Berliner Barock Solisten, Reinhard Goebel - Handel: Concerti Grossi, Op. 3 (2019) [Hi-Res]
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BAND/ARTIST: Berliner Barock Solisten, Reinhard Goebel
- Title: Handel: Concerti Grossi, Op. 3
- Year Of Release: 2019
- Label: haenssler CLASSIC
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:08:21
- Total Size: 376 mb / 1.3 gb
- WebSite: Album Preview
Tracklist
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01. Concerto Grosso in B-Flat Major, Op. 3 No. 1, HWV 312: I. Allegro
02. Concerto Grosso in B-Flat Major, Op. 3 No. 1, HWV 312: II. Largo
03. Concerto Grosso in B-Flat Major, Op. 3 No. 1, HWV 312: III. Allegro
04. Concerto Grosso in B-Flat Major, Op. 3 No. 2, HWV 313: I. Vivace-Grave
05. Concerto Grosso in B-Flat Major, Op. 3 No. 2, HWV 313: II. Largo
06. Concerto Grosso in B-Flat Major, Op. 3 No. 2, HWV 313: III. Allegro
07. Concerto Grosso in B-Flat Major, Op. 3 No. 2, HWV 313: IV. Menuett
08. Concerto Grosso in B-Flat Major, Op. 3 No. 2, HWV 313: V. Gavotte
09. Concerto Grosso in G Major, Op. 3 No. 3, HWV 314: I. Largo e staccato-Allegro
10. Concerto Grosso in G Major, Op. 3 No. 3, HWV 314: II. Adagio
11. Concerto Grosso in G Major, Op. 3 No. 3, HWV 314: III. Allegro
12. Concerto Grosso in F Major, Op. 3 No. 4a, HWV 315: I. Andante-Allegro
13. Concerto Grosso in F Major, Op. 3 No. 4a, HWV 315: II. Andante
14. Concerto Grosso in F Major, Op. 3 No. 4a, HWV 315: III. Allegro
15. Concerto Grosso in F Major, Op. 3 No. 4a, HWV 315: IV. Minuetto
16. Concerto Grosso in D Minor, Op. 3 No. 5, HWV 316: I. —
17. Concerto Grosso in D Minor, Op. 3 No. 5, HWV 316: II. Allegro
18. Concerto Grosso in D Minor, Op. 3 No. 5, HWV 316: III. Adagio
19. Concerto Grosso in D Minor, Op. 3 No. 5, HWV 316: IV. Allegro ma non tropüpo
20. Concerto Grosso in D Minor, Op. 3 No. 5, HWV 316: V. Allegro
21. Concerto Grosso in D Major, Op. 3 No. 6, HWV 317: I. Vivace
22. Concerto Grosso in D Major, Op. 3 No. 6, HWV 317: II. Allegro
23. Concerto Grosso in F Major, Op. 3 No. 4b (Attrib. Handel): I. Largo
24. Concerto Grosso in F Major, Op. 3 No. 4b (Attrib. Handel): II. Allegro
25. Concerto Grosso in F Major, Op. 3 No. 4b (Attrib. Handel): III. Largo
26. Concerto Grosso in F Major, Op. 3 No. 4b (Attrib. Handel): IV. Allegro
In the "Concerti Opus 3" Handel prescribes the standard orchestra for the late Baroque era: two oboes, strings and a continuo group. However, we learn from the solo-tutti supplements and the court account books that the ensemble was in fact larger and more polyphonic than the original, simple manuscript and the subsequent modern score suggest: occasionally the number of bassoons was equal to that of the cellos, though they were only given solo parts when they were disengaged from the bass group of instruments. It was common practice too – not in Cöthen or Hamburg, it is true, but certainly in Dresden, Paris and London – for at least two if not three oboists to be assigned to each part, these being augmented by special instruments such as the old-style recorder and the new transverse flute, and after 1750 the Clarinet. The Concerto Opus 3, no. 1 requires a total of six obbligato wind instruments (two oboes, two recorders and two bassoons) and is therefore no "odd man out" composition, but rather reproduces fairly accurately the minimum range that an orchestra at Handel's disposal would have comprised: in the middle movement of the concerto, two ripieno oboists take up recorders, and then return to the fold as oboists afterwards.
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01. Concerto Grosso in B-Flat Major, Op. 3 No. 1, HWV 312: I. Allegro
02. Concerto Grosso in B-Flat Major, Op. 3 No. 1, HWV 312: II. Largo
03. Concerto Grosso in B-Flat Major, Op. 3 No. 1, HWV 312: III. Allegro
04. Concerto Grosso in B-Flat Major, Op. 3 No. 2, HWV 313: I. Vivace-Grave
05. Concerto Grosso in B-Flat Major, Op. 3 No. 2, HWV 313: II. Largo
06. Concerto Grosso in B-Flat Major, Op. 3 No. 2, HWV 313: III. Allegro
07. Concerto Grosso in B-Flat Major, Op. 3 No. 2, HWV 313: IV. Menuett
08. Concerto Grosso in B-Flat Major, Op. 3 No. 2, HWV 313: V. Gavotte
09. Concerto Grosso in G Major, Op. 3 No. 3, HWV 314: I. Largo e staccato-Allegro
10. Concerto Grosso in G Major, Op. 3 No. 3, HWV 314: II. Adagio
11. Concerto Grosso in G Major, Op. 3 No. 3, HWV 314: III. Allegro
12. Concerto Grosso in F Major, Op. 3 No. 4a, HWV 315: I. Andante-Allegro
13. Concerto Grosso in F Major, Op. 3 No. 4a, HWV 315: II. Andante
14. Concerto Grosso in F Major, Op. 3 No. 4a, HWV 315: III. Allegro
15. Concerto Grosso in F Major, Op. 3 No. 4a, HWV 315: IV. Minuetto
16. Concerto Grosso in D Minor, Op. 3 No. 5, HWV 316: I. —
17. Concerto Grosso in D Minor, Op. 3 No. 5, HWV 316: II. Allegro
18. Concerto Grosso in D Minor, Op. 3 No. 5, HWV 316: III. Adagio
19. Concerto Grosso in D Minor, Op. 3 No. 5, HWV 316: IV. Allegro ma non tropüpo
20. Concerto Grosso in D Minor, Op. 3 No. 5, HWV 316: V. Allegro
21. Concerto Grosso in D Major, Op. 3 No. 6, HWV 317: I. Vivace
22. Concerto Grosso in D Major, Op. 3 No. 6, HWV 317: II. Allegro
23. Concerto Grosso in F Major, Op. 3 No. 4b (Attrib. Handel): I. Largo
24. Concerto Grosso in F Major, Op. 3 No. 4b (Attrib. Handel): II. Allegro
25. Concerto Grosso in F Major, Op. 3 No. 4b (Attrib. Handel): III. Largo
26. Concerto Grosso in F Major, Op. 3 No. 4b (Attrib. Handel): IV. Allegro
In the "Concerti Opus 3" Handel prescribes the standard orchestra for the late Baroque era: two oboes, strings and a continuo group. However, we learn from the solo-tutti supplements and the court account books that the ensemble was in fact larger and more polyphonic than the original, simple manuscript and the subsequent modern score suggest: occasionally the number of bassoons was equal to that of the cellos, though they were only given solo parts when they were disengaged from the bass group of instruments. It was common practice too – not in Cöthen or Hamburg, it is true, but certainly in Dresden, Paris and London – for at least two if not three oboists to be assigned to each part, these being augmented by special instruments such as the old-style recorder and the new transverse flute, and after 1750 the Clarinet. The Concerto Opus 3, no. 1 requires a total of six obbligato wind instruments (two oboes, two recorders and two bassoons) and is therefore no "odd man out" composition, but rather reproduces fairly accurately the minimum range that an orchestra at Handel's disposal would have comprised: in the middle movement of the concerto, two ripieno oboists take up recorders, and then return to the fold as oboists afterwards.
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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