Feininger Trio and Katharina Thalbach - ... O sink hernieder, Nacht der Liebe (2019) [Hi-Res]
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BAND/ARTIST: Feininger Trio, O sink hernieder, Nacht der Liebe
- Title: ... O sink hernieder, Nacht der Liebe
- Year Of Release: 2019
- Label: CAvi-music
- Genre: Classical
- Quality: flac 24bits - 48.0kHz +Booklet
- Total Time: 01:00:55
- Total Size: 543 mb
- WebSite: Album Preview
Tracklist
01. Adagio for Piano Trio in E-Flat Major, D. 897
02. Erklär' mir Liebe
03. Die Liebenden
04. Liebes-Lied
05. Piano Trio in G-Minor, Op. 8: I. Allegro con fuoco
06. Fortissimo
07. Liebes-Lied
08. Die Liebenden
09. Ouvertüre
10. Noch einmal
11. Piano Trio in G-Minor, Op. 8: II. Scherzo. Vivace-Trio
12. Piano Trio in G-Minor, Op. 8: III. Adagio. Sostenuto
13. Auf deine Lider senk' ich Schlummer
14. Mein Tanzlied
15. Rosen
16. Als ich Tristan kennen lernte
17. An den Gralprinzen
18. An den Prinzen Tristan
19. An den Ritter aus Gold
20. An Tristan
21. Abschied
22. Madonna
23. Botte wo?
24. Was hat die Lieb mit der Saison zu tun
25. Piano Trio in G-Minor, Op. 8: IV. Finale.Allegretto
26. Sonett No. 23
27. Sonett No. 43
28. Sonett No. 56
29. Die Liebenden
That motif from Wagner’s Tristan and Isolde sets the musical and lyrical mood for the selection of pieces and poems in the Feininger Trio’s programme, performed for the first time at the Baden-Baden Easter Festival.
Love and death: The goal in selecting the poems was to find a mood similar to Schubert’s Notturno and Chopin’s Piano Trio Op. 8: texts that could establish a lyrical dialogue with those pieces. How can we grasp the great subject of love and death? How can we associate language with music, but without relegating language to a subordinate role? How can a series of poems tell their own story while at the same time highlighting the expression conveyed by the music, which is still the precondition for this musical-poetical programme?
Start at the beginning: Following Schubert’s Adagio (later renamed Notturno ), the theme of love is addressed in Ingeborg Bachmann’s poem Erklär mir Liebe (“Explain love to me”) and in Rilke’s Liebes-Lied (“Love Song”), which features metaphors associated with string music. Allegro con fuoco is the tempo marking of the first movement in Chopin’s Piano Trio, Op. 8. As if the poem had been listening to the music, it starts out with a “Fortissimo”, the title of Elke Lasker-Schuler’s poem Du spieltest ein ungestümes Lied (“You played me a wild song”).... (Excerpt from the booklet notes by Brigitte Landes)
01. Adagio for Piano Trio in E-Flat Major, D. 897
02. Erklär' mir Liebe
03. Die Liebenden
04. Liebes-Lied
05. Piano Trio in G-Minor, Op. 8: I. Allegro con fuoco
06. Fortissimo
07. Liebes-Lied
08. Die Liebenden
09. Ouvertüre
10. Noch einmal
11. Piano Trio in G-Minor, Op. 8: II. Scherzo. Vivace-Trio
12. Piano Trio in G-Minor, Op. 8: III. Adagio. Sostenuto
13. Auf deine Lider senk' ich Schlummer
14. Mein Tanzlied
15. Rosen
16. Als ich Tristan kennen lernte
17. An den Gralprinzen
18. An den Prinzen Tristan
19. An den Ritter aus Gold
20. An Tristan
21. Abschied
22. Madonna
23. Botte wo?
24. Was hat die Lieb mit der Saison zu tun
25. Piano Trio in G-Minor, Op. 8: IV. Finale.Allegretto
26. Sonett No. 23
27. Sonett No. 43
28. Sonett No. 56
29. Die Liebenden
That motif from Wagner’s Tristan and Isolde sets the musical and lyrical mood for the selection of pieces and poems in the Feininger Trio’s programme, performed for the first time at the Baden-Baden Easter Festival.
Love and death: The goal in selecting the poems was to find a mood similar to Schubert’s Notturno and Chopin’s Piano Trio Op. 8: texts that could establish a lyrical dialogue with those pieces. How can we grasp the great subject of love and death? How can we associate language with music, but without relegating language to a subordinate role? How can a series of poems tell their own story while at the same time highlighting the expression conveyed by the music, which is still the precondition for this musical-poetical programme?
Start at the beginning: Following Schubert’s Adagio (later renamed Notturno ), the theme of love is addressed in Ingeborg Bachmann’s poem Erklär mir Liebe (“Explain love to me”) and in Rilke’s Liebes-Lied (“Love Song”), which features metaphors associated with string music. Allegro con fuoco is the tempo marking of the first movement in Chopin’s Piano Trio, Op. 8. As if the poem had been listening to the music, it starts out with a “Fortissimo”, the title of Elke Lasker-Schuler’s poem Du spieltest ein ungestümes Lied (“You played me a wild song”).... (Excerpt from the booklet notes by Brigitte Landes)
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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