Guillermo Pastrana & Daniel Blanch - Manén, Gerhard & Montsalvatge: Works for Cello & Piano (2019) [Hi-Res]
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BAND/ARTIST: Guillermo Pastrana, Daniel Blanch
- Title: Manén, Gerhard & Montsalvatge: Works for Cello & Piano
- Year Of Release: 2019
- Label: IBS Classical
- Genre: Classical
- Quality: flac lossless / flac 24bits - kHz +Booklet
- Total Time: 00:59:16
- Total Size: 279 mb / 1.1 gb
- WebSite: Album Preview
Tracklist
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01. Sonata di concerto, Op. A-42: I. Adagio-Allegro energico
02. Sonata di concerto, Op. A-42: II. Andantino amabile
03. Sonata di concerto, Op. A-42: III. Allegro ritmico e giusto
04. Sonata (Version for Cello & Piano): I. Allegro molto energico
05. Sonata (Version for Cello & Piano): II. Grave
06. Sonata (Version for Cello & Piano): III. Molto vivace
07. Sonata concertante: I. Vigoroso
08. Sonata concertante: II. Moderato sostenuto
09. Sonata concertante: III. Scherzo
10. Sonata concertante: IV. Rondo. Allegro
At the beginning of the 20th century in Catalunya, several approaches to music lived side by side, some succeeding and overlapping each other: a German-influenced post-romanticism, of Wagnerian tradition; a Spanish nationalism, promoted by Felip Pedrell; and a “novecentist” style which sought to reconnect with the truest traditional roots, crystallizing into a language of great originality. All these aesthetic approaches co-existed naturally and became entwined in the works of composers whose language was constantly evolving. Within this musical context, the artistic lives began of three important Catalan composers of three consecutive generations: Joan Manén (1883-1971), Robert Gerhard (1896-1970) and Xavier Montsalvatge (1912 -2002): composers whose extensive output has been performed and received international recognition, and who set out to find their own personal voice from the starting points of different musical styles. All three composed sonatas for cello and piano – works which depart from Spanish traditional music and look to Europe, assimilating the stylistic influences that most suited their contrasting sensibilities and thus making an authentic and original contribution to 20th century musical composition.
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01. Sonata di concerto, Op. A-42: I. Adagio-Allegro energico
02. Sonata di concerto, Op. A-42: II. Andantino amabile
03. Sonata di concerto, Op. A-42: III. Allegro ritmico e giusto
04. Sonata (Version for Cello & Piano): I. Allegro molto energico
05. Sonata (Version for Cello & Piano): II. Grave
06. Sonata (Version for Cello & Piano): III. Molto vivace
07. Sonata concertante: I. Vigoroso
08. Sonata concertante: II. Moderato sostenuto
09. Sonata concertante: III. Scherzo
10. Sonata concertante: IV. Rondo. Allegro
At the beginning of the 20th century in Catalunya, several approaches to music lived side by side, some succeeding and overlapping each other: a German-influenced post-romanticism, of Wagnerian tradition; a Spanish nationalism, promoted by Felip Pedrell; and a “novecentist” style which sought to reconnect with the truest traditional roots, crystallizing into a language of great originality. All these aesthetic approaches co-existed naturally and became entwined in the works of composers whose language was constantly evolving. Within this musical context, the artistic lives began of three important Catalan composers of three consecutive generations: Joan Manén (1883-1971), Robert Gerhard (1896-1970) and Xavier Montsalvatge (1912 -2002): composers whose extensive output has been performed and received international recognition, and who set out to find their own personal voice from the starting points of different musical styles. All three composed sonatas for cello and piano – works which depart from Spanish traditional music and look to Europe, assimilating the stylistic influences that most suited their contrasting sensibilities and thus making an authentic and original contribution to 20th century musical composition.
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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