Gretchen Wilson - One Of The Boys (2007)
BAND/ARTIST: Gretchen Wilson
- Title: One Of The Boys
- Year Of Release: 2007
- Label: Sony BMG Nashville
- Genre: Country
- Quality: FLAC (tracks+.cue,log,scans) / MP3 320 Kbps
- Total Time: 38:58
- Total Size: 282 Mb / 124 Mb
- WebSite: Album Preview
Tracklist:
01. The Girl I Am
02. Come To Bed (Featuring John Rich)
03. One Of The Boys
04. You Don't Have To Go Home
05. Heaven Help Me
06. GretcheThere's A Place In The Whiskey
07. If You Want A Mother
08. Pain Killer
09. There Goes The Neighborhood
10. Good Ole Boy
11. To Tell You The Truth
Gretchen Wilson (Vocals, Producer)
Pat Buchanan (Electric Guitar)
Tom Bukovac (Acoustic Guitar, Electric Guitar)
J.T. Corenflos (Electric Guitar)
Eric Darken (Percussion)
Shannon Forrest (Percussion, Drums)
Brandon Fraley (Background Vocals)
Wes Hightower (Background Vocals)
Mark Hill (Bass)
Dan Hochhalter (Fiddle)
Mike Johnson (Steel Guitar)
Steve Nathan (Hammond Piano, Organ)
Mark Oakley (Electric Guitar)
Michael Rhodes (Bass)
John Rich (Background Vocals, Producer)
John Willis (Acoustic Guitar, Mandolin, Guitjo)
Jonathan Yudkin (Fiddle, Mandolin, Cello)
01. The Girl I Am
02. Come To Bed (Featuring John Rich)
03. One Of The Boys
04. You Don't Have To Go Home
05. Heaven Help Me
06. GretcheThere's A Place In The Whiskey
07. If You Want A Mother
08. Pain Killer
09. There Goes The Neighborhood
10. Good Ole Boy
11. To Tell You The Truth
Gretchen Wilson (Vocals, Producer)
Pat Buchanan (Electric Guitar)
Tom Bukovac (Acoustic Guitar, Electric Guitar)
J.T. Corenflos (Electric Guitar)
Eric Darken (Percussion)
Shannon Forrest (Percussion, Drums)
Brandon Fraley (Background Vocals)
Wes Hightower (Background Vocals)
Mark Hill (Bass)
Dan Hochhalter (Fiddle)
Mike Johnson (Steel Guitar)
Steve Nathan (Hammond Piano, Organ)
Mark Oakley (Electric Guitar)
Michael Rhodes (Bass)
John Rich (Background Vocals, Producer)
John Willis (Acoustic Guitar, Mandolin, Guitjo)
Jonathan Yudkin (Fiddle, Mandolin, Cello)
Country star Gretchen Wilson has set a May 15 release date for her third album, "One of the Boys," which will be released by Columbia in the wake Epic Nashville's closure last year. Wilson co-produced the 11-track set with Mark Wright and her Muzik Mafia mate John Rich of Big & Rich. Rich also guests on first single "Come To Bed," which has thus far topped out at No. 32 on Billboard's Hot Country Songs chart. The new album is the follow-up to 2005's "All Jacked Up," which has sold 1.2 million copies in the United States, according to Nielsen SoundScan.
Now this is more like it. A song-by-song retort to fans who might confine Wilson to some trailer-park queendom and to critics who might dethrone her for All Jacked Up, a half-hearted, hurried sequel to her quintuple-platinum debut, Gretchen Wilson's third album fires on all radio-ready-honky-tonk-and-hillbilly-rock cylinders. It's also a portrait of a tough, talented woman making her own way in what's still largely a man's, man's country world. She gets plenty of help from hot Nashville writers John Rich, Rivers Rutherford, and Vicky McGehee, but her working-class and feminist spin on country archetypes--temptation, whiskey, work, and Mom--is authentic and her own. Even when, as on the title track, she revisits "Redneck Woman," she retools the conceits with one of her best melodies. When she goes for the throat on "You Don't Have to Go Home," with a ripping fiddle line and an AC/DC guitar break, she's not just wailing last call: she's showing the whole honky-tonk who's boss. She still loves classic rock boogie--"Place in the Whiskey" quotes both Bob Seger and the melody of "Call Me the Breeze"--but she counters all the butt-kicking with solid ballads like "Heaven Help Me," "Pain Killer," and "To Tell You the Truth," her most heartbreaking and honest lyric. Funny, feisty, rocking and, best of all, true to herself, Wilson didn't really need a comeback album; nevertheless, she's made one that brings her all the way back. -- Roy Kasten
Now this is more like it. A song-by-song retort to fans who might confine Wilson to some trailer-park queendom and to critics who might dethrone her for All Jacked Up, a half-hearted, hurried sequel to her quintuple-platinum debut, Gretchen Wilson's third album fires on all radio-ready-honky-tonk-and-hillbilly-rock cylinders. It's also a portrait of a tough, talented woman making her own way in what's still largely a man's, man's country world. She gets plenty of help from hot Nashville writers John Rich, Rivers Rutherford, and Vicky McGehee, but her working-class and feminist spin on country archetypes--temptation, whiskey, work, and Mom--is authentic and her own. Even when, as on the title track, she revisits "Redneck Woman," she retools the conceits with one of her best melodies. When she goes for the throat on "You Don't Have to Go Home," with a ripping fiddle line and an AC/DC guitar break, she's not just wailing last call: she's showing the whole honky-tonk who's boss. She still loves classic rock boogie--"Place in the Whiskey" quotes both Bob Seger and the melody of "Call Me the Breeze"--but she counters all the butt-kicking with solid ballads like "Heaven Help Me," "Pain Killer," and "To Tell You the Truth," her most heartbreaking and honest lyric. Funny, feisty, rocking and, best of all, true to herself, Wilson didn't really need a comeback album; nevertheless, she's made one that brings her all the way back. -- Roy Kasten
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