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Kristina Hammarstrom - Vivaldi: Opera Arias and Concertos (2014)

Kristina Hammarstrom - Vivaldi: Opera Arias and Concertos (2014)
  • Title: Vivaldi: Opera Arias and Concertos
  • Year Of Release: 2014
  • Label: Deutsche Harmonia Mundi
  • Genre: Classical, Vocal
  • Quality: FLAC (image+.cue,log,scans)
  • Total Time: 55:55
  • Total Size: 358 Mb
  • WebSite:
Tracklist:

1-3 CONCERTO FOR 2 TRUMPETS RV 537
TEUZZONE
4 Aria: Con palme ed allori
5 Aria: La gloria del tuo sangue
TITO MANLIO
6 Aria: Di verde ulivo
ORLANDO FURIOSO
7 Aria: Se cresce un torrente
8-10 CONCERTO OP. III NO. 5 FOR 2 VIOLINS RV 519
ORLANDO FURIOSO
11 Aria: Sol da te, mio dolce amore
BAJAZET
12 Aria: In sì torbida procella
13 Aria: Sposa, son disprezzata
L’INCORONAZIONE DI DARIO (Venezia, 1717)
14 Aria: L’occhio, il labbro, il seno, il core
15 CONCERTO FOR STRINGS RV 121

Performers:
Kristina Hammarström (mezzosoprano)
Concerto de' Cavalieri
Giovanna Barbari (cello on track 06)
Francesca Vicari & Antonio De Secondi (violins on tracks 08-10)
Luigi Lupo (flute on track 10)
Marcello Di Lisa (conductor)

This survey of Vivaldi kicks off with a gutsy yet articulate performance of the Concerto for two trumpets RV 537, featuring flamboyant playing from soloists Andrea Di Mario and Jonathan Pia; it serves as a thrilling overture that leads directly into the spectacular trumpet-laden aria ‘Con palme ed allori’ from Teuzzone (which features some extraordinary embellishments by Kristina Hammarström). A broad range of Vivaldi’s theatrical output for Venice, Mantua and Verona is represented by a pleasingly varied selection of six arias from four different operas and another two arias by Giacomelli from the pasticcio Bajazet (including the striking lament ‘Sposa son disprezzata’, perhaps the recital’s sentimental highlight). Marcello Di Lisa’s astutely paced performances are packed with high-velocity extravagance [...], and ‘Sol da te, mio dolce amore’ (Orlando furioso) attains valuably soft delicacy thanks to the fine work from the flautist Luigi Lupo, tender supporting strings and Hammarström’s emotive singing. -- David Vickers



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  •  wrote in 00:16
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gracias...