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La Venexiana & Claudio Cavina - Luzzasco Luzzaschi: Concerto Delle Dame (2011)

La Venexiana & Claudio Cavina  - Luzzasco Luzzaschi: Concerto Delle Dame (2011)
  • Title: Luzzasco Luzzaschi: Concerto Delle Dame
  • Year Of Release: 2011
  • Label: Glossa
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, artwork)
  • Total Time: 53:41 min
  • Total Size: 249 MB
  • WebSite:
Tracklist:

01. Aura soave, for voice and continuo
02. O primavera gioventu dell'anno, for voice & continuo
03. Ch'io non t'ami cor mio, for voice & continuo
04. Toccata, for harp
05. Stral pungente d'amore, for 2 women's voices & continuo
06. Deh vieni hormai cor mio, for 2 voices & continuo
07. Cor mio, deh non languire, madrigal for 2 women's voices & continuo
08. I' mi son giovinetta, madrigal for 2 women's voices & continuo
09. Ricercare for keyboard
10. O dolcezz' amarissime d'amore
11. Troppo ben puo, madrigal for 3 women's voices & continuo
12. T'amo mia vita, madrigal for 3 women's voices & continuo
13. Canzon francese, for harpsichord
14. Non sa che sia dolore, madrigal for 3 women's voices & continuo
15. Occhi del pianto mio
16. Donna mentre vi miro, for 3 voices & continuo
17. Segu'a rinascer l'aura, for 3 voices & continuo

Claudio Cavina and La Venexiana now return to the end of the 16th century, following the 'Poppea' of Monteverdi with the 'Artemisia' by Cavalli. They put their distinctively Italian mark on what was, for a long time, 'secret' music: that composed by Luzzasco Luzzaschi when he was serving the ducal court of Alfonso II of Ferrara. Alfonso brought together 'singing ladies', the Concerto delle Dame, virtuoso performers on instruments as well as with the voice, to delight and entertain the duke?s wife, as well as privileged members of the court. Apparently rival courts sent composer-emissaries to find out what was going on! Kept under lock and key, the music written for the Dame by Luzzaschi and others was only released and published on the Duke?s death. With Emanuela Galli, Roberta Mameli and Francesca Cassinari, Claudio Cavina has assembled a superb modern-day trio of singers in a further display of La Venexiana?s magisterial control of Italian music as it shifts gears from the Renaissance to the Baroque.


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  • User offline
  • blondbearnl
  •  wrote in 14:17
    • Like
    • 1
Thanks for posting another one.
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  • platico
  •  wrote in 22:32
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    • 1
gracias...