Paolo Zanzu - Handel: Suites de pièces pour le clavecin (2017) [Hi-Res]
![Paolo Zanzu - Handel: Suites de pièces pour le clavecin (2017) [Hi-Res]](https://img.israbox.com/uploads/posts/2017-08/1501593668_paolo-zanzu-handel-suites-de-pieces-pour-le-clavecin-2017.jpg)
BAND/ARTIST: Paolo Zanzu
- Title: Handel: Suites de pièces pour le clavecin
- Year Of Release: 2017
- Label: Musica Ficta
- Genre: Classical
- Quality: flac lossless / flac 24bits - 176.4kHz +Booklet
- Total Time: 01:12:52
- Total Size: 458 mb / 2663 mb
- WebSite: Album Preview
Tracklist
---------
01. Harpsichord Suite Set II No. 1 in B-Flat Major, HWV 434: I. Prelude
02. Harpsichord Suite Set II No. 1 in B-Flat Major, HWV 434: II. Sonata
03. Harpsichord Suite Set II No. 1 in B-Flat Major, HWV 434: III. Aria con variazioni
04. Harpsichord Suite Set II No. 4 in D Minor, HWV 437: I. Prelude
05. Harpsichord Suite Set II No. 4 in D Minor, HWV 437: II. Allemande
06. Harpsichord Suite Set II No. 4 in D Minor, HWV 437: III. Courante
07. Harpsichord Suite Set II No. 4 in D Minor, HWV 437: IV. Sarabande con variazioni
08. Harpsichord Suite Set II No. 4 in D Minor, HWV 437: V. Gigue
09. Suite No. 1 in F Major: Lascia ch'io pianga in Handel's Rinaldo
10. Dolce bene in Radamisto (Transcribed for Harpsichord)
11. Suite No. 4 in G Major: Vo far guerra in Handel's Rinaldo
12. Harpsichord Suite Set I No. 5 in E Major, HWV 430: I. Prelude
13. Harpsichord Suite Set I No. 5 in E Major, HWV 430: II. Allemande
14. Harpsichord Suite Set I No. 5 in E Major, HWV 430: III. Courante
15. Harpsichord Suite Set I No. 5 in E Major, HWV 430: IV. Air, Doubles 1, 2, 3, 4 & 5
16. Harpsichord Suite Set I No. 2 in F Major, HWV 427: I. Adagio
17. Harpsichord Suite Set I No. 2 in F Major, HWV 427: II. Allegro
18. Harpsichord Suite Set I No. 2 in F Major, HWV 427: III. Adagio
19. Harpsichord Suite Set I No. 2 in F Major, HWV 427: IV. Allegro
20. Harpsichord Suite Set II No. 2 in G Major, HWV 435: Chaconne
A fount of inexhaustible creativity, Handel more than any of his contemporaries embodies the spirit of his century. He was a prolific composer who left an indelible mark on his contemporaries’ memory, and over the centuries became synonymous with the musical genres on which he brought his genius to bear.
By the time he published his eight “Great Suites”, he had already travelled a good deal and learned from every country in which he had stayed; as a result he was capable of writing a suite in which an adagio of Italian inspiration suggests the colours of dawn over the Thames, or in which a courante of French character is constructed with the solidity of a German cathedral. Handel sang and made the harpsichord sing: whether in the moving airs and ornamented adagios in the style of Corelli, in the French-style dances, in the severe German fugues, or in the Purcellian “lessons” in which he conjures an ineffably English vividness.
The logical extension of this singular talent was that Handel’s contemporaries began to produce solo harpsichord transcriptions from his operas. So his close and faithful friend and pupil William Babell wrote transcriptions of the master’s most celebrated arias, with success. Himself a virtuoso, Babell succeeded in transforming Handel’s extended vocal lines into tremblings of the fingers without losing the music’s fundamentally lyrical character, whether in the slowest and most expressive arias or in the wildest and most virtuosic ones.
---------
01. Harpsichord Suite Set II No. 1 in B-Flat Major, HWV 434: I. Prelude
02. Harpsichord Suite Set II No. 1 in B-Flat Major, HWV 434: II. Sonata
03. Harpsichord Suite Set II No. 1 in B-Flat Major, HWV 434: III. Aria con variazioni
04. Harpsichord Suite Set II No. 4 in D Minor, HWV 437: I. Prelude
05. Harpsichord Suite Set II No. 4 in D Minor, HWV 437: II. Allemande
06. Harpsichord Suite Set II No. 4 in D Minor, HWV 437: III. Courante
07. Harpsichord Suite Set II No. 4 in D Minor, HWV 437: IV. Sarabande con variazioni
08. Harpsichord Suite Set II No. 4 in D Minor, HWV 437: V. Gigue
09. Suite No. 1 in F Major: Lascia ch'io pianga in Handel's Rinaldo
10. Dolce bene in Radamisto (Transcribed for Harpsichord)
11. Suite No. 4 in G Major: Vo far guerra in Handel's Rinaldo
12. Harpsichord Suite Set I No. 5 in E Major, HWV 430: I. Prelude
13. Harpsichord Suite Set I No. 5 in E Major, HWV 430: II. Allemande
14. Harpsichord Suite Set I No. 5 in E Major, HWV 430: III. Courante
15. Harpsichord Suite Set I No. 5 in E Major, HWV 430: IV. Air, Doubles 1, 2, 3, 4 & 5
16. Harpsichord Suite Set I No. 2 in F Major, HWV 427: I. Adagio
17. Harpsichord Suite Set I No. 2 in F Major, HWV 427: II. Allegro
18. Harpsichord Suite Set I No. 2 in F Major, HWV 427: III. Adagio
19. Harpsichord Suite Set I No. 2 in F Major, HWV 427: IV. Allegro
20. Harpsichord Suite Set II No. 2 in G Major, HWV 435: Chaconne
A fount of inexhaustible creativity, Handel more than any of his contemporaries embodies the spirit of his century. He was a prolific composer who left an indelible mark on his contemporaries’ memory, and over the centuries became synonymous with the musical genres on which he brought his genius to bear.
By the time he published his eight “Great Suites”, he had already travelled a good deal and learned from every country in which he had stayed; as a result he was capable of writing a suite in which an adagio of Italian inspiration suggests the colours of dawn over the Thames, or in which a courante of French character is constructed with the solidity of a German cathedral. Handel sang and made the harpsichord sing: whether in the moving airs and ornamented adagios in the style of Corelli, in the French-style dances, in the severe German fugues, or in the Purcellian “lessons” in which he conjures an ineffably English vividness.
The logical extension of this singular talent was that Handel’s contemporaries began to produce solo harpsichord transcriptions from his operas. So his close and faithful friend and pupil William Babell wrote transcriptions of the master’s most celebrated arias, with success. Himself a virtuoso, Babell succeeded in transforming Handel’s extended vocal lines into tremblings of the fingers without losing the music’s fundamentally lyrical character, whether in the slowest and most expressive arias or in the wildest and most virtuosic ones.
Year 2017 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads