Quartetto Prometeo - Stefano Scodanibbio: Reinventions (2013)
BAND/ARTIST: Quartetto Prometeo
- Title: Stefano Scodanibbio: Reinventions
- Year Of Release: 2013
- Label: ECM New Series
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 01:06:40
- Total Size: 342 Mb
- WebSite: Album Preview
Tracklist:
01. Contrapunctus I (2007) 6:11
(Johann Sebastian Bach)
02-05 Quattro Pezzi Spagnoli (2009)
(based on original compositions for guitar)
Lágrima 1:50
(after Francisco Tárrega)
El testament d’Amèlia 3:34
(Miquel Llobet)
Andante 4:46
(Dionisio Aguado)
Studio 8:27
(Fernando Sor)
06. Contrapunctus V (2009) 6:19
(Johann Sebastian Bach)
07-11 Canzoniere Messicano (2004-09)
Cuando sale la luna 5:21
(José Alfredo Jiménez)
Canción Mixteca 6:34
(José López Alávez)
Sandunga 2:46
(Germán Bilbao)
Bésame mucho 6:44
(Consuelo Velázquez)
Canzone popolare: La llorona
(Traditional) 4:00
12. Contrapunctus IV (2008-09) 10:08
(Johann Sebastian Bach)
Performers:
Quartetto Prometeo:
Giulio Rovighi - violin
Aldo Campagnari - violin
Massimo Piva - viola
Francesco Dillon – violoncello
01. Contrapunctus I (2007) 6:11
(Johann Sebastian Bach)
02-05 Quattro Pezzi Spagnoli (2009)
(based on original compositions for guitar)
Lágrima 1:50
(after Francisco Tárrega)
El testament d’Amèlia 3:34
(Miquel Llobet)
Andante 4:46
(Dionisio Aguado)
Studio 8:27
(Fernando Sor)
06. Contrapunctus V (2009) 6:19
(Johann Sebastian Bach)
07-11 Canzoniere Messicano (2004-09)
Cuando sale la luna 5:21
(José Alfredo Jiménez)
Canción Mixteca 6:34
(José López Alávez)
Sandunga 2:46
(Germán Bilbao)
Bésame mucho 6:44
(Consuelo Velázquez)
Canzone popolare: La llorona
(Traditional) 4:00
12. Contrapunctus IV (2008-09) 10:08
(Johann Sebastian Bach)
Performers:
Quartetto Prometeo:
Giulio Rovighi - violin
Aldo Campagnari - violin
Massimo Piva - viola
Francesco Dillon – violoncello
Stefano Scodanibbio (1956-2012) was a musician active on many fronts. As an innovative virtuoso bassist and a pioneer of extended technique for his instrument he collaborated with composers including Luigi Nono, Iannis Xenakis, John Cage, Brian Ferneyhough and Terry Riley, inspiring each of them to new works. With Riley, with Markus Stockhausen and with others, he gave concerts of improvised music. He founded the Rassegna di Nuova Musica Festival in Macerata, his Italian hometown, and directed it for more than 30 years. He taught master classes from Darmstadt to Stanford. And as a composer his works for strings, for contrabass in particular were heard around the world: they were challenging pieces which – as Irvine Arditi wryly notes – avoided “traditional avant-garde trends”.
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