Cristina Obregon, Gaelle Malada, Deutsche Staatsphilharmonie Rheinland-Pfalz, Robert Reimer - Ledroit: La passion du Christ selon Saint-Jean, Op. 56 (2019) [Hi-Res]
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BAND/ARTIST: Cristina Obregon, Gaelle Malada, Deutsche Staatsphilharmonie Rheinland-Pfalz, Robert Reimer
- Title: Ledroit: La passion du Christ selon Saint-Jean, Op. 56
- Year Of Release: 2019
- Label: Skarbo
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
- Total Time: 01:17:15
- Total Size: 346 / 710 mb
- WebSite: Album Preview
Tracklist
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01. La passion du Christ selon Saint-Jean, Op. 56: No. 1, Prélude
02. La passion du Christ selon Saint-Jean, Op. 56: No. 2, Au-delà du torrent Cédron
03. La passion du Christ selon Saint-Jean, Op. 56: No. 3, La coupe que me donne le Père
04. La passion du Christ selon Saint-Jean, Op. 56: No. 4, Pourquoi me frappes-tu?
05. La passion du Christ selon Saint-Jean, Op. 56: No. 5, Interlude
06. La passion du Christ selon Saint-Jean, Op. 56: No. 6, Qui cherche la vérité écoute ma voix
07. La passion du Christ selon Saint-Jean, Op. 56: No. 7, Voici l'homme
08. La passion du Christ selon Saint-Jean, Op. 56: No. 8, Crucifie
09. La passion du Christ selon Saint-Jean, Op. 56: No. 9, Ils prennent Jésus
10. La passion du Christ selon Saint-Jean, Op. 56: No. 10, Golgotha
11. La passion du Christ selon Saint-Jean, Op. 56: No. 11, Tout est fait
12. La passion du Christ selon Saint-Jean, Op. 56: No. 12, Ténèbres
13. La passion du Christ selon Saint-Jean, Op. 56: No. 13, Il en jaillit du sang et de l'eau
14. La passion du Christ selon Saint-Jean, Op. 56: No. 14, Ô Mère! Source d'amour
15. La passion du Christ selon Saint-Jean, Op. 56: No. 15, Au tombeau de Jésus
After his Mass for a New Century and his Requiem, the French composer and organist Frédéric Ledroit has written a new Saint John Passion for soloists and large orchestra, first performed in 2018 in Germany by the interpreters of this recording. The composer writes: “… It will be too long here to describe the integration of symbolism and figurative forms included in this work, which was rewritten several times. To point out only one example, probably the most strange and immediately perceptible by the listener: the role of Saint John, successively represented by three singers, contralto, mezzo-soprano, and then soprano, from bass to treble, in this order in the score. Voices are raising as the action progresses. Exactly like Dante crawling into hell before flying in Paradise.”
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01. La passion du Christ selon Saint-Jean, Op. 56: No. 1, Prélude
02. La passion du Christ selon Saint-Jean, Op. 56: No. 2, Au-delà du torrent Cédron
03. La passion du Christ selon Saint-Jean, Op. 56: No. 3, La coupe que me donne le Père
04. La passion du Christ selon Saint-Jean, Op. 56: No. 4, Pourquoi me frappes-tu?
05. La passion du Christ selon Saint-Jean, Op. 56: No. 5, Interlude
06. La passion du Christ selon Saint-Jean, Op. 56: No. 6, Qui cherche la vérité écoute ma voix
07. La passion du Christ selon Saint-Jean, Op. 56: No. 7, Voici l'homme
08. La passion du Christ selon Saint-Jean, Op. 56: No. 8, Crucifie
09. La passion du Christ selon Saint-Jean, Op. 56: No. 9, Ils prennent Jésus
10. La passion du Christ selon Saint-Jean, Op. 56: No. 10, Golgotha
11. La passion du Christ selon Saint-Jean, Op. 56: No. 11, Tout est fait
12. La passion du Christ selon Saint-Jean, Op. 56: No. 12, Ténèbres
13. La passion du Christ selon Saint-Jean, Op. 56: No. 13, Il en jaillit du sang et de l'eau
14. La passion du Christ selon Saint-Jean, Op. 56: No. 14, Ô Mère! Source d'amour
15. La passion du Christ selon Saint-Jean, Op. 56: No. 15, Au tombeau de Jésus
After his Mass for a New Century and his Requiem, the French composer and organist Frédéric Ledroit has written a new Saint John Passion for soloists and large orchestra, first performed in 2018 in Germany by the interpreters of this recording. The composer writes: “… It will be too long here to describe the integration of symbolism and figurative forms included in this work, which was rewritten several times. To point out only one example, probably the most strange and immediately perceptible by the listener: the role of Saint John, successively represented by three singers, contralto, mezzo-soprano, and then soprano, from bass to treble, in this order in the score. Voices are raising as the action progresses. Exactly like Dante crawling into hell before flying in Paradise.”
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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