Howard Roberts - The Swingin’ Groove of Howard Roberts (2018)
BAND/ARTIST: Howard Roberts
- Title: The Swingin’ Groove of Howard Roberts
- Year Of Release: 2018
- Label: Fresh Sound Records
- Genre: Jazz
- Quality: FLAC (tracks)
- Total Time: 1:14:14
- Total Size: 379 MB
- WebSite: Album Preview
Tracklist:
1. How Do You Do? (03:20)
2. Johnson’s Wax (05:13)
3. When the Lights Are Low (05:07)
4. Hip Soup (06:21)
5. But Not for Me (03:58)
6. Emma (05:47)
7. Room 608 (04:17)
8. Everything Happens to Me / Moonlight in Vermont / Flamingo (06:28)
9. All the Things You Are (02:41)
10. Lover Man (04:28)
11. Easy Living (04:05)
12. Between the Devil and the Deep Blue Sea (02:42)
13. The Most Beautiful Girl in the World (02:51)
14. In a Little Spanish Town (02:23)
15. I’ll Take Romance (02:57)
16. Zigeuner (04:17)
17. Aunt Orsavella (02:25)
18. Anything Goes (02:30)
19. Caribe (02:15)
1. How Do You Do? (03:20)
2. Johnson’s Wax (05:13)
3. When the Lights Are Low (05:07)
4. Hip Soup (06:21)
5. But Not for Me (03:58)
6. Emma (05:47)
7. Room 608 (04:17)
8. Everything Happens to Me / Moonlight in Vermont / Flamingo (06:28)
9. All the Things You Are (02:41)
10. Lover Man (04:28)
11. Easy Living (04:05)
12. Between the Devil and the Deep Blue Sea (02:42)
13. The Most Beautiful Girl in the World (02:51)
14. In a Little Spanish Town (02:23)
15. I’ll Take Romance (02:57)
16. Zigeuner (04:17)
17. Aunt Orsavella (02:25)
18. Anything Goes (02:30)
19. Caribe (02:15)
When Howard Roberts (1929-1992) decided to teach himself guitar, he decided to visit every black jazz club in his native Phoenix, Arizona. “All we did was play the blues. And that’s what I came out of—the blues.” Roberts, however, felt the need to learn more about the complexities of the profession, and so he started studying harmony and composition.
Looking for more musical activity, he moved to Los Angeles in 1950, where he gigged around the city in jam sessions at after-hours clubs. There, he developed his dazzling technique and fine harmonic sense. Having played with the best instrumentalists and composers, he started getting calls for session work.
He established his reputation with the Bobby Troup trio, which appeared on TV from coast to coast, and consolidated the fame of Troup’s group with some brilliant playing of his Gibson guitar, so much so that the Down Beat jazz critics accorded Roberts the New Guitar Star Award of 1955.
In the years following he continued recording with top jazz singers and instrumentists, and eventually made his first albums as a leader for Verve. In 1959 Roberts started getting more and more work on TV and film, but not content with settling down in the Hollywood studios, in a kind of prosperous obscurity, he kept very active in the jazz scene, playing concerts and recording his own albums.
Howard Roberts was a skilled guitarist with a fondness for direct and unencumbered jazz playing, his tone always bright and penetrating, never twangy. A fine technician, he was able to execute difficult passages cleanly and forcefully. He forged a sound of his own, fiery and hard-swinging, creative and unpretentious. These sessions are an example of his jazz work, as a sideman and as a leader.
Looking for more musical activity, he moved to Los Angeles in 1950, where he gigged around the city in jam sessions at after-hours clubs. There, he developed his dazzling technique and fine harmonic sense. Having played with the best instrumentalists and composers, he started getting calls for session work.
He established his reputation with the Bobby Troup trio, which appeared on TV from coast to coast, and consolidated the fame of Troup’s group with some brilliant playing of his Gibson guitar, so much so that the Down Beat jazz critics accorded Roberts the New Guitar Star Award of 1955.
In the years following he continued recording with top jazz singers and instrumentists, and eventually made his first albums as a leader for Verve. In 1959 Roberts started getting more and more work on TV and film, but not content with settling down in the Hollywood studios, in a kind of prosperous obscurity, he kept very active in the jazz scene, playing concerts and recording his own albums.
Howard Roberts was a skilled guitarist with a fondness for direct and unencumbered jazz playing, his tone always bright and penetrating, never twangy. A fine technician, he was able to execute difficult passages cleanly and forcefully. He forged a sound of his own, fiery and hard-swinging, creative and unpretentious. These sessions are an example of his jazz work, as a sideman and as a leader.
Year 2018 | Jazz | FLAC / APE
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