Commodores - Commodores 13 (2015) [Hi-Res]
BAND/ARTIST: Commodores, The Commodores
- Title: Commodores 13
- Year Of Release: 1983 / 2015
- Label: Universal Music / Motown
- Genre: Funk, Soul, R&B
- Quality: FLAC (tracks) [192kHz/24bit]
- Total Time: 37:33
- Total Size: 1.66 GB
- WebSite: Album Preview
Tracklist:
01. I'm In Love (4:07)
02. Turn Off The Lights (4:22)
03. Nothing Like A Woman (4:57)
04. Captured (4:36)
05. Touchdown (4:50)
06. Welcome Home (5:20)
07. Ooo, Woman You (4:22)
08. Only You (5:00)
01. I'm In Love (4:07)
02. Turn Off The Lights (4:22)
03. Nothing Like A Woman (4:57)
04. Captured (4:36)
05. Touchdown (4:50)
06. Welcome Home (5:20)
07. Ooo, Woman You (4:22)
08. Only You (5:00)
„For the Commodores, losing Lionel Richie in 1982 was a lot like L.T.D. losing Jeffrey Osborne and Rose Royce losing Gwen Dickey -- it was a severe blow, although not a fatal one. In fact, the Commodores had a few major hits after Richie's departure, including 'Nightshift' (a number one R&B/number three pop smash) in 1984 and 'Goin' to the Bank' in 1986. Released in 1983, Commodores 13 was the band's first post-Richie album as well as its first album without producer James Carmichael (who had been working with the Commodores since 1974). This LP came out around the same time as Richie's second solo album, Can't Slow Down, which sold over eight million copies in the U.S. alone. Commodores 13 didn't do nearly that well, although it's a generally decent, if uneven, record that had a number 20 R&B hit in 'Only You.' The lead vocals are handled by Walter Orange, Thomas McClary, and the Mean Machine's Harold Hudson, who was an interim vocalist rather than an official full-time vocalist. Not surprisingly, the Commodores cover both their R&B bases and their pop bases, getting into everything from sleek keyboard funk ('Touchdown,' 'Nothing Like a Woman') to adult contemporary ballads ('Only You'). Meanwhile, 'Ooo Woman You,' which McClary co-wrote with Melissa Manchester, is a catchy pop/rock number. Is Commodores 13 a masterpiece? No. This release isn't in a class with essential treasures like 1976's Hot on the Tracks or 1977's The Commodores. But it isn't a bad album, and it indicated that there could be life after Lionel Richie for the Commodores.“ (Alex Henderson. AMG)
Bill Champlin, vocals
David Cochrane, vocals
Harold Hudson, vocals
Melissa Manchester, vocals
Thomas McClary, vocals
Walter Orange, vocals
Phyllis St. James, vocals
Deborah Thomas, vocals
Tandia White, vocals
Vesta Williams, vocals
Michael Dunlap, guitar
Thomas McClary, guitar
Milan Williams, guitar
David Cochrane, bass
Ronald LaPread, bass
Bill Champlin, keyboards
Harold Hudson, keyboards
Milan Williams, keyboards
Bill Champlin, piano
Eric Daniels, piano
Harold Hudson, piano
William King, trumpet
Paulinho Da Costa, percussion
Walter Orange, drums
Steve Schaeffer, drums
David Cochrane, synthesizer
Michael Boddicker, synthesizer
David Cochrane, saxophone, vocoder
Engineered by Jane Clark, Magic Moreno, Norman Whitfield
Produced by William King, Thomas McClary, Walter Orange
Digitally remastered
Bill Champlin, vocals
David Cochrane, vocals
Harold Hudson, vocals
Melissa Manchester, vocals
Thomas McClary, vocals
Walter Orange, vocals
Phyllis St. James, vocals
Deborah Thomas, vocals
Tandia White, vocals
Vesta Williams, vocals
Michael Dunlap, guitar
Thomas McClary, guitar
Milan Williams, guitar
David Cochrane, bass
Ronald LaPread, bass
Bill Champlin, keyboards
Harold Hudson, keyboards
Milan Williams, keyboards
Bill Champlin, piano
Eric Daniels, piano
Harold Hudson, piano
William King, trumpet
Paulinho Da Costa, percussion
Walter Orange, drums
Steve Schaeffer, drums
David Cochrane, synthesizer
Michael Boddicker, synthesizer
David Cochrane, saxophone, vocoder
Engineered by Jane Clark, Magic Moreno, Norman Whitfield
Produced by William King, Thomas McClary, Walter Orange
Digitally remastered
Soul | Funk | R&B | FLAC / APE | HD & Vinyl
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