Jonathan Biss - Beethoven: Piano Sonatas, Vol. 6 (Nos. 9, 13 & 29 "Hammerklavier") (2017) [Hi-Res]
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BAND/ARTIST: Jonathan Biss
- Title: Beethoven: Piano Sonatas, Vol. 6 (Nos. 9, 13 & 29 "Hammerklavier")
- Year Of Release: 2017
- Label: JB Recording
- Genre: Classical, Piano
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 01:08:47
- Total Size: 192 mb / 1.1 gb
- WebSite: Album Preview
Tracklist
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01. Piano Sonata No.9 in E Major, Op. 14 No.1: I. Allegro
02. Piano Sonata No.9 in E Major, Op. 14 No.1: II. Allegretto
03. Piano Sonata No.9 in E Major, Op. 14 No.1: III. Rondo. Allegro comodo
04. Piano Sonata No.13 in E-Flat Major, Op. 27 No.1 "Sonata quasi una fantasia": I. Andante
05. Piano Sonata No.13 in E-Flat Major, Op. 27 No.1 "Sonata quasi una fantasia": II. Allegro molto e vivace
06. Piano Sonata No.13 in E-Flat Major, Op. 27 No.1 "Sonata quasi una fantasia": III. Adagio con espressione
07. Piano Sonata No.13 in E-Flat Major, Op. 27 No.1 "Sonata quasi una fantasia": IV. Allegro vivace
08. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": I. Allegro
09. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": II. Scherzo. Assai vivace
10. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": III. Adagio sostenuto
11. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": IV. Largo. Allegro risoluto
American pianist Jonathan Biss launched his career in the late '90s, appearances as a soloist with the Baltimore Symphony and several other prominent national ensembles. He achieved career-boosting triumphs with his New York appearances in 2000: that year he debuted as soloist with Kurt Masur and the New York Philharmonic at Avery Fisher Hall and also gave his recital debut at Tisch Center at the 92nd Street Y, his pianism drawing enthusiastic critical response at both venues. While he has generally favored standard-repertory works, he has ventured onto contemporary turf with compositions by John Corigliano, Leon Kirchner, and others. Biss was born on September 18, 1980, in Bloomington, IN. Ironically, he comes from a distinguished family of string players: his grandmother was Raya Garbousova, the cellist who inspired Samuel Barber to compose his Cello Concerto; his mother is the well-known violinist Miriam Fried and his father the violinist/violist Paul Biss. Young Jonathan took his first piano lessons at the age of 6 from teacher Karen Taylor. At 11 he began studies at Indiana University with Evelyne Brancart, and then three years later (1994) won the concerto competitions held by the Indianapolis and Bloomington symphony orchestras, two ensembles with whom Biss then appeared in performances of the Mendelssohn G minor Piano Concerto. In 1997 Biss concluded his instruction with Brancart and began studying with Leon Fleisher at the Curtis Institute of Music in Philadelphia. Biss appeared that same year at Wolf Trap with Isaac Stern and there accepted the Shouse Debut Artist Award from him. The following year Biss began appearing as soloist with several of the more important American orchestras, including the Baltimore and Seattle symphony orchestras, and the Buffalo and Rochester philharmonic orchestras. In 1999 Biss was presented with an Avery Fisher career grant, and after the aforementioned triumphs in 2000, he was invited to return to New York for further engagements at prominent concert venues, including with the New York Philharmonic. Over the next few years he appeared with most of the leading American orchestras, including those in Philadelphia, Pittsburgh, Boston, Chicago, and San Francisco, and also played with numerous orchestras abroad, including the Staatskapelle Berlin (under Daniel Barenboim) and the Essen Philharmonic. Biss' first recording was released in 2005 on EMI and included works by Beethoven and Schumann.
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01. Piano Sonata No.9 in E Major, Op. 14 No.1: I. Allegro
02. Piano Sonata No.9 in E Major, Op. 14 No.1: II. Allegretto
03. Piano Sonata No.9 in E Major, Op. 14 No.1: III. Rondo. Allegro comodo
04. Piano Sonata No.13 in E-Flat Major, Op. 27 No.1 "Sonata quasi una fantasia": I. Andante
05. Piano Sonata No.13 in E-Flat Major, Op. 27 No.1 "Sonata quasi una fantasia": II. Allegro molto e vivace
06. Piano Sonata No.13 in E-Flat Major, Op. 27 No.1 "Sonata quasi una fantasia": III. Adagio con espressione
07. Piano Sonata No.13 in E-Flat Major, Op. 27 No.1 "Sonata quasi una fantasia": IV. Allegro vivace
08. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": I. Allegro
09. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": II. Scherzo. Assai vivace
10. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": III. Adagio sostenuto
11. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": IV. Largo. Allegro risoluto
American pianist Jonathan Biss launched his career in the late '90s, appearances as a soloist with the Baltimore Symphony and several other prominent national ensembles. He achieved career-boosting triumphs with his New York appearances in 2000: that year he debuted as soloist with Kurt Masur and the New York Philharmonic at Avery Fisher Hall and also gave his recital debut at Tisch Center at the 92nd Street Y, his pianism drawing enthusiastic critical response at both venues. While he has generally favored standard-repertory works, he has ventured onto contemporary turf with compositions by John Corigliano, Leon Kirchner, and others. Biss was born on September 18, 1980, in Bloomington, IN. Ironically, he comes from a distinguished family of string players: his grandmother was Raya Garbousova, the cellist who inspired Samuel Barber to compose his Cello Concerto; his mother is the well-known violinist Miriam Fried and his father the violinist/violist Paul Biss. Young Jonathan took his first piano lessons at the age of 6 from teacher Karen Taylor. At 11 he began studies at Indiana University with Evelyne Brancart, and then three years later (1994) won the concerto competitions held by the Indianapolis and Bloomington symphony orchestras, two ensembles with whom Biss then appeared in performances of the Mendelssohn G minor Piano Concerto. In 1997 Biss concluded his instruction with Brancart and began studying with Leon Fleisher at the Curtis Institute of Music in Philadelphia. Biss appeared that same year at Wolf Trap with Isaac Stern and there accepted the Shouse Debut Artist Award from him. The following year Biss began appearing as soloist with several of the more important American orchestras, including the Baltimore and Seattle symphony orchestras, and the Buffalo and Rochester philharmonic orchestras. In 1999 Biss was presented with an Avery Fisher career grant, and after the aforementioned triumphs in 2000, he was invited to return to New York for further engagements at prominent concert venues, including with the New York Philharmonic. Over the next few years he appeared with most of the leading American orchestras, including those in Philadelphia, Pittsburgh, Boston, Chicago, and San Francisco, and also played with numerous orchestras abroad, including the Staatskapelle Berlin (under Daniel Barenboim) and the Essen Philharmonic. Biss' first recording was released in 2005 on EMI and included works by Beethoven and Schumann.
Year 2017 | Classical | FLAC / APE | HD & Vinyl
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