Feininger Trio - Debussy . Ravel (2017) [Hi-Res]
![Feininger Trio - Debussy . Ravel (2017) [Hi-Res]](https://img.israbox.com/uploads/posts/2017-05/1495263367_feininger-trio-debussy-_-ravel-2017.jpg)
BAND/ARTIST: Feininger Trio
- Title: Debussy . Ravel
- Year Of Release: 2017
- Label: CAvi-music
- Genre: Classical, Cello, Violin, Chamber Music, Modern Era, Piano, Impressionist
- Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
- Total Time: 01:02:47
- Total Size: 276 / 622 mb
- WebSite: Album Preview
Tracklist
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01. Piano Trio in G Major, L. 3: I. Andantino con moto allegro
02. Piano Trio in G Major, L. 3: II. Scherzo-Intermezzo. Moderato allegro
03. Piano Trio in G Major, L. 3: III. Andante espressivo
04. Piano Trio in G Major, L. 3: IV. Finale. Appassionato
05. Piano Trio in A Minor, M. 67: I. Modéré
06. Piano Trio in A Minor, M. 67: II. Pantoum. Assez vif
07. Piano Trio in A Minor, M. 67: III. Passacaille. Tres large
08. Piano Trio in A Minor, M. 67: IV. Finale. Animé
09. Petite Suite, L. 88: I. En Bateau. Andantino
10. Petite Suite, L. 88: II. Cortège. Moderato
11. Petite Suite, L. 88: III. Menuet. Moderato
12. Petite Suite, L. 88: IV. Ballet. Allegro giusto
Claude Debussy was ten years old when was subjected to regular schooling for the first time in his life – when he entered the Paris Conservatoire. He had never attended primary school; instead, his mother had taught him reading, writing and arithmetic as best she could. At the piano, meanwhile, he had revealed his talent as a child prodigy, and his fate was sealed. The conservatory professors soon found, however, that this pupil was different, strong-willed, impetuous, and rebellious. His somewhat conservative piano teacher Antoine François Marmontel, for one, could make no headway whatsoever with the young savage. After initial successes, disenchantment followed in 1880. Debussy was only awarded a “diploma” in piano accompaniment: this was the conservatory jury’s way of granting the would-be virtuoso a mere consolation prize. The child prodigy had failed. It is all the more curious to learn, therefore, that Marmontel was the one who directed Debussy’s attention to a lucrative opportunity: Nadezhda von Meck, the eccentric widow of a rich Baltic German railroad owner, was a patron of the arts with a particular penchant for music, and she was looking for a pianist to accompany her on her annual summer trips through Europe. The resulting piano trio is so spirited and full of vigor that the shadows in which it emerged are simply not noticeable: instead, it testifies to Ravel’s overflowing creative drive. Here, his style is fine-honed to the extreme, pointed and succinct, almost Constructivist. Innovative rhythms and metric structures are the Trio’s most striking feature. (Excerpt prom the liner notes by Susanne Ziese)
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01. Piano Trio in G Major, L. 3: I. Andantino con moto allegro
02. Piano Trio in G Major, L. 3: II. Scherzo-Intermezzo. Moderato allegro
03. Piano Trio in G Major, L. 3: III. Andante espressivo
04. Piano Trio in G Major, L. 3: IV. Finale. Appassionato
05. Piano Trio in A Minor, M. 67: I. Modéré
06. Piano Trio in A Minor, M. 67: II. Pantoum. Assez vif
07. Piano Trio in A Minor, M. 67: III. Passacaille. Tres large
08. Piano Trio in A Minor, M. 67: IV. Finale. Animé
09. Petite Suite, L. 88: I. En Bateau. Andantino
10. Petite Suite, L. 88: II. Cortège. Moderato
11. Petite Suite, L. 88: III. Menuet. Moderato
12. Petite Suite, L. 88: IV. Ballet. Allegro giusto
Claude Debussy was ten years old when was subjected to regular schooling for the first time in his life – when he entered the Paris Conservatoire. He had never attended primary school; instead, his mother had taught him reading, writing and arithmetic as best she could. At the piano, meanwhile, he had revealed his talent as a child prodigy, and his fate was sealed. The conservatory professors soon found, however, that this pupil was different, strong-willed, impetuous, and rebellious. His somewhat conservative piano teacher Antoine François Marmontel, for one, could make no headway whatsoever with the young savage. After initial successes, disenchantment followed in 1880. Debussy was only awarded a “diploma” in piano accompaniment: this was the conservatory jury’s way of granting the would-be virtuoso a mere consolation prize. The child prodigy had failed. It is all the more curious to learn, therefore, that Marmontel was the one who directed Debussy’s attention to a lucrative opportunity: Nadezhda von Meck, the eccentric widow of a rich Baltic German railroad owner, was a patron of the arts with a particular penchant for music, and she was looking for a pianist to accompany her on her annual summer trips through Europe. The resulting piano trio is so spirited and full of vigor that the shadows in which it emerged are simply not noticeable: instead, it testifies to Ravel’s overflowing creative drive. Here, his style is fine-honed to the extreme, pointed and succinct, almost Constructivist. Innovative rhythms and metric structures are the Trio’s most striking feature. (Excerpt prom the liner notes by Susanne Ziese)
Year 2017 | Classical | FLAC / APE | HD & Vinyl
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