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Silicon Teens - Music for Parties (1980/1993)

Silicon Teens - Music for Parties (1980/1993)

BAND/ARTIST: Silicon Teens

  • Title: Music for Parties
  • Year Of Release: 1980/1993
  • Label: Mute
  • Genre: Electronic, New Wave, Synth-pop
  • Quality: Flac (image, .cue, log)
  • Total Time: 45:54
  • Total Size: 278 Mb (covers)
  • WebSite:
Silicon Teens - Music for Parties (1980/1993)


Tracklist:

01. Memphis, Tennessee
02. Yesterday Man
03. Doo-Wah-Diddy-Diddy
04. T.V. Playtime
05. You Really Got Me
06. Chip 'N Roll
07. Do You Love Me?
08. Let's Dance
09. Oh Boy
10. Sweet Little Sixteen
11. State of Shock (part 2)
12. Just Like Eddie
13. Red River Rock
14. Judy in Disguise
15. Let's Dance
16. Sun Flight

Who would have thought that the same gent responsible for the Normal's "Warm Leatherette" -- the classic, whip-cracking electronic ode to J.G. Ballard's auto-erotic novel Crash -- would follow it up several months later with a small clutch of singles covering '50s and '60s rock classics? And who would have thought that it would lead to a full LP? Inspection of the artwork fools you into thinking that the Silicon Teens are a quartet of Darryl, Jacki, Paul, and Diane. Though it sounds like a group of enthusiastic youngsters bent on giving straight-faced, faithful synthpop renditions of tunes like "Memphis, Tennessee" and "You've Really Got Me," the concept of the group is illusory. There's actually one Silicon Teen -- Mute honcho Daniel Miller. Music for Parties is an undeniably fun record in its complete lack of irony and shameless giddiness. The covers aren't jokes; it sounds like a group of kids having a blast with classic rock & roll. It's well produced, well played, and well intentioned -- no winkie winkie here, à la Moog Cookbook. There's a handful of originals as well; "T.V. Playtime" is sinister, sounding like a commercial for a board game; "Sun Flight" is hallucinatory with Darryl sounding like a cross between Gizmo and Darth Vader. The sound is dated after all, but with the mid- to late-'90s resurgence of the '80s synth sound, one could definitely think it to be a product of modern times. Acts like the Rentals and the Pulsars (who even devoted a song to the Silicon Teens) certainly took a cue from this. There's more life in this record than plenty of guitar-based efforts of the era. Four months after the release of Music for Parties, Miller/Darryl signed a group of waif-ish youths by the name of Depeche Mode.


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