Olivier Cavé - Haydn & Beethoven: Piano Sonatas (2018) [Hi-Res]
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BAND/ARTIST: Olivier Cavé
- Title: Haydn & Beethoven: Piano Sonatas
- Year Of Release: 2018
- Label: Alpha
- Genre: Classical, Piano
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:15:30
- Total Size: 258 / 1156 mb
- WebSite: Album Preview
Tracklist
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01. Piano Sonata No. 1 in F Minor, Op. 2 No. 1: I. Allegro
02. Piano Sonata No. 1 in F Minor, Op. 2 No. 1: II. Adagio
03. Piano Sonata No. 1 in F Minor, Op. 2 No. 1: III. Menuetto. Allegretto
04. Piano Sonata No. 1 in F Minor, Op. 2 No. 1: IV. Prestissimo
05. Keyboard Sonata in B Minor, Hob. XVI:32: I. Allegro moderato
06. Keyboard Sonata in B Minor, Hob. XVI:32: II. Minuet-Trio
07. Keyboard Sonata in B Minor, Hob. XVI:32: III. Finale. Presto
08. Piano Sonata No. 2 in A Major, Op. 2 No. 2: I. Allegro vivace
09. Piano Sonata No. 2 in A Major, Op. 2 No. 2: II. Largo appassionato
10. Piano Sonata No. 2 in A Major, Op. 2 No. 2: III. Scherzo: Allegretto
11. Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo: Grazioso
12. Keyboard Sonata in C Major, Hob. XVI:48: I. Andante con espressione
13. Keyboard Sonata in C Major, Hob. XVI:49: II. Rondo. Presto
14. Piano Sonata No. 6 in F Major, Op. 10 No. 2: I. Allegro
15. Piano Sonata No. 6 in F Major, Op. 10 No. 2: II. Allegretto
16. Piano Sonata No. 6 in F Major, Op. 10 No. 2: III. Presto
Ludwig van Beethoven was just twenty years old when he first met Joseph Haydn, in 1790. Two years later, the young composer joined the Viennese master’s numerous pupils. But, weary of his teacher’s frequent absences and stung by his criticisms, he soon broke off his lessons, declaring bitterly some years later ‘I never learnt anything from Haydn’. It is this distance, this difference of style and ambition between Beethoven and his former teacher that are to be heard in this new recording by Olivier Cavé, the award-winning Swiss pianist who is a regular guest at the leading festivals. Whereas Haydn’s Sonata Hob. XVI:32 (1776) aims for a classical but vigorous style, Hob.XVI:48, composed only four years later, is more subdued and academic. Beethoven sought to break with this classicism, allowing himself greater expressive scope and replacing the traditional third-movement minuet with a scherzo in his Sonata no.2, a clear sign of his revolutionary spirit.
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01. Piano Sonata No. 1 in F Minor, Op. 2 No. 1: I. Allegro
02. Piano Sonata No. 1 in F Minor, Op. 2 No. 1: II. Adagio
03. Piano Sonata No. 1 in F Minor, Op. 2 No. 1: III. Menuetto. Allegretto
04. Piano Sonata No. 1 in F Minor, Op. 2 No. 1: IV. Prestissimo
05. Keyboard Sonata in B Minor, Hob. XVI:32: I. Allegro moderato
06. Keyboard Sonata in B Minor, Hob. XVI:32: II. Minuet-Trio
07. Keyboard Sonata in B Minor, Hob. XVI:32: III. Finale. Presto
08. Piano Sonata No. 2 in A Major, Op. 2 No. 2: I. Allegro vivace
09. Piano Sonata No. 2 in A Major, Op. 2 No. 2: II. Largo appassionato
10. Piano Sonata No. 2 in A Major, Op. 2 No. 2: III. Scherzo: Allegretto
11. Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo: Grazioso
12. Keyboard Sonata in C Major, Hob. XVI:48: I. Andante con espressione
13. Keyboard Sonata in C Major, Hob. XVI:49: II. Rondo. Presto
14. Piano Sonata No. 6 in F Major, Op. 10 No. 2: I. Allegro
15. Piano Sonata No. 6 in F Major, Op. 10 No. 2: II. Allegretto
16. Piano Sonata No. 6 in F Major, Op. 10 No. 2: III. Presto
Ludwig van Beethoven was just twenty years old when he first met Joseph Haydn, in 1790. Two years later, the young composer joined the Viennese master’s numerous pupils. But, weary of his teacher’s frequent absences and stung by his criticisms, he soon broke off his lessons, declaring bitterly some years later ‘I never learnt anything from Haydn’. It is this distance, this difference of style and ambition between Beethoven and his former teacher that are to be heard in this new recording by Olivier Cavé, the award-winning Swiss pianist who is a regular guest at the leading festivals. Whereas Haydn’s Sonata Hob. XVI:32 (1776) aims for a classical but vigorous style, Hob.XVI:48, composed only four years later, is more subdued and academic. Beethoven sought to break with this classicism, allowing himself greater expressive scope and replacing the traditional third-movement minuet with a scherzo in his Sonata no.2, a clear sign of his revolutionary spirit.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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