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BAND/ARTIST: Bernhard Hofstötter
- Title: Campion: Music for Baroque Guitar
- Year Of Release: 2017
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
- Total Time: 01:01:02
- Total Size: 280 / 567 mb
- WebSite: Album Preview
Tracklist
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01. Gavotte en rondeau
02. Prélude
03. La montléon
04. Courante la victoire
05. Allemande
06. Les soupirs
07. Sarabande
08. Rondeau
09. Gigue la somptueuse
10. Fugue
11. Les ramages
12. Fugue (2)
13. Prélude (2)
14. Tombeau
15. Fugue (3)
16. Rondeau (2)
17. Prélude (3)
18. Tombeau de Mr. de Maltot
19. Air
20. Passacaille
François Campion was born around 1685 in Rouen, France. In 1705 his “Nouvelles Découvertes Sur la Guitarre” was published in Paris. With this work Campion positioned himself, with Robert de Visée, as one of the finest representatives of the French guitar at the close of the 17th century.
In his works Campion firmly establishes the guitar as a polyphonic instrument capable of producing complex harmonies and counterpoint, which is shown in the 4 complete fugues on this recording. The other works feature popular dance forms of the time: allemande, courante, sarabande and gigue, expressing the full range of French charm, grace and brilliance.
Austrian lutenist and guitarist Bernhard Hofstötter plays a unique historical guitar built around 1640 by the famous instrument maker Matteo Sellas.
---------
01. Gavotte en rondeau
02. Prélude
03. La montléon
04. Courante la victoire
05. Allemande
06. Les soupirs
07. Sarabande
08. Rondeau
09. Gigue la somptueuse
10. Fugue
11. Les ramages
12. Fugue (2)
13. Prélude (2)
14. Tombeau
15. Fugue (3)
16. Rondeau (2)
17. Prélude (3)
18. Tombeau de Mr. de Maltot
19. Air
20. Passacaille
François Campion was born around 1685 in Rouen, France. In 1705 his “Nouvelles Découvertes Sur la Guitarre” was published in Paris. With this work Campion positioned himself, with Robert de Visée, as one of the finest representatives of the French guitar at the close of the 17th century.
In his works Campion firmly establishes the guitar as a polyphonic instrument capable of producing complex harmonies and counterpoint, which is shown in the 4 complete fugues on this recording. The other works feature popular dance forms of the time: allemande, courante, sarabande and gigue, expressing the full range of French charm, grace and brilliance.
Austrian lutenist and guitarist Bernhard Hofstötter plays a unique historical guitar built around 1640 by the famous instrument maker Matteo Sellas.
Year 2017 | Classical | FLAC / APE | HD & Vinyl
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