Hans Graf, Houston Symphony Orchestra, Marc Molomot, Roman Trekel - Berg: Wozzeck, Op. 7 (Live) (2017) [Hi-Res]
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BAND/ARTIST: Hans Graf, Houston Symphony Orchestra, Marc Molomot, Roman Trekel
- Title: Berg: Wozzeck, Op. 7 (Live)
- Year Of Release: 2017
- Label: Naxos
- Genre: Classical, Opera, Modern Era
- Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
- Total Time: 01:37:36
- Total Size: 441 / 923 mb
- WebSite: Album Preview
Tracklist
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CD1
01. Wozzeck, Op. 7, Act I: Act I Scene 1, "Zimmer des Hauptmanns" (The Captain's Room): Langsam, Wozzeck, langsam! (Captain, Wozzeck) - Marc Molomot
02. Act I Scene 2, "Freies Feld, die Stadt in der Ferne" (An open field outside the town): Du, der Platz ist verflucht! (Wozzeck, Andres) - Roman Trekel
03. Wozzeck, Op. 7, Act I: Act I Scene 3, "Mariens Stube" (Marie's Rooom): Tschin Bum, Tschin, Bum! Hörst Bub? (Marie, Margret, Wozzeck) - Anne Schwanewilms
04. Wozzeck, Op. 7, Act I: Act I Scene 4, "Studierstube des Doktors" (The Doctor's study): Was erleb' ich Wozzeck? (Doctor, Wozzeck) - Nathan Berg
05. Act I Scene 5, "Strasse vor Mariens Wohnung" (Street before Marie's Door): Geh einmal vor Dich hin! (Marie, Drum-major) - Anne Schwanewilms
CD2
01. Act II Scene 1, "Mariens Stube" (Marie's Room): Was die Steine glänzen? (Marie, Wozzeck) - Anne Schwanewilms
02. Act II Scene 2, "Strasse in der Stadt" (Street in town): Wohin so eilig, gehertester, Herr Sargnagel? (Captain, Doctor, Wozzeck) - Marc Molomot
03. Act II Scene 3, "Strasse vor Mariens Wohnung" (Street before Marie's Door): Guten tag, Franz (Marie, Wozzeck) - Anne Schwanewilms
04. Act II Scene 4, "Wirtshausgarten" (Tavern Garden): Ich hab' ein Hemdlein an (Apprentices 1, 2, Wozzeck, Marie, Drum-major, Soldiers, Apprentices, Andres, Madman) - Calvin Griffin
05. Act II Scene 5, "Wachstube in der Kaserne" (Guardroom in the Barracks): Oh, oh, Andres! Ich kann nicht schlafen (Wozzeck, Andres, Drum-major, A Soldier) - Roman Trekel
06. Wozzeck, Op. 7, Act III: Act III Scene 1, "Mariens Stube" (Marie's Room): Und ist kein Betrug in seinem Munde erfunden worden (Marie) - Anne Schwanewilms
07. Act III Scene 2, "Waldweg am Teich" (Forest Path by a Pool): Dort links geht's in die Stadt (Wozzeck, Marie) - Roman Trekel
08. Wozzeck, Op. 7, Act III: Act III Scene 3, "Schenke" (A low tavern): Tanzt Alle! (Wozzeck, Margret, Apprentices) - Roman Trekel
09. Act III Scene 4, "Waldweg am Teich" (Forest Path by a Pool): Das Messer? Wo ist das Messer? (Wozzeck, Captain, Doctor) - Roman Trekel
10. Wozzeck, Op. 7, Act III: Act III Scene 4: Interlude: Adagio - Houston Symphony Orchestra
11. Wozzeck, Op. 7, Act III: Act III Scene 5, "Strasse vor Mariens Wohnung" (Street before Marie's Door): Ringel, Ringel, Rosenkranz, Ringelreih'n! (Children, Marie's Child) - Julia Dawson
Roman Trekel is a German baritone who has established a firm career from a base at the Staatsoper Berlin during the 1990s. He began his higher musical education in 1980, studying voice with Prof. Heinz Reeh until 1986. He received a position at the Berlin Staatsoper's Opera Studio in 1986, and in 1988 joined the Staatsoper (Unter den Linden) as a soloist member of the company. He entered the music competition circuit and in 1989 won the First Prize in the Walter Gruner International Competition in London. He began to receive roles at the Staatsoper, soon taking leading baritone parts. There he has sung Harlekin in Richard Strauss' Ariadne auf Naxos, Guglielmo in Mozart's Così fan tutte, Papageno in Die Zauberflöte, and the Count in Le nozze di Figaro; Figaro in Rossini's Il barbiere di Siviglia, Pélleas in Debussy's Pélleas et Mélisande, Orpheus in Telemann's opera, Olivier in Strauss' Capriccio, Wolfram in Tannhäuser, the Tsar in Zar und Zimmerman, Sharpless in Madame Butterfly, the Emperor in Der Kaiser von Atlantis, Ford in Verdi's Falstaff, and Croesus in the German Baroque opera Croesus, by Keiser. In 1996, he debuted at the Staatsoper Dresden and the Bayreuth Festival, and has also sung as a guest artist at the opera houses of Madrid, Catania, Florence, and other cities. He is also a noted recital artist. He has appeared in several festivals, including the Festival of Flanders, the Maggio Musicale Fiorentino, the Schubertiade Feldkirch, and the Festival für Alte Musik Innsbruck. Other venues for his recital programs have included Atlanta, Vienna, London, Schwetzingen, Cologne, Zürich, and New York. He has worked with conductors such as Antonio Pappano, Georg Solti, Zubin Mehta, Pierre Boulez, Michael Gielen, René Jacobs, Marek Janowski, Fabio Luisi, Daniel Barenboim, Claudio Abbado, Kent Nagano, and Helmuth Rilling. He has often appeared on European radio and television networks and has made several compact discs, including a recording of Telemann's Orpheus that won the 1998 Deutsche Schallplattenpreis.
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CD1
01. Wozzeck, Op. 7, Act I: Act I Scene 1, "Zimmer des Hauptmanns" (The Captain's Room): Langsam, Wozzeck, langsam! (Captain, Wozzeck) - Marc Molomot
02. Act I Scene 2, "Freies Feld, die Stadt in der Ferne" (An open field outside the town): Du, der Platz ist verflucht! (Wozzeck, Andres) - Roman Trekel
03. Wozzeck, Op. 7, Act I: Act I Scene 3, "Mariens Stube" (Marie's Rooom): Tschin Bum, Tschin, Bum! Hörst Bub? (Marie, Margret, Wozzeck) - Anne Schwanewilms
04. Wozzeck, Op. 7, Act I: Act I Scene 4, "Studierstube des Doktors" (The Doctor's study): Was erleb' ich Wozzeck? (Doctor, Wozzeck) - Nathan Berg
05. Act I Scene 5, "Strasse vor Mariens Wohnung" (Street before Marie's Door): Geh einmal vor Dich hin! (Marie, Drum-major) - Anne Schwanewilms
CD2
01. Act II Scene 1, "Mariens Stube" (Marie's Room): Was die Steine glänzen? (Marie, Wozzeck) - Anne Schwanewilms
02. Act II Scene 2, "Strasse in der Stadt" (Street in town): Wohin so eilig, gehertester, Herr Sargnagel? (Captain, Doctor, Wozzeck) - Marc Molomot
03. Act II Scene 3, "Strasse vor Mariens Wohnung" (Street before Marie's Door): Guten tag, Franz (Marie, Wozzeck) - Anne Schwanewilms
04. Act II Scene 4, "Wirtshausgarten" (Tavern Garden): Ich hab' ein Hemdlein an (Apprentices 1, 2, Wozzeck, Marie, Drum-major, Soldiers, Apprentices, Andres, Madman) - Calvin Griffin
05. Act II Scene 5, "Wachstube in der Kaserne" (Guardroom in the Barracks): Oh, oh, Andres! Ich kann nicht schlafen (Wozzeck, Andres, Drum-major, A Soldier) - Roman Trekel
06. Wozzeck, Op. 7, Act III: Act III Scene 1, "Mariens Stube" (Marie's Room): Und ist kein Betrug in seinem Munde erfunden worden (Marie) - Anne Schwanewilms
07. Act III Scene 2, "Waldweg am Teich" (Forest Path by a Pool): Dort links geht's in die Stadt (Wozzeck, Marie) - Roman Trekel
08. Wozzeck, Op. 7, Act III: Act III Scene 3, "Schenke" (A low tavern): Tanzt Alle! (Wozzeck, Margret, Apprentices) - Roman Trekel
09. Act III Scene 4, "Waldweg am Teich" (Forest Path by a Pool): Das Messer? Wo ist das Messer? (Wozzeck, Captain, Doctor) - Roman Trekel
10. Wozzeck, Op. 7, Act III: Act III Scene 4: Interlude: Adagio - Houston Symphony Orchestra
11. Wozzeck, Op. 7, Act III: Act III Scene 5, "Strasse vor Mariens Wohnung" (Street before Marie's Door): Ringel, Ringel, Rosenkranz, Ringelreih'n! (Children, Marie's Child) - Julia Dawson
Roman Trekel is a German baritone who has established a firm career from a base at the Staatsoper Berlin during the 1990s. He began his higher musical education in 1980, studying voice with Prof. Heinz Reeh until 1986. He received a position at the Berlin Staatsoper's Opera Studio in 1986, and in 1988 joined the Staatsoper (Unter den Linden) as a soloist member of the company. He entered the music competition circuit and in 1989 won the First Prize in the Walter Gruner International Competition in London. He began to receive roles at the Staatsoper, soon taking leading baritone parts. There he has sung Harlekin in Richard Strauss' Ariadne auf Naxos, Guglielmo in Mozart's Così fan tutte, Papageno in Die Zauberflöte, and the Count in Le nozze di Figaro; Figaro in Rossini's Il barbiere di Siviglia, Pélleas in Debussy's Pélleas et Mélisande, Orpheus in Telemann's opera, Olivier in Strauss' Capriccio, Wolfram in Tannhäuser, the Tsar in Zar und Zimmerman, Sharpless in Madame Butterfly, the Emperor in Der Kaiser von Atlantis, Ford in Verdi's Falstaff, and Croesus in the German Baroque opera Croesus, by Keiser. In 1996, he debuted at the Staatsoper Dresden and the Bayreuth Festival, and has also sung as a guest artist at the opera houses of Madrid, Catania, Florence, and other cities. He is also a noted recital artist. He has appeared in several festivals, including the Festival of Flanders, the Maggio Musicale Fiorentino, the Schubertiade Feldkirch, and the Festival für Alte Musik Innsbruck. Other venues for his recital programs have included Atlanta, Vienna, London, Schwetzingen, Cologne, Zürich, and New York. He has worked with conductors such as Antonio Pappano, Georg Solti, Zubin Mehta, Pierre Boulez, Michael Gielen, René Jacobs, Marek Janowski, Fabio Luisi, Daniel Barenboim, Claudio Abbado, Kent Nagano, and Helmuth Rilling. He has often appeared on European radio and television networks and has made several compact discs, including a recording of Telemann's Orpheus that won the 1998 Deutsche Schallplattenpreis.
Year 2017 | Classical | FLAC / APE | HD & Vinyl
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